| Photos (see all 9 | slideshow) | Videos |
| Antonio Banderas | ... | Father Matt Gutierrez | |
| Olivia Williams | ... | Sharon Golban | |
| John Shrapnel | ... | Moshe Cohen | |
| Derek Jacobi | ... | Father Lavelle | |
| Jason Flemyng | ... | Father Walter Winstead | |
| Lillian Lux | ... | Mother | |
| John Wood | ... | Cardinal Pesci | |
| Makram Khoury | ... | Nasir Hamid (as Makram J. Khoury) | |
| Vernon Dobtcheff | ... | Monsignor | |
| Ian McNeice | ... | Dr. Sproul | |
| Mohammed Bakri | ... | Abu Yusef (as Muhamed Bakri) | |
| Yoav Dekelbaum | ... | Avi (as Yoav Deckelbaum) | |
| Sami Samir | ... | Achmed | |
| Jordan Licht | ... | Dorene | |
| Limor Goldstein | ... | Galic | |
| Ariel Horowitz | ... | Reb Nechtal (as Ariel Horovitz) | |
| Roi Horowitz | ... | Zalman (as Roi Horovitz) | |
| Shai Sharabi | ... | Street Urchin | |
| Lillian Lax | ... | Mrs. Kahn | |
| Arieh Elias | ... | Hamid's Father (as Arye Elias) | |
| Sivan Shwartz | ... | Mark | |
| Gilad Bergman | ... | Rani | |
| Halima Abu Aguva | ... | Jasmine | |
| rest of cast listed alphabetically: | |||
| John Glover | ... | Jesus Christ Street Actor | |
Directed by | |||
| Jonas McCord | |||
Writing credits(WGA) | ||
| Richard Sapir | (novel) (as Richard Ben Sapir) | |
| Jonas McCord | (screenplay) | |
Produced by | |||
| Rudy Cohen | .... | producer | |
| Mark Damon | .... | executive producer | |
| Limor Diamant | .... | associate producer | |
| Moshe Diamant | .... | executive producer | |
| Diane Isaacs | .... | executive producer (as Diane Sillan Isaacs) | |
| Nathalie Kassirer | .... | assistant producer | |
| Werner Koenig | .... | executive producer | |
Original Music by | |||
| Serge Colbert | |||
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Alain Jakubowicz | |||
| Lesley Walker | |||
Casting by | |||
| Illana Diamant | |||
| Celestia Fox | |||
Production Design by | |||
| Allan Starski | |||
Art Direction by | |||
| Nenad Pecur | |||
| Giora Porter | |||
Set Decoration by | |||
| William A. Cimino | |||
| Miguel Markin | |||
Costume Design by | |||
| Caroline Harris | |||
Makeup Department | |||
| Frances Hannon | .... | makeup artist | |
| Lisa Tomblin | .... | hair stylist | |
Production Management | |||
| Eitan Alon | .... | unit production manager | |
| Limor Diamant | .... | unit production manager | |
| Victoria Lucas | .... | production supervisor | |
| James Portolese | .... | production supervisor | |
Art Department | |||
| Robyn Glaser | .... | assistant property master | |
| Boaz Katzenelson | .... | property master | |
| Antonio Murer | .... | props | |
| Antonio Murer | .... | stand-by props | |
| Sebastiano Murer | .... | dressing props: italy | |
Sound Department | |||
| Jonathan Bates | .... | supervising sound editor | |
| Mark DeSimone | .... | adr mixer | |
| Craig Irving | .... | sound re-recording mixer | |
| Yohai Moshe | .... | sound mixer | |
| Alastair Sirkett | .... | assistant sound editor | |
Special Effects by | |||
| Pini Klavir | .... | special effects supervisor | |
Visual Effects by | |||
| Angus Cameron | .... | digital effects supervisor | |
| Daniel Pettipher | .... | digital compositor | |
Stunts | |||
| Patrick Cauderlier | .... | stunt coordinator | |
| Yan Dron | .... | stunts | |
| Itzik Farage | .... | stunt coordinator | |
| Max Garnier | .... | stunts | |
| Gilley Grey | .... | stunt double | |
| Vick Hakman | .... | stunts | |
| Rémy Julienne | .... | stunts | |
| Dino Dos Santos | .... | stunt double (uncredited) | |
| Bradley Farmer | .... | stunt driving double: Antonio Banderas (uncredited) | |
