| Photos (see all 55 | slideshow) | Videos (see all 11) |
Directed by | |||
| David McNally | |||
Writing credits(WGA) | ||
| Gina Wendkos | (written by) | |
Produced by | |||
| Jerry Bruckheimer | .... | producer | |
| Jeff Eamer | .... | associate producer | |
| Scott Gardenhour | .... | executive producer | |
| Jennifer Krug-Worthington | .... | associate producer (as Jennifer Krug Worthington) | |
| Chad Oman | .... | producer | |
| Pat Sandston | .... | associate producer | |
| Mike Stenson | .... | executive producer | |
Original Music by | |||
| Trevor Horn | |||
Cinematography by | |||
| Amir M. Mokri | (director of photography) (as Amir Mokri) | ||
Film Editing by | |||
| William Goldenberg | |||
Casting by | |||
| Bonnie Timmermann | |||
Production Design by | |||
| Jon Hutman | |||
Art Direction by | |||
| Gae S. Buckley | (as Gae Buckley) | ||
| Bruce Alan Miller | |||
Set Decoration by | |||
| Rosemary Brandenburg | |||
Costume Design by | |||
| Marlene Stewart | |||
Makeup Department | |||
| Darla Albright | .... | key makeup artist | |
| Joseph A. Campayno | .... | assistant makeup artist | |
| Rose Chatterton | .... | hair stylist: New York | |
| Kris Evans | .... | makeup artist | |
| Voni Hinkle | .... | hair stylist | |
| Shari Perry | .... | assistant hair stylist (as Sharon Perry) | |
| Cheryl Eckert | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Carl Clifford | .... | unit production manager | |
| Christine C. Fransen | .... | production supervisor | |
| Alma Kuttruff | .... | unit production manager | |
| KristieAnne Reed | .... | executive in charge of production: JBF (as Kristieanne Groelinger) | |
Second Unit Director or Assistant Director | |||
| Denis Doyle | .... | second assistant director: New York (as Dennis Doyle) | |
| Stephen P. Dunn | .... | first assistant director (as Stephen Dunn) | |
| Greg Hale | .... | second assistant director: New York (as Gregory G. Hale) | |
| Sean Hobin | .... | first assistant director (additional photography) | |
| David Kelley | .... | second assistant director | |
| Jules Kovisars | .... | second assistant director: additional photography | |
| Thomas J. Mack | .... | first assistant director | |
| Christina Stauffer | .... | second assistant director | |
| Jack Steinberg | .... | second second assistant director | |
| Andrew Ward | .... | second second assistant director | |
| Dariusz Wolski | .... | second unit director (as Darek Wolski) | |
| Eric Yellin | .... | second second assistant director: New York | |
Special Effects by | |||
| Steven Kirshoff | .... | special effects supervisor: New York (as Steve Kirshoff) | |
| Joe D. Ramsey | .... | special effects coordinator (as Joe Ramsey) | |
| Robert J. Scupp | .... | special effects: New York | |
| Richard Terry Tjelmeland | .... | special effects technician | |
Visual Effects by | |||
| Donna Langston | .... | visual effects producer: Asylum VFX | |
| John Scheer | .... | digital intermediate editor (directors cut) | |
| Jean-Luc Bouchard | .... | digital compositor (uncredited) | |
| Andy Davis | .... | digital compositor: Asylum (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | extras casting: New York | |
| Alison E. McBryde | .... | casting associate | |
| Stephen Vincent | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Robert Bolger | .... | costume production assistant | |
| Anita Cabada | .... | costume assistant | |
| John Casey | .... | costume supervisor (as John C. Casey) | |
| Holly Davis | .... | key costumer | |
| Barrett Hong | .... | wardrobe supervisor: New York | |
| Sabine Huber | .... | costumer | |
| Valerie Manahan | .... | set costumer | |
| Sara Markowitz | .... | costume supervisor | |
| Christine Orth | .... | costumer | |
| Juliet Ouyoung | .... | assistant costume designer: New York | |
| Catherine Wall | .... | cutter/fitter | |
Editorial Department | |||
| Monica Anderson | .... | first assistant editor | |
| Bryan H. Carroll | .... | assistant editor | |
| Tami Goldman | .... | post-production assistant | |
| Gloria Kaiser | .... | color timer | |
| Brett Reed | .... | post-production assistant | |
| Gary Trentham | .... | assistant editor | |
