| Videos (see all 3) |
| William H. Macy | ... | Alex | |
| John Ritter | ... | Dr. Josh Parks | |
| Neve Campbell | ... | Sarah Cassidy | |
| Donald Sutherland | ... | Michael | |
| Tracey Ullman | ... | Martha | |
| Barbara Bain | ... | Deidre | |
| David Dorfman | ... | Sammy | |
| Tina Lifford | ... | Dr. Leavitt | |
| Bix Barnaba | ... | Louie | |
| Nicholle Tom | ... | Tracy | |
| Thomas Curtis | ... | Alex - Age 7 | |
| Andrea Baker | ... | Candice (as Andrea Taylor) | |
| Steve Moreno | ... | Sean | |
| Erica Ortega | ... | Rachel | |
| Greg Pitts | ... | Alex - Age 20 | |
| Stewart J. Zully | ... | Eddie | |
| Miguel Sandoval | ... | Detective Larson | |
| rest of cast listed alphabetically: | |||
| Nick Cassavetes | ... | (unconfirmed) | |
| Steve Valentine | ... | (unconfirmed) | |
Directed by | |||
| Henry Bromell | |||
Writing credits(WGA) | ||
| Henry Bromell | (written by) | |
Produced by | |||
| David Cooper | .... | executive producer | |
| Matt Cooper | .... | producer | |
| Glenn S. Gainor | .... | line producer | |
| Jody Hedien | .... | co-producer | |
| Andrew Lazar | .... | producer | |
| Lori Miller | .... | producer | |
| Carol S. Trussel | .... | associate producer | |
Original Music by | |||
| Brian Tyler | |||
Cinematography by | |||
| Jeff Jur | (as Jeffrey Jur) | ||
Film Editing by | |||
| Lynzee Klingman | |||
| Cindy Mollo | |||
| Brent White | |||
Casting by | |||
| Matthew Barry | |||
| Nancy Green-Keyes | |||
Production Design by | |||
| Dan Bishop | |||
Art Direction by | |||
| Daniel Bradford | |||
Set Decoration by | |||
| Emma Fairley | |||
Costume Design by | |||
| Susan Matheson | |||
Makeup Department | |||
| Nathalie Allen | .... | makeup artist | |
| Susan A. Cabral | .... | key makeup artist (as Susan Cabral Ebert) | |
| Audree Futterman | .... | key hair stylist (as Audrey Futterman-Stern) | |
| Lydia Milars | .... | makeup artist | |
| Thomas Opitz | .... | hair stylist | |
Production Management | |||
| Bryan Bishop | .... | post-production supervisor (as Bryan C. Bishop) | |
| Debra L. Gainor | .... | production supervisor | |
| Glenn S. Gainor | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Stacey Holmes | .... | second second assistant director | |
| Wendi Lampassi | .... | second assistant director | |
| John Nelson | .... | first assistant director (as John M. Nelson) | |
Art Department | |||
| Scott Buckwald | .... | prop master (as Scott A. Buckwald) | |
| David Clark | .... | assistant property master | |
| Agee Clayton | .... | swing gang (as Aggy Clayton) | |
| Andre Combs | .... | swing gang (as André Alise Combs) | |
| Karen Greene | .... | set painter | |
| Alan K. Harrison | .... | set dresser | |
| Paul Linkogle | .... | swing gang | |
| Noel McCarthy | .... | swing gang (as Noel J. McCarthy) | |
| Ed McGrady | .... | swing gang (as Edward McGrady) | |
| Marilyn Morgan | .... | on-set dresser | |
| Neil O'Sullivan | .... | lead man | |
| Missy Parker | .... | art department coordinator | |
| Brandon Peterson | .... | storyboard artist | |
| Bernadette Repasi | .... | shopper | |
| Suzette Stotts | .... | lead scenic | |
| Thomas 'Noe' Welch | .... | swing gang | |
Sound Department | |||
| Steve Arcabascio | .... | utility operator | |
| Joe Barnett | .... | additional sound re-recording mixer | |
| Ross Davis | .... | sound re-recording mixer | |
| Rob Disner | .... | utility operator (as Robert Disner) | |
| Jed M. Dodge | .... | adr supervisor | |
| Scott Doorley | .... | utility operator | |
| Matt Dubin | .... | engineer: digital transfer | |
| Paula Fairfield | .... | supervising sound editor | |
| Alan Freedman | .... | adr mixer (as Alan 'Danger' Freedman) | |
| Cormac Funge | .... | sound effects editor | |
| Robert Getty | .... | assistant sound editor | |
| Chato Hill | .... | assistant sound editor | |
| C.W. Jones | .... | foley mixer | |
| Ossama Khuluki | .... | foley artist | |
| Kevin Maloney | .... | boom operator | |
| David Mann | .... | foley editor | |
| Carla Murray | .... | sound effects editor | |
| Bryan Pennington | .... | stereo sound consultant: Dolby | |
| Tim Philben | .... | sound re-recording mixer | |
| Yuri Reese | .... | additional sound re-recording mixer | |
| Richard D. Rogers | .... | sound re-recording mixer (as Richard Rogers) | |
| Steve Scoville | .... | dialogue editor | |
| Dean St. John | .... | adr mixer | |
| Johanna Turner | .... | engineer: digital transfer | |
