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Directed by | |||
| Roger Young | |||
Writing credits(WGA) | ||
| Suzette Couture | (teleplay) | |
Produced by | |||
| Roberta Cadringher | .... | associate producer | |
| Russell Kagan | .... | producer | |
| Frank Konigsberg | .... | co-executive producer | |
| Heinrich Krauss | .... | producer: KirchMedia | |
| Paolo Lucidi | .... | line producer | |
| Lorenzo Minoli | .... | executive producer | |
| Gianmario Pagano | .... | associate producer | |
| Judd Parkin | .... | executive producer | |
| Paolo Piria | .... | producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| Raffaele Mertes | (director of photography) | ||
Film Editing by | |||
| Benjamin A. Weissman | (as Benjamin Weissman) | ||
Casting by | |||
| Barbara Giordani | |||
| Cornelia von Braun | |||
Production Design by | |||
| Paolo Biagetti | |||
Costume Design by | |||
| Simonetta Leoncini | |||
| Giovanni Viti | |||
Makeup Department | |||
| Claudia Catini | .... | hair stylist | |
| Francesca De Simone | .... | hair stylist | |
| Annamaria Ginnoto | .... | hair stylist | |
| Mirella Ginnoto | .... | key hair stylist | |
| Enrico Jacoponi | .... | makeup artist (as Enrico Iacoponi) | |
| Federico Laurenti | .... | makeup artist | |
| Elda Magnanti | .... | key hair stylist | |
| Antonio Maltempo | .... | makeup artist | |
| Alessandra Sampaolo | .... | makeup artist | |
| Fabrizio Sforza | .... | key makeup artist | |
| Edward Ternes | .... | hair stylist: Miss Bisset | |
| Edward Ternes | .... | makeup artist: Miss Bisset | |
| Gianna Viola | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Noureddine Aberdine | .... | second assistant director | |
| Sergio Ercolessi | .... | first assistant director | |
| Emanuela Minoli | .... | second second assistant director | |
| Barbara Pastrovich | .... | second assistant director | |
| Jeff Vacirca | .... | trainee assistant director (as Jeffrey Alan Vacirca) | |
Art Department | |||
| Pasquale Avvisato | .... | property master | |
| Fabio Carussi | .... | construction team | |
| Angelo Caso | .... | sculptor | |
| Luciano Curti | .... | painter | |
| Marco Davoli | .... | construction team | |
| Tatiana Hahn | .... | assistant set dresser (as Titjana Hahn) | |
| Claudio Magrini | .... | key construction | |
| Barnaba Pagliarini | .... | upholsterer | |
| Pietro Petri | .... | construction team | |
| Alberto Ruiu | .... | key plasterer | |
| Sergio Ruiu | .... | plasterer | |
| Giovanni Battista Russo | .... | construction team | |
| Giancarlo Sensidoni | .... | key painter | |
| Domenico Sica | .... | assistant art director | |
| Titus Vossberg | .... | set dresser | |
Sound Department | |||
| Bernard Bats | .... | sound mixer | |
| Beau Biggart | .... | adr mixer | |
| Pierre-Yves Bruneel | .... | boom operator | |
| Kevin Patrick Burns | .... | sound re-recording mixer | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound editor | |
| Jim Fitzpatrick | .... | sound re-recording mixer | |
| Tommy Goodwin | .... | foley mixer | |
| G. Michael Graham | .... | supervising sound editor (as Michael Graham) | |
| Stephen Grubbs | .... | sound editor | |
| Kristi Johns | .... | supervising adr editor | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Keith Rogers | .... | sound re-recording mixer | |
Special Effects by | |||
| Marco Corridori | .... | special effects | |
| Claudio Quaglietti | .... | special effects coordinator | |
| Silvano Scasseddu | .... | special effects | |
Visual Effects by | |||
| Alessia Bassi | .... | visual effects post-production coordinator | |
| Loren Bivens | .... | visual effects | |
| Deane Boeka | .... | visual effects | |
| Marcello Buffa | .... | visual effects post-production supervisor | |
| David Bush | .... | visual effects supervisor | |
| Carla Calderoni | .... | visual effects post-production coordinator | |
| Amedeo Califano | .... | digital artist | |
| Beppe Carabelli | .... | visual effects post-production coordinator | |
| Alessandro Cioffi | .... | digital compositor | |
| Chris DeCristo | .... | digital compositor | |
| Lori Freitag-Hild | .... | visual effects artist | |
| George Garcia | .... | visual effects | |
| Armando Lombardo | .... | compositor | |
| Mario Negrocusa | .... | visual effects technical supervisor | |
| Guido Pappadá | .... | digital effects production manager | |
| Ivan Parillo | .... | digital artist: Dyte | |
| Alessandro Saponi | .... | digital artist | |
| Franco Sgueglia | .... | digital effects coordinator | |
| Scott Snyder | .... | visual effects | |
| Craig Weiss | .... | visual effects supervisor | |
| Niel Wray | .... | digital effects artist (as Neil Wray) | |
| Riccardo Zanettini | .... | digital artist | |
| Dylan Martens | .... | model maker (uncredited) | |
Stunts | |||
| Giorgio Antonini | .... | stunts | |
| Faycal Attougui | .... | stunts | |
| Othman Ilyassa | .... | stunts | |
| Gérard Lesage | .... | stunts | |
| Stefano Maria Mioni | .... | stunts | |