Music Department | |||
| Bob Badami | .... | music supervisor | |
| James Banbury | .... | music programmer | |
| Steve Bartek | .... | additional music arranger | |
| Steve Bartek | .... | composer: additional music | |
| Curt Bisquera | .... | musician | |
| Tim Boot | .... | music playback operator | |
| Michael Boustead | .... | assistant music editor | |
| Mary Ann Campagna | .... | music coordinator | |
| David Richard Campbell | .... | conductor: strings (as David Campbell) | |
| David Richard Campbell | .... | orchestrator: strings (as David Campbell) | |
| Shannon Erbe | .... | music editor | |
| Robert Fernandez | .... | music recordist: strings | |
| Robert Fernandez | .... | score mixer | |
| Chris Fudurich | .... | music editor | |
| Brad Gilderman | .... | music mixer | |
| Katie Greathouse | .... | music production assistant | |
| J.J. Holiday | .... | musician | |
| Trevor Horn | .... | music consultant | |
| Garry Hughes | .... | additional music arranger | |
| Garry Hughes | .... | composer: additional music | |
| Garry Hughes | .... | musician | |
| Steve MacMillan | .... | music mixer | |
| Steve MacMillan | .... | music recordist | |
| Joseph Magee | .... | supervising production music mixer | |
| Jamie Muhoberac | .... | additional music arranger | |
| Jamie Muhoberac | .... | composer: additional music | |
| Jamie Muhoberac | .... | musician | |
| Kathy Nelson | .... | music supervisor | |
| Angelo Palazzo | .... | assistant music editor | |
| Alan Pasqua | .... | musician | |
| Tim Pierce | .... | musician | |
| Paul Poli | .... | music programmer | |
| John Robinson | .... | musician | |
| Mac Robinson | .... | musician | |
| Bettie Ross | .... | music preparation: songs | |
| Tim Weidner | .... | music mixer | |
| Tim Weidner | .... | music recordist | |
| Booker White | .... | music preparation | |
Transportation Department | |||
| Karen K. Chang | .... | transportation office coordinator | |
| Erik Coutts | .... | driver | |
| Manny Demello | .... | driver | |
| Dave Robling | .... | transportation coordinator | |
| Jeff Woodward | .... | driver | |
Other crew | |||
| Mikayla Abromowitz | .... | script supervisor | |
| H. Leah Amir | .... | production assistant | |
| Nancy Anderson | .... | dance double: "Cammie" | |
| Lori A. Balton | .... | location scout | |
| Jack Bavaro | .... | assistant location manager | |
| Vanessa Bendetti | .... | researcher | |
| K.C. Brooks | .... | assistant: Mr. Oman | |
| Yolanda T. Cochran | .... | second assistant accountant | |
| Jan Cosby | .... | second assistant accountant | |
| Jennifer Curran | .... | consultant: bartending | |
| Mike Currie | .... | set production assistant | |
| Lisa Davidson | .... | assistant production coordinator | |
| Robert Dawson | .... | title designer | |
| Stephen P. Del Prete | .... | production assistant | |
| Katrina Elder | .... | assistant production coordinator: re-shoots | |
| Dan Fitzsimons | .... | staff assistant | |
| Brad Gerstner | .... | accounting clerk | |
| Michelle Gold | .... | set production assistant | |
| Laura Grady | .... | body double: Violet (as Laura Grady Peterson) | |
| Terri Greening | .... | first assistant accountant | |
| Gabriela Gutentag | .... | unit publicist | |
| Scott Hamilton | .... | media publicist | |
| Julie Hannum | .... | key assistant location manager | |
| Erik Howsam | .... | assistant: Mike Stenson | |
| Damiana Kamishin | .... | production secretary | |
| Sharon Kitchens | .... | assistant: Mr. Bruckheimer | |
| Todd Kolker | .... | intern | |
| Steven S. Lee | .... | assistant location manager | |
| Chad Lemieux | .... | additional set production assistant | |
| Andrew Magarian | .... | acting coach | |
| Bill McCamey | .... | location nurse | |
| Douglas S. McClintock II | .... | location assistant | |
| Udee McGeoy | .... | assistant choreographer | |
| Randy McKenney | .... | extras coordinator | |
| Rana Morrison | .... | research assistant | |
| Michael Nguyen | .... | set production assistant | |
| Brian M. O'Neill | .... | assistant location manager: Los Angeles | |
| Brian M. O'Neill | .... | location assistant: New York | |
| Travis Payne | .... | choreographer | |