| Ed White | .... | production sound mixer | |
Special Effects by | |||
| Greg Landerer | .... | pyrotechnician (as Gregory C. Landerer) | |
| L.A. McConnell | .... | pyrotechnician (as Lee McConnell) | |
Visual Effects by | |||
| Christopher Dusendschon | .... | hazeltine optical element timing: THDX (uncredited) | |
| Christopher Dusendschon | .... | maintitle and in-show optical compositor: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
Stunts | |||
| Bobby C. King | .... | stunt coordinator | |
| Nathan Siebring | .... | stunts | |
| Justin Sundquist | .... | stunts | |
| Bobby C. King | .... | stunts (uncredited) | |
Casting Department | |||
| David Anthony | .... | extras casting: background players | |
| Judy Cook | .... | extras casting: background players | |
| Barbara Harris | .... | adr voice casting: The Loop Group | |
Costume and Wardrobe Department | |||
| Jeannine Bourdaghs | .... | costume supervisor (as Jeanine Bourdaghs) | |
| Bradley Inaba | .... | costume assistant | |
| Susan Strubel | .... | key set costumer (as Susan M. Strubel) | |
Editorial Department | |||
| Julia Drumheller | .... | assistant editor | |
| Bob Fredrickson | .... | color timer (as Bob Frederickson) | |
Music Department | |||
| Gary Calamar | .... | music supervisor | |
| Christopher Lennertz | .... | orchestrator | |
| Michael Nielsen | .... | music editor (as Michael Nielson) | |
| Dana Niu | .... | orchestrator | |
| Scott Rouse | .... | music editor | |
| Brian Tyler | .... | conductor | |
| Brian Tyler | .... | orchestrator | |
| Jeff Vaughn | .... | score recording engineer | |
Transportation Department | |||
| Billy Colbert | .... | transportation coordinator | |
| Mac 'Buck' Cook | .... | driver | |
| John De Troia | .... | transportation captain (as John V. Detroia) | |
| Troy Gould | .... | driver | |
| Chip Henderson | .... | driver | |
| Jeffrey F. Jones | .... | driver (as Jeffrey Jones) | |
| Mike Mancini | .... | driver | |
| Victor Moore | .... | driver: honeywagon (as Victor A. Moore) | |
| Don Riesau | .... | driver (as Donald L. Riesau) | |
| Ray Stuart | .... | driver | |
| Chris Walden | .... | driver: production van (as Chris D. Walden) | |
| Dave Walden Jr. | .... | transportation captain (as David 'Junior' Walden II) | |
Thanks | |||
| Robert Altman | .... | special thanks | |
| Joey Alvarez | .... | special thanks | |
| Peter Benedek | .... | special thanks | |
| Seth Berg | .... | special thanks | |
| Willie Bromell | .... | special thanks | |
| Bill Buckley | .... | special thanks: Rogers & Cowell | |
| William B. | .... | special thanks (as William B) | |
| Alice Calamar | .... | special thanks | |
| Nick Cassavetes | .... | special thanks | |
| Wendy Christiansen | .... | special thanks | |
| Katurah Clarke | .... | special thanks (as Katurah Clark) | |
| Howard Cohen | .... | special thanks | |
| Marsha Costa | .... | special thanks | |
| Howard Fabrick | .... | special thanks (as Howard Fabrick Esq.) | |
| Ester Friedman | .... | special thanks | |
| Thomas Golubic | .... | special thanks | |
| Josh Haynie | .... | special thanks | |
| Lou Hill | .... | special thanks | |
| Pamela James | .... | special thanks | |
| Bobby Jones | .... | special thanks | |
| Maggi Kelley | .... | special thanks: The Lantana Center | |
| Michael Lai | .... | special thanks | |
| David Landau | .... | special thanks | |
| Linda Lichter | .... | special thanks (as Linda Lichter Esq.) | |
| Lawrence Lui | .... | special thanks | |
| John Massa | .... | special thanks | |
| Gene Meyer | .... | special thanks | |
| Kathryn Morrow | .... | special thanks | |
| Suzanne Moss | .... | special thanks | |
| Peter Nichols | .... | special thanks (as Peter Nichols Esq.) | |
| Jodi Peikoff | .... | special thanks (as Jodi Peikoff Esq.) | |
| Marisa Porter | .... | special thanks | |
| Neil Portnow | .... | special thanks | |
| Clar Ryu | .... | special thanks | |
| Shawn Simon | .... | special thanks (as Shawn Hopkins) | |
| Trish Soodik | .... | special thanks | |
| David Steel | .... | special thanks | |
| Joanne Steenson | .... | special thanks | |
| Jay Sures | .... | special thanks | |
| Jessica Swirnoff | .... | special thanks | |
| Robert Szymanski | .... | special thanks (as Rob Szymanski Esq.) | |
| Diane Upson | .... | special thanks | |
| Pat Woods | .... | special thanks | |
