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Directed by | |||
| Gina Prince-Bythewood | |||
Writing credits(WGA) | ||
| Gina Prince-Bythewood | (written by) | |
Produced by | |||
| Andrew Z. Davis | .... | executive producer | |
| Cynthia Guidry | .... | executive producer | |
| Sam Kitt | .... | producer | |
| Spike Lee | .... | producer | |
| Jay Stern | .... | executive producer | |
Original Music by | |||
| Terence Blanchard | |||
Cinematography by | |||
| Reynaldo Villalobos | |||
Film Editing by | |||
| Terilyn A. Shropshire | |||
Casting by | |||
| Aisha Coley | |||
Production Design by | |||
| Jeffrey Howard | |||
Art Direction by | |||
| Sue Chan | |||
Set Decoration by | |||
| Dena Roth | |||
Costume Design by | |||
| Ruth E. Carter | (as Ruth Carter) | ||
Makeup Department | |||
| David Abbott | .... | additional makeup artist | |
| Laverne Caracuzzi | .... | makeup artist | |
| Sterfon Demings | .... | key hair stylist | |
| Anita Gibson | .... | key makeup artist | |
| Isabel Harkins | .... | makeup department head | |
| JoAnn Stafford-Chaney | .... | key hair stylist | |
| Carme Tenuta | .... | makeup artist | |
| Laini Thompson | .... | makeup artist: Mr. Epps | |
| Brian A. Tunstall | .... | key hair stylist (as Brian Andrew Tunstall) | |
| Gisella Tutusaus | .... | makeup artist: Spain | |
| Felicia Herron | .... | hair stylist (uncredited) | |
| Phyllis Williams | .... | makeup artist (uncredited) | |
Production Management | |||
| Ricardo Ceballos | .... | unit production manager: Spain unit | |
| Ric Keeley | .... | post-production supervisor | |
| JoAnn Perritano | .... | unit production manager | |
Art Department | |||
| Eduardo H. Esparza | .... | carpenter | |
| Dervon 'Von' Herron | .... | assistant property master | |
| Jimmie Herron Jr. | .... | property master | |
| Bill Holmquist | .... | construction coordinator | |
| Kathy Orlando | .... | buyer | |
| Edward J. Protiva | .... | set dresser | |
| Brett C. Smith | .... | leadman | |
Sound Department | |||
| Willie D. Burton | .... | sound mixer | |
| Mark Choi | .... | sound effects editor | |
| Marc Fishman | .... | sound re-recording mixer | |
| Alan Freedman | .... | adr mixer | |
| Robert Getty | .... | adr editor | |
| Robert Getty | .... | dialogue editor | |
| David Grant | .... | dialogue editor | |
| Kevin Hamilton | .... | dialogue editor | |
| Kevin Hamilton | .... | sound editor | |
| Frederick Howard | .... | supervising sound designer | |
| Frederick Howard | .... | supervising sound editor | |
| Michael Kamper | .... | sound effects editor | |
| Marvin E. Lewis | .... | boom operator | |
| Derek Marcil | .... | sound re-recording mixer | |
| Michael Mullane | .... | sound effects editor | |
| Johanna Turner | .... | transfer engineer | |
| James Wright | .... | stereo sound consultant: Dolby | |
Stunts | |||
| Jack Carpenter | .... | stunts | |
| Manny Perry | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Ambrose | .... | set lighting technician | |
| Reggie Rock Bythewood | .... | photographer: Hi-8 footage | |
| Dwight Campbell | .... | gaffer | |
| Joe Chess | .... | camera operator: "b" camera | |
| Joe Chess | .... | steadicam operator | |
| James F. Cornick | .... | rigging best boy | |
| Pat Dames | .... | rigging grip | |
| Jim Gordon | .... | grip | |
| Lamarr Gray | .... | rigging electrician | |
| Michael Lyon | .... | electrician | |
| Ray Milazzo | .... | assistant camera | |
| Simone Perusse | .... | best boy electric | |
| Michael Starkey | .... | key rigging grip | |
| D. Stevens | .... | special photographer | |
| R. Michael Stringer | .... | key grip | |
| Monte Swann | .... | 24 frame video operator | |
| Michael Tolochko | .... | electrician | |
| Joseph D. Urbanczyk | .... | camera operator: "a" camera | |
| Jerald L. Wilson | .... | lamp operator | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Cash Oshman | .... | crowd casting | |
| Alex Ruttenberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Karen Aviles | .... | costumer | |
| Conan Castro Jr. | .... | set costumer | |
| Marion Kirk | .... | key costumer | |
| Helen Monaghan | .... | costumer supervisor | |
| Lisa D. Quercioli | .... | PR costumer | |
Editorial Department | |||
| Lara B. Grant | .... | editorial production assistant | |
| John Hendrickson | .... | assistant editor | |
| Alexis Seymour | .... | assistant editor: avid | |
Music Department | |||
| Terence Blanchard | .... | conductor | |
| Terence Blanchard | .... | orchestrator | |
| Robin Burgess | .... | music session coordinator | |
| Tony Dimito | .... | music editor | |
| Michael Dittrick | .... | music editor | |
| Erika Duffee | .... | music session assistant | |
| Paul Holliday | .... | music assistant | |
| Pilar McCurry | .... | executive soundtrack producer | |
| Dana Sano | .... | music executive | |
| Kip Smedley | .... | assistant music engineer | |
| Melodee Sutton | .... | music supervisor | |
| Jay Weigel | .... | music preparation | |
Transportation Department | |||
| Richard Burch | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Ted Moser | .... | transportation coordinator | |
| Jeff Woodward | .... | driver | |
Other crew | |||
| Rod Bacote | .... | assistant location manager | |
| Heath Banks | .... | assistant production coordinator | |
| Maeyen A. Bassey | .... | assistant: Ms. Prince-Bythewood | |
| Lamonte Bell | .... | payroll accountant | |
| Denise Blasor | .... | voice-over artist | |
| Brett Boydstun | .... | production coordinator | |
| Jennifer Conroy | .... | assistant production coordinator | |
| Jamala Gaither | .... | set production assistant | |
| Judy Heinzen | .... | assistant location manager | |
| Dwight Hovey | .... | studio teacher | |
| Jeremy Kendall | .... | production assistant | |
| Colleen Matsuhara | .... | basketball advisor | |
| Colleen Matsuhara | .... | basketball coach | |
| Carol McConnaughey | .... | unit publicist | |
| Melanie Miller | .... | clearance coordinator | |
| Alexander Nicolas | .... | marketing | |
| Maxine Parker | .... | production coordinator: Spain | |
| Steve Spencer | .... | basketball advisor | |
| Steve Spencer | .... | basketball advisor | |
| David Sporn | .... | contract administrator | |
| Marilyn Tasso | .... | production accountant | |
| Jeff Valeri | .... | production assistant | |
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Love and Basketball: Monica and Quincy have lived beside one another since they were kids, and they only care about two things in life - basketball and each other.
I am definitely more of a movie fan than a basketball fan, thus I went in expecting a jock flick with a token relationship thrown in to justify the title. I could not have been more wrong. Unlike "He Got Game" (another very good film), which dwells solely on the negative aspects of the sport - hustlers, hookers, drugs and death, L&B concentrates on the positive things in life and basketball serves as the background rather than the focus. The story is very well written and works on several levels - it refuses to be pinned down as simply a romance or drama, choosing instead a careful blending of different elements. My only complaint - minor at that - would have to be the ending (and no I'm not going to tell you).
First, how could I find fault with a film that actually does a great casting job with Tyra Banks? She has a small cameo role- she plays a beautiful stewardess, small stretch - with some great lines. Omar Epps brings his trademark cockiness to the role, and although it took me awhile to buy him as a basketball player -he's not exactly Goliath -he grows on you. More importantly, he exhibits and a depth and range that he's never shown before. Sanaa Lathan however, goes one step further, and demonstrates an intensity both on and off the court that puts her in a league all her own. Her performance can be summed up as superb.
L&B is real, engaging, and enjoyable.
Don't miss it.