| Blake Perkinson | .... | production assistant | |
| Brandon Perkinson | .... | production assistant | |
| Wynn Petersen | .... | assistant: Ms. Groelinger | |
| Shannon Petska | .... | production assistant | |
| Janice Polley | .... | location manager | |
| Ryan Posly | .... | assistant: Mr. Bruckheimer | |
| Brian Read | .... | assistant: Scott Gardenhour | |
| Guillaume Renberg | .... | remote head technician | |
| Kris Schackman | .... | location assistant: New York | |
| Ted Shred | .... | fire coordinator | |
| Adam Silverstein | .... | stand-in | |
| LaVelle Smith | .... | additional choreographer (as Lavelle Smith Jr.) | |
| Kristian Sorensen | .... | military extras coordinator | |
| Karen Koula Sossiadis | .... | assistant coordinator | |
| Mollie Stallman | .... | production assistant | |
| Angela Stover | .... | dance double: "Rachel" | |
| Robert T. Striem | .... | location manager: New York | |
| Rhys Summerhayes | .... | office production assistant | |
| Katherine Torres | .... | assistant to executive producer: New York | |
| Frank G. Turner | .... | stand-in: John Goodman | |
| Delila Vallot | .... | dance double: "Zoe" (as Jessica Vallot) | |
| Nadia Venesse | .... | dialect coach | |
| Eric Von Arx | .... | location scout | |
| Stacy Walker | .... | assistant choreographer | |
| Ali Waller | .... | production assistant | |
| Reid Warman | .... | production secretary | |
| Tara Wilson | .... | dance double: "Violet" | |
| Manny Chavez | .... | production safety supervisor (uncredited) | |
| Rebecca Edelson | .... | script clearance administrator (uncredited) | |
| Vanessa Grayson | .... | stand-in: Bridget Moynahan (uncredited) | |
| Lisa Janelli | .... | production assistant (uncredited) | |
| Chris Laker | .... | shop manager: New York (uncredited) | |
| Michael Matsumoto | .... | pre-production assistant (uncredited) | |
| Kristin Riddick | .... | adr voice (uncredited) | |
| Howard Samuelsohn | .... | dialect coach (uncredited) | |
|
|
|
|
|
| On the Town | The Palm Beach Story | Battle of Broadway | From Here to Eternity | Before Sunrise |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
The rumor is true: girls like COYOTE UGLY more than guys. And the reasons are obvious as soon as the plot is given. Jersey girl goes to New York to become a song writer. And after initial frustration of having no luck, overhears some girls partying about the $300 each they made last night. She gets an audition at the bar they work at and surprise! The place is completely full of "two year old toddlers" bursting at the sight of babes dancing.
The story is not bad and some characters are likeable, especially Cammie (the "fashion coordinator" part was cute) and the bouncer but let's face it, the drama was horrible and completely laughable from the beginning. Violet and her father looked far too ridiculous while they were relating throughout the movie. And check out Violet too jamming on that keyboard with the break dancer!
For the first time I could think of, how could the production be so terrible? For a brief moment with this movie, Hollywood could stand on its two feet and show a new low without any major public outcry without saying, "You were warned!" Instead, it seems COYOTE UGLY has a purposeful intent on trying to kiss every major rear in the world. Advertising babes in a bar, but showing a paper thin "pursue your dream" story disappointed every male teen you targeted!
And finally, the music. There was absolutely no break of music I found in this movie, especially when it was needed (the hospital scene). Every scene felt like some short music video you just wish would stop until the bar opened. But the climax was an ultimate laugher: an '80s like song you would expect Cyndi Lauper to jump on the stage and jam with Violet. Heck, I personally thought Bon Jovi was going to jump out with the long hair and jam too!
Other than some really smart camera work with the coyote girls when dancing (especially the wet scene), and a couple cute cliches, COYOTE UGLY is something to be purely embarrassed about. Whether you watched or made it, it looked like nothing but time killing. Or wasting depending on how you look at it.