| Photos (see all 84 | slideshow) | Videos (see all 7) |
| Yun-Fat Chow | ... | Master Li Mu Bai (as Chow Yun Fat) | |
| Michelle Yeoh | ... | Yu Shu Lien | |
| Ziyi Zhang | ... | Jen Yu (Mandarin version) / Jiao Long (English dubbed version) (as Zhang Ziyi) | |
| Chen Chang | ... | Lo 'Dark Cloud' / Luo Xiao Hu | |
| Sihung Lung | ... | Sir Te | |
| Pei-pei Cheng | ... | Jade Fox (as Cheng Pei-Pei) | |
| Fa Zeng Li | ... | Governor Yu | |
| Xian Gao | ... | Bo | |
| Yan Hai | ... | Madame Yu | |
| De Ming Wang | ... | Police Inspector Tsai / Prefect Cai Qiu | |
| Li Li | ... | May (as Li Li) | |
| Su Ying Huang | ... | Auntie Wu | |
| Jin Ting Zhang | ... | De Lu | |
| Rei Yang | ... | Maid | |
| Kai Li | ... | Gou Jun Pei | |
| Jian Hua Feng | ... | Gou Jun Sinung | |
| Zhen Xi Du | ... | Shop Owner | |
| Cheng Lin Xu | ... | Captain | |
| Feng Lin | ... | Captain | |
| Wen Sheng Wang | ... | Gangster A | |
| Dong Song | ... | Gangster B | |
| Zhong Xuan Ma | ... | Mi Biao | |
| Bao Cheng Li | ... | Fung Machete Chang | |
| Yong De Yang | ... | Monk Jing | |
| Shao Jun Zhang | ... | Male Performer | |
| Ning Ma | ... | Female Performer | |
| Jian Min Zhu | ... | Waiter | |
| Chang Cheng Don | ... | Homeless Man | |
| Yi Shih | ... | Waitress | |
| Bin Chen | ... | Servant | |
| Sao Chen Chang | ... | Nightman |
Directed by | |||
| Ang Lee | |||
Writing credits(WGA) | ||
| Du Lu Wang | (book) | |
| Hui-Ling Wang | (screenplay) and | |
| James Schamus | (screenplay) and | |
| Kuo Jung Tsai | (screenplay) | |
Produced by | |||
| Po Chu Chui | .... | associate producer | |
| Ping Dong | .... | co-producer | |
| Li-Kong Hsu | .... | producer (as Hsu Li Kong) | |
| William Kong | .... | producer (as Bill Kong) | |
| Ang Lee | .... | producer | |
| Philip Lee | .... | associate producer | |
| David Linde | .... | executive producer | |
| Er-Dong Liu | .... | line producer | |
| Kelly Miller | .... | production executive: Good Machine International | |
| James Schamus | .... | executive producer | |
| Wai Sum Shia | .... | line producer | |
| Quangang Zheng | .... | co-producer | |
Original Music by | |||
| Tan Dun | |||
Cinematography by | |||
| Peter Pau | |||
Film Editing by | |||
| Tim Squyres | |||
Production Design by | |||
| Timmy Yip | (as Tim Yip) | ||
Art Direction by | |||
| Jian-Quo Wang | |||
| Eddy Wong | (supervising art director) | ||
| Xing-Zhan Yang | (supervising art director) | ||
| Zhanjia Yang | (supervising art director) | ||
| Bin Zhao | |||
Costume Design by | |||
| Timmy Yip | (as Tim Yip) | ||
Makeup Department | |||
| Siu-Mui Chau | .... | hair stylist | |
| Liu-Jing Dong | .... | makeup artist | |
| Yong-Hao Fan | .... | makeup artist | |
| Jian-Ping Liu | .... | makeup artist | |
| Yun-Ling Man | .... | key makeup artist | |
| Yi-Gong Ren | .... | makeup artist | |
Art Department | |||
| Shu-Wing Fung | .... | supervising stand-by props | |
| Yan-Qing He | .... | assistant construction coordinator | |
| Yi Ho | .... | stand-by props | |
| Quan Jiang | .... | construction coordinator | |
| Da-Jiang Ji | .... | set props | |
| King-Fat Kung | .... | property master | |
| Bao-Tai Li | .... | stand-by props | |
| Ming-Shan Li | .... | stand-by props | |
| Wei-Zheng Li | .... | set props | |
| Yi Li | .... | assistant construction coordinator | |
| Chung-Wei Ng | .... | supervising stand-by props | |
| Sue-Chuen Sun | .... | set props | |
| Bing Thang | .... | set props | |
| Zhong-He Tian | .... | assistant construction coordinator | |
| Cei-Ming Tien | .... | set props | |
| Cheng-Sheng Wang | .... | set props | |
| He-Cen Wang | .... | assistant construction coordinator | |
| Song-So Wang | .... | stand-by props | |
| Jua-Feng Zhing | .... | set props | |
| Quin Zhing | .... | assistant construction coordinator | |
Sound Department | |||
| Gina Alfano | .... | adr editor | |
| Mark Betts | .... | technical supervisor: sound | |
| Chad Birmingham | .... | sound department intern | |
| David Boulton | .... | adr mixer | |
| Benjamin Cheah | .... | foley editor | |
| Marko A. Costanzo | .... | foley artist | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Eugene Gearty | .... | supervising sound editor | |
| Lewis Goldstein | .... | dialogue editor | |
| Heather Gross | .... | apprentice sound editor | |
| Harry Higgins | .... | sound coordinator: Sound One Corporation | |
| Kenton Jakub | .... | supervising adr editor | |
| Drew Kunin | .... | production sound mixer (as Andrew Paul Kunin) | |
| George A. Lara | .... | foley recordist | |
| Terrance Laudermilch | .... | sound coordinator: Sound One Corporation (as Terry Laudermilch) | |
| George Leong | .... | boom operator (as George Huey Leong) | |
| Lisa J. Levine | .... | adr editor (as Lisa Levine) | |
| Hal Levinsohn | .... | adr editor | |
| Blake Leyh | .... | sound effects editor | |
| Xiao Xing Lu | .... | assistant sound engineer | |
| Igor Nikolic | .... | assistant sound editor | |
| Jennifer Ralston | .... | sound effects editor | |
| Jennifer Ralston | .... | supervising foley editor | |
| Alex Soco | .... | apprentice sound editor | |
| Reilly Steele | .... | sound re-recording mixer | |
| Betty P. Teng | .... | assistant sound editor | |
| Jean Tsien | .... | adr supervisor | |
| Paul Urmson | .... | dialogue editor | |
| Cuo Qing Xu | .... | assistant sound engineer | |
| Geo Ying | .... | sound assistant | |
| James Ziegler | .... | sound consultant | |
| Alex Raspa | .... | adr recordist (uncredited) | |
| Betty P. Teng | .... | adr editor (uncredited) | |
Visual Effects by | |||
| Patrick Ballin | .... | visual effects editor | |
| Travis Baumann | .... | digital supervisor: Manex LA | |
| Jenny Behnke | .... | digital artist (as Jennifer Behnke) | |
| John Cassella | .... | digital artist (as John Cassella Jr.) | |
| Robert Chapin | .... | digital artist | |
| Charles Darby | .... | digital matte supervisor: Digital Firepower | |
| John 'D.J.' Des Jardin | .... | 