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| Buffalo '66 | Prizzi's Honor | Freeway | A History of Violence | The Limey |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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The `banality of evil' has long been a source of fascination for those artists exploring the dark side of human nature. Gloomy houses filled with vengeful spirits or twitching psychos hold less fear for the common man than the sudden discovery that the `people next door,' the PTA member down the street, or the social director for the local church youth group are the true villains who surround us unnoticed, people whose very `normalcy' serves to mask the evil within. For only when the mask is finally ripped off and we at last get to see what we have been living next to all along do we come to realize how very tenuous is our security and safety in this world. What could be scarier than that?
In this category of works, `Panic' emerges as a genuinely chilling, emotionally unsettling psychological thriller, short on gratuitous violence and long on characterization and mood. Writer/director Henry Bromell has fashioned a dark, disturbing tale of a man named Alex (William H. Macy) who seeks the professional help of a therapist played by John Ritter. Alex's problem is a decidedly unique one: it seems that, since he's been a teen, he has served as hit man for his father (Donald Sutherland) whose mysterious, shady `business' apparently calls for the elimination of certain parties at the request of unknown `clients.' Alex is a seemingly good man, devoted to his wife and son, who has somehow found a way to distance himself emotionally and morally from the heinous crimes he commits. Yet, obviously, Alex has arrived at a point of moral reckoning for how else to explain his sudden need to unburden himself to this total stranger? Macy gives a brilliant performance as Alex, showing, in his totally understated reactions to the people and events around him, what it is like to be buttoned up so tight that even with all the mayhem and filial abuse he's experienced in his life he is able to truthfully say `I don't know if I've ever been angry' even at his father who got him into this life in the first place.
What makes `Panic' so unsettling is that it violates all our comforting notions about the ties that bind father to son and family members to each other. Rather than setting a fine moral example for their child, both of Alex's parents, Michael (Donald Sutherland) and Deidre (Barbara Bain), have actually groomed him to become a cold-blooded killer. Yet, life seems to go on in surface ease within the confines of not only that family but Alex's own family as well. Alex keeps the truth hidden from both his wife, Martha (Tracy Ullman) and his 6-year old son, Sammy (David Dorfman), allowing them to function almost as any other normal suburban family.
Yet, Alex has other, perhaps more mundane problems as well. He meets a somewhat disturbed 23-year old fellow patient named Sarah (Neve Campbell) to whom he feels an immediate attraction. Tentatively, these two lost souls grope towards each other, both of them hoping to find in the other that which is lacking in themselves. But in many ways, Alex is actually a man of strong moral character in certain aspects of his life and he agonizes over taking the initial step towards consummating their relationship, knowing it will harm the wife he loves but no longer feels attracted to. Bromell's sophisticated screenplay refuses to spell out every psychological detail for the audience, allowing us to make our own connections, draw our own conclusions and reach our own moral judgments. As director as well, Bromell establishes and maintains a mood of almost heartbreaking melancholy and sadness. Characters rarely speak above a hush; the camera glides slowly along taking in the scene at a leisurely, unhurried pace; and the haunting musical score heightens the strange unreality of the world which these people have come to inhabit, a world that seems to call into question everything we take for granted in the area of morality, ethics and basic common decency.
The performances from every member of the cast (right on down to little David Dorfman) are letter perfect. Each of these fine actors knows exactly the right note to hit in every scene, never cutting against the grain of understated seriousness that Bromell has established.
`Panic' is a small, underrated gem that lingers long in one's memory.