Camera and Electrical Department | |||
| Ehab Assal | .... | focus puller: second camera | |
| Stanislao Galasso | .... | electrician: Italy | |
| Alessandro Gentili | .... | assistant camera | |
| Gili Getter | .... | pre-rig gaffer | |
| Nimi Getter | .... | gaffer | |
| Bob Gorelick | .... | camera operator (as Bob Gorelick) | |
| Emanuele Leurini | .... | camera loader: Italy | |
| Ofer Margolin | .... | electrician (as Antaro Ofer Margolin) | |
| Tony Nagy | .... | focus puller | |
| Tami Porath | .... | still photographer | |
| Shimon Sabach | .... | key grip | |
| Yehuda Sar-Israel | .... | camera loader | |
| Moshe Shabbat | .... | best boy grip | |
| Alberto Torrecilla | .... | second assistant camera: "b" camera, Italy | |
| Gaby Weismann | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Katherine Burchill | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Tania Blunden | .... | post-production (as Tania Windsor Blunden) | |
| Claire Ferguson | .... | assistant editor | |
| Nadia Naimi | .... | first assistant editor | |
| Melissa Wegman | .... | Bond Co. Post Superviser | |
Music Department | |||
| Leland Bond | .... | orchestrator | |
| David Snell | .... | conductor | |
Transportation Department | |||
| Eli Ben Zer | .... | driver | |
| Avi Cohen | .... | driver | |
Other crew | |||
| Elisabetta Bartolomei | .... | production coordinator: Italy | |
| Noa Ben David | .... | production coordinator | |
| Osnat Bukoftzer | .... | unit publicist | |
| Joy Ellison | .... | dialect coach: Mr. Banderas | |
| Malle Jensen | .... | assistant: Mr. Banderas | |
| Ami Mammi | .... | stand-in: Mr. Banderas | |
| Ran Moncaz | .... | runner | |
| Mandy Morris | .... | production coordinator | |
| Jonathan Sela | .... | assistant: Vilmos Zsigmond | |
| Michael Alan Signer | .... | unit publicist | |
| Maya Yagen | .... | stand-in: Ms. Williams | |
Thanks | |||
| Lourdes Diaz | .... | thanks | |
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God has no place in politicsthis is the theme of The Body, an interesting film, if not a particularly 'entertaining' one.
Antonio Banderas plays Father Matt Gutierrez, a priest sent by the Vatican to investigate the discovery of a tomb in Jerusalem, which may or may not contain the crucified remains of Christ. Gutierrez has been given instructions by the Vatican to declare that the remains are not those of Christ; but with all of the evidence suggesting otherwise, the priest must struggle with facing the fact that his religion may be founded on a lie, and that, perhaps, Jesus was never resurrected.
Questioning his faith is only the beginning of Gutierrez's problems: Orthodox Jews, angry at the tomb being disturbed, attack the archaeologists; the Israelis blackmail the Vatican, only offering to hand over the body if the Vatican recognises Jerusalem as the undivided capital of Israel; and the Palestinians, who get wind of Israel's plan and are naturally displeased, kidnap the children of sexy archaeologist Sharon Golban (Olivia Williams), forcing her into stealing the bones.
The movie, shot on location in Jerusalem, has beautiful cinematography and great acting from Banderas and Williams, but the complicated plot may cause many viewers to lose interest. Those with a particular interest in the subject matter will probably glean the most from this rather long and intricate tale, but I can imagine the casual viewer quickly becoming bored.
If you choose to watch this, I recommend that you stick it out to the end; you may not be riveted to the screen but, like me, you might learn a little about a fascinating subject.