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Sam the Man (2000)
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Overview
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A vehicle to finally see Fisher Stevens' talent more (2 total)Cast
(in credits order) (complete, awaiting verification) | Fisher Stevens | ... | Sam Manning |
 | Annabella Sciorra | ... | Cass |
| Alex Porter | ... | Saxophone Player |
 | John Slattery | ... | Maxwell Slade |
 | Annika Peterson | ... | Emily |
 | Ron Rifkin | ... | Richard |
 | Saverio Guerra | ... | Lorenzo Pugano |
| George Plimpton | ... | Himself |
 | Griffin Dunne | ... | Man in Bathroom |
 | Maria Bello | ... | Anastasia Powell |
| Danielle Ferland | ... | Ella |
 | Joshua Dov | ... | College Boy (as Josh Dov) |
 | Rob Morrow | ... | Daniel Lenz |
 | Luis Guzmán | ... | Murray (as Luis Guzman) |
| Jean-Luke Figueroa | ... | Buster Pugano |
| Nadine Mozon | ... | Maria Pugano |
 | Marin Hinkle | ... | Shelly |
 | David Zayas | ... | Billy the Cop |
 | David Eigenberg | ... | Man at Book Reading |
 | Debbon Ayer | ... | Heather |
| Anne Torsiglieri | ... | Woman #1 in Restaurant |
 | Jon Robin Baitz | ... | Man #1 in Restaurant |
 | Dana Wheeler-Nicholson | ... | Woman #2 in Restaurant (as Dana Wheeler Nicholson) |
| Michael Griffiths | ... | Man #2 in Restaurant |
| Jennifer Kutner | ... | Therapist |
| Patrick McMullen | ... | Himself |
| rest of cast listed alphabetically: | |||
| George Antonopoulos | ... | Dinner Guest (uncredited) |
| Zachary Lee | ... | (uncredited) |
Directed by | |||
| Gary Winick | |||
Writing credits(in alphabetical order) | ||
| Kevin Kennedy | screenplay | |
| Paul Kneubuhl | screenplay | |
| Paul Kneubuhl | story | |
| Fisher Stevens | story | |
Produced by | |||
| Molly Bradford | .... | line producer | |
| Michael Kafka | .... | producer | |
| Paul Kneubuhl | .... | co-producer | |
| Fisher Stevens | .... | producer | |
| Bradley White | .... | co-producer | |
| Gary Winick | .... | producer | |
Original Music by | |||
| Joseph L. Altruda | (as Joey Altruda) | ||
Cinematography by | |||
| Wolfgang Held | (director of photography) | ||
Film Editing by | |||
| Sabine Hoffmann | |||
| Leah O'Donnell | (as Lea O'Donnell) | ||
| Michael Ventresco | |||
Casting by | |||
| Jennifer Euston | |||
Production Design by | |||
| Franne Lee | |||
Art Direction by | |||
| David Eigenberg | |||
Set Decoration by | |||
| Conswalia Green | |||
Costume Design by | |||
| Franne Lee | |||
Makeup Department | |||
| Renee Didio | .... | additional makeup artist: Annabella Sciorra (as Renee VonMaluski) | |
| Nicki Ledermann | .... | additional makeup artist (as Nicki Lederman) | |
| Kerrie R. Plant | .... | makeup artist (as Carrie Plant) | |
Second Unit Director or Assistant Director | |||
| Jennifer Blum | .... | assistant director (as Jen Blum) | |
| Michael Sillery | .... | second assistant director | |
Art Department | |||
| Alexandra Billington | .... | art department intern (as Alexandra Dawn Billington) | |
Sound Department | |||
| Mariusz Glabinski | .... | assistant sound editor | |
| Marlena Grzaslewicz | .... | post sound: 701 Sound | |
| Geoff Lippman | .... | sound consultant: Dolby (as Geof Lipman) | |
| Brian Miksis | .... | sound | |
| Brian Prestia | .... | apprentice sound editor | |
| Michael Primmer | .... | boom operator | |
| David Raphael | .... | additional sound recordist | |
| David Raphael | .... | second boom operator | |
| Steven Simons | .... | sound re-recording mixer (as Steve Simons) | |
| Ira Spiegel | .... | post sound: 701 Sound | |
Visual Effects by | |||
| Kevin Baillie | .... | digital artist: The Orphanage | |
| Stuart T. Maschwitz | .... | magic bullet artist: The Orphanage | |
| Ryan Tudhope | .... | digital artist: The Orphanage | |
| Michael Ventresco | .... | digital consultant: Red Scare Inc. | |
Camera and Electrical Department | |||
| David Hocs | .... | camera operator: "b" camera | |
| Lisa Leone | .... | still photographer | |
Casting Department | |||
| Andrew Curry | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jennifer Dorfman | .... | assistant costume designer | |
Editorial Department | |||
| Kim Conner | .... | on-line editor | |
| Jennifer Cossetto | .... | on-line editor | |
| Mary Hulett | .... | on-line editor | |
| Allyson King | .... | on-line editor | |
Music Department | |||
| Joseph L. Altruda | .... | music producer (as Joey Altruda) | |
| Steve Berrios | .... | musician: drums | |
| Pablo Calogero | .... | musician: saxophone | |
| Peter Dowdall | .... | music recording engineer | |
| Lynn Geller | .... | music supervisor | |
| Andrew Gonzalez | .... | musician: bass (as Andy Gonzalez) | |
| Joe Gonzalez | .... | musician: percussion | |
| Arturo O'Farrill | .... | musician: piano | |
| Jim Seeley | .... | musician: trumpet (as Jim Seely) | |
| Bill Ware | .... | musician: vibraphone | |
Other crew | |||
| Paul Brennan | .... | attorney: The Sloss Law Firm | |
| Cindy Galman | .... | location manager | |
| Sarah Kohn | .... | production assistant | |
| Katherine Lindberg | .... | script supervisor | |
| Shilpa Mankikar | .... | production coordinator | |
| Carson Marajuan | .... | production assistant (as Carson Marjamma) | |
| Michael Ventresco | .... | title designer | |
| Marianna Palka | .... | intern (uncredited) | |
Thanks | |||
| Jon Robin Baitz | .... | special thanks (as John Robin Baitz) | |
| Paul Brennan | .... | special thanks | |
| Tamara Jenkins | .... | special thanks | |
| Stuart T. Maschwitz | .... | special thanks (as Stuart Maschwitz) | |
Production CompaniesSpecial Effects
- Orphanage, The (Magic Bullet services)
- Red Scare Inc. (digital consulting)
- 701 Sound post sound
- Bam-Bam Studio music recorded at
- Cinesite laser film recording
- Entertainment Partners payroll services
- HotHouse on-line services
- Near Northeast Insurance production insurance
- Red Scare Inc. titles
- Sloss Law Office attorney
- Sound One sound transfers
- Technicolor color
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
87 minCountry:
USALanguage:
EnglishColor:
ColorSound Mix:
MonoCertification:
USA:TV-MAFAQ
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I viewed this film at the Hamptons Film Festival. I found it to be enjoyable and quite interesting. The ending is not predictable and is quite thought provoking.
It is the tale of a writer who seems to have a block in completing his second novel and in the mean time goes through a journey of self awareness.
I found Fisher Stevens, Sam Manning, to have finally found a character thought allowed him to stretch his skills. He is definitely an underused actor.