| Cedric Proust | .... | stunts | |
| Joel Proust | .... | stunt coordinator | |
| Franco Maria Salamon | .... | stunt coordinator | |
Casting Department | |||
| Barbara Giordani | .... | casting: Italy | |
| Wendy Kurtzman | .... | casting: USA | |
| Mohamed Nesrate | .... | extras casting | |
| Cornelia von Braun | .... | casting: Germany | |
| Jeremy Zimmerman | .... | casting: Europe (as Jeremy Zimmermann) | |
| Lana Veenker | .... | casting assistant: London (uncredited) | |
Costume and Wardrobe Department | |||
| Romano Amidei | .... | seamstress | |
| Romano Amidei | .... | tailor | |
| Abderrahim Benkhayi | .... | costumes | |
| Vincenzo Cancellara | .... | set costumer | |
| Antonia Chimera | .... | set costumer | |
| Francesca Di Tocco | .... | seamstress | |
| Francesca Di Tocco | .... | tailor | |
| Rossano Marchi | .... | costume ager/dyer | |
| Anna Orazi | .... | set costumer | |
| Giulia Orsacchiotto | .... | seamstress | |
| Giulia Orsacchiotto | .... | tailor | |
| Olga Pagnotta | .... | cutter | |
| Olga Pagnotta | .... | tailor | |
| Uliva Pizzetti | .... | assistant to costume designers | |
| Maria Antonietta Salvatori | .... | set costumer | |
Editorial Department | |||
| Lynn Abroms | .... | assistant editor | |
| Giancarlo Barberi | .... | color timer | |
| Luigi Di Fabio | .... | negative cutter | |
| Michael H. Friedlander | .... | second editor (as Michael Freidlander) | |
| Charlotte Grau | .... | colorist | |
| David Lebowitz | .... | assistant editor | |
Music Department | |||
| Mike Curb | .... | executive producer: soundtrack album | |
| Penka Kouneva | .... | orchestrator | |
| Dino A. Moriana | .... | music editor (as Dino Moriana) | |
| Patrick Williams | .... | conductor | |
Transportation Department | |||
| Abdenabi Izlaguen | .... | transportation coordinator | |
| Enrico Pini | .... | transportation coordinator | |
| Giuliano Troiano | .... | driver (as Giuliano Trojano) | |
Other crew | |||
| Damian Anderson | .... | production coordinator: Rome | |
| Gianfranco Basti | .... | historical & biblical advisor | |
| Tikon of Bronnisty | .... | historical & biblical advisor (as Tikon of Bronnitsky) | |
| Carmine Cellitti | .... | catering chef | |
| Valter De Filippis | .... | gennyman | |
| Francesca Deodato | .... | production secretary | |
| Gabriella Di Santo | .... | production coordinator | |
| Riccardo Di Segni | .... | historical & biblical advisor | |
| Francis Dokyi | .... | production runner: Rome (as Francis B.K. Dokti) | |
| Zouhar El Fassi | .... | accountant: Morocco (as Zouheir El Fassi) | |
| Francesco Fischietti | .... | assistant: Mr. Minoli | |
| Marco Frisina | .... | historical & biblical advisor | |
| Daniele Garonne | .... | historical & biblical advisor (as Daniele Garrone) | |
| Pat Garrett | .... | choreographer: Salome's dance | |
| Giampaolo Grassi | .... | armorer | |
| Michele Greco | .... | location manager | |
| Rachel Griffiths | .... | script supervisor | |
| Heinrich Krauss | .... | historical & biblical advisor | |
| Pierpaolo Marcelli | .... | story editor | |
| Gaia Marotta | .... | production secretary | |
| Marco Olivieri | .... | location manager | |
| Gianmario Pagano | .... | historical & biblical advisor | |
| Franco Penna | .... | chief accountant | |
| Roberto Penna | .... | production auditor | |
| Carla Maria Perrina | .... | payroll clerk | |
| Andrea Piria | .... | accountant | |
| Gianluigi Prato | .... | historical & biblical advisor | |
| Joel Proust | .... | horse master | |
| Elio Usai | .... | gennyman | |
Thanks | |||
| Enrico Sabbatini | .... | in memory of | |
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| San Paolo | The Passion of the Christ | Solomon | The Flame and the Arrow | Samson and Delilah |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Czech Republic section |
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I have just recently rented "Jesus" and I have watched it about 3 times and I'll probably eventually buy it. I absolutely loved this interpretation of Jesus and feel that this movie has brought me closer to him. I now have a more lovable, happy, and caring picture of Jesus in my mind, not that I didn't think of him that way before, it's just that this movie puts across a side of Jesus that we have not often seen in other movies. Watching this movie has just brought him to life for me and (even though I undoubtedly knew that he was real before) makes him seem even more real to me now. I love the fact, like so many others, that this movie portrayed Jesus to be HUMAN, happy, laughing, crying, and all the other emotions that we all, as humans, go through. Only he was not just any human. My absolute favorite part in the movie is when Jesus is crucified. Even though it might not have been long enough, it still captured the pain and agony that Jesus felt. It made my heart break watching this scene, and made me love him and appreciate him even more for the price he paid for us.