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Gina Prince-Bythewood (written by)
21 April 2000 (USA) more
A story of the passion it takes to keep your dreams alive. more
In 1981 in L.A., Monica moves in next door to Quincy. They're 11, and both want to play in the NBA, just like Quincy's dad... more | add synopsis
10 wins & 14 nominations more
Tyler Perry to write and direct a feature film version of "For Colored Girls"
(From AfterEllen.com. 7 September 2009, 2:53 PM, PDT)
Top Indie Award Goes To Crouching Tiger
(From Studio Briefing - Film News. 26 March 2001)
The title says it all more (114 total)
Directed by | |||
| Gina Prince-Bythewood | |||
Writing credits(WGA) | ||
| Gina Prince-Bythewood | (written by) | |
Produced by | |||
| Andrew Z. Davis | .... | executive producer | |
| Cynthia Guidry | .... | executive producer | |
| Sam Kitt | .... | producer | |
| Spike Lee | .... | producer | |
| Jay Stern | .... | executive producer | |
Original Music by | |||
| Terence Blanchard | |||
Cinematography by | |||
| Reynaldo Villalobos | |||
Film Editing by | |||
| Terilyn A. Shropshire | |||
Casting by | |||
| Aisha Coley | |||
Production Design by | |||
| Jeffrey Howard | |||
Art Direction by | |||
| Sue Chan | |||
Set Decoration by | |||
| Dena Roth | |||
Costume Design by | |||
| Ruth E. Carter | (as Ruth Carter) | ||
Makeup Department | |||
| David Abbott | .... | additional makeup artist | |
| Laverne Caracuzzi | .... | makeup artist | |
| Sterfon Demings | .... | key hair stylist | |
| Anita Gibson | .... | key makeup artist | |
| Isabel Harkins | .... | makeup department head | |
| JoAnn Stafford-Chaney | .... | key hair stylist | |
| Carme Tenuta | .... | makeup artist | |
| Laini Thompson | .... | makeup artist: Mr. Epps | |
| Brian A. Tunstall | .... | key hair stylist (as Brian Andrew Tunstall) | |
| Gisella Tutusaus | .... | makeup artist: Spain | |
| Felicia Herron | .... | hair stylist (uncredited) | |
| Phyllis Williams | .... | makeup artist (uncredited) | |
Production Management | |||
| Ricardo Ceballos | .... | unit production manager: Spain unit | |
| Ric Keeley | .... | post-production supervisor | |
| JoAnn Perritano | .... | unit production manager | |
Art Department | |||
| Eduardo H. Esparza | .... | carpenter | |
| Dervon 'Von' Herron | .... | assistant property master | |
| Jimmie Herron Jr. | .... | property master | |
| Bill Holmquist | .... | construction coordinator | |
| Steven Ladish | .... | set dresser | |
| Kathy Orlando | .... | buyer | |
| Edward J. Protiva | .... | set dresser | |
| Eric Reichardt | .... | painter gang boss | |
| Glenn H. Roberts | .... | on-set dresser | |
| Brett C. Smith | .... | leadman | |
| Barry Jones | .... | painter (uncredited) | |
Sound Department | |||
| Willie D. Burton | .... | sound mixer | |
| Mark Choi | .... | sound effects editor | |
| Marc Fishman | .... | sound re-recording mixer | |
| Alan Freedman | .... | adr mixer | |
| Robert Getty | .... | adr editor | |
| Robert Getty | .... | dialogue editor | |
| David Grant | .... | dialogue editor | |
| Kevin Hamilton | .... | dialogue editor | |
| Kevin Hamilton | .... | sound editor | |
| Frederick Howard | .... | supervising sound designer | |
| Frederick Howard | .... | supervising sound editor | |
| Michael Kamper | .... | sound effects editor | |
| Marvin E. Lewis | .... | boom operator | |
| Derek Marcil | .... | sound re-recording mixer | |
| Michael Mullane | .... | sound effects editor | |
| Johanna Turner | .... | transfer engineer | |
| James Wright | .... | stereo sound consultant: Dolby | |
Stunts | |||
| Jack Carpenter | .... | stunts | |
| Manny Perry | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Ambrose | .... | set lighting technician | |
| Reggie Rock Bythewood | .... | photographer: Hi-8 footage | |
| Dwight Campbell | .... | gaffer | |
| Joe Chess | .... | Steadicam operator | |
| Joe Chess | .... | camera operator: "b" camera | |
| James F. Cornick | .... | rigging best boy | |
| Pat Dames | .... | rigging grip | |
| Jim Gordon | .... | grip | |
| Lamarr Gray | .... | rigging electrician | |
| Michael Lyon | .... | electrician | |
| Ray Milazzo | .... | assistant camera | |
| Simone Perusse | .... | best boy electric | |
| Michael Starkey | .... | key rigging grip | |
| D. Stevens | .... | special photographer | |
| R. Michael Stringer | .... | key grip | |
| Monte Swann | .... | 24 frame video operator | |
| Michael Tolochko | .... | electrician | |
| Joseph D. Urbanczyk | .... | camera operator: "a" camera | |
| Jerald L. Wilson | .... | lamp operator | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Cash Oshman | .... | crowd casting | |
| Alex Ruttenberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Karen Aviles | .... | costumer | |
| Conan Castro Jr. | .... | set costumer | |
| Marion Kirk | .... | key costumer | |
| Helen Monaghan | .... | costumer supervisor | |
| Lisa D. Quercioli | .... | PR costumer | |
| Paula Truman | .... | set costumer | |
Editorial Department | |||
| Lara B. Grant | .... | editorial production assistant | |
| John Hendrickson | .... | assistant editor | |
| Alexis Seymour | .... | assistant editor: avid | |
Music Department | |||
| Terence Blanchard | .... | conductor | |
| Terence Blanchard | .... | orchestrator | |
| Robin Burgess | .... | music session coordinator | |
| Tony Dimito | .... | music editor | |
| Michael Dittrick | .... | music editor | |
| Erika Duffee | .... | music session assistant | |
| Paul Holliday | .... | music assistant | |
| Pilar McCurry | .... | executive soundtrack producer | |
| Dana Sano | .... | music executive | |
| Kip Smedley | .... | assistant music engineer | |
| Melodee Sutton | .... | music supervisor | |
| Jay Weigel | .... | music preparation | |
| Bob Bowen | .... | music coordinator (uncredited) | |
Transportation Department | |||
| Richard Burch | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Ted Moser | .... | transportation coordinator | |
| Jeff Woodward | .... | driver | |
Other crew | |||
| Rod Bacote | .... | assistant location manager | |
| Heath Banks | .... | assistant production coordinator | |
| Maeyen A. Bassey | .... | assistant: Ms. Prince-Bythewood | |
| Lamonte Bell | .... | payroll accountant | |
| Denise Blasor | .... | voice-over artist | |
| Brett Boydstun | .... | production coordinator | |
| Jennifer Conroy | .... | assistant production coordinator | |
| Jamala Gaither | .... | set production assistant | |
| Julie Hannum | .... | location scout | |
| Judy Heinzen | .... | assistant location manager | |
| Dwight Hovey | .... | studio teacher | |
| Jeremy Kendall | .... | production assistant | |
| Colleen Matsuhara | .... | basketball advisor | |
| Colleen Matsuhara | .... | basketball coach | |
| Carol McConnaughey | .... | unit publicist | |
| Melanie Miller | .... | clearance coordinator | |
| Alexander Nicolas | .... | marketing | |
| Maxine Parker | .... | production coordinator: Spain | |
| Steve Spencer | .... | basketball advisor | |
| Steve Spencer | .... | basketball advisor | |
| David Sporn | .... | contract administrator | |
| Marilyn Tasso | .... | production accountant | |
| Jeff Valeri | .... | production assistant | |
Love and Basketball (USA) (closing credits title)
more
Rated PG-13 for sexuality and language.
124 min
1.85 : 1 more
Dolby Digital | SDDS | DTS
Iceland:L | USA:PG-13 (certificate #36989) | South Korea:15 | Australia:M | Germany:6 | Spain:T | UK:12
Factual errors: Some of the High School players were wearing numbers that are illegal in high school basketball. In High School basketball you can't wear any number with a 6,7,8 or 9 in it. more
Camille Wright:
I don't know why I keep wishing that you'll grow out of this tomboy phase.
Monica:
I won't. I'm a lesbian.
[her sister cracks up]
Camille Wright:
That's not funny.
Monica:
That's what you think, is it? Because I'd rather wear a jersey than an apron?
more
Featured in This Film Is Not Yet Rated (2006) more
I Want To Be Your Man more
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Love and Basketball: Monica and Quincy have lived beside one another since they were kids, and they only care about two things in life - basketball and each other.
I am definitely more of a movie fan than a basketball fan, thus I went in expecting a jock flick with a token relationship thrown in to justify the title. I could not have been more wrong. Unlike "He Got Game" (another very good film), which dwells solely on the negative aspects of the sport - hustlers, hookers, drugs and death, L&B concentrates on the positive things in life and basketball serves as the background rather than the focus. The story is very well written and works on several levels - it refuses to be pinned down as simply a romance or drama, choosing instead a careful blending of different elements. My only complaint - minor at that - would have to be the ending (and no I'm not going to tell you).
First, how could I find fault with a film that actually does a great casting job with Tyra Banks? She has a small cameo role- she plays a beautiful stewardess, small stretch - with some great lines. Omar Epps brings his trademark cockiness to the role, and although it took me awhile to buy him as a basketball player -he's not exactly Goliath -he grows on you. More importantly, he exhibits and a depth and range that he's never shown before. Sanaa Lathan however, goes one step further, and demonstrates an intensity both on and off the court that puts her in a league all her own. Her performance can be summed up as superb.
L&B is real, engaging, and enjoyable.
Don't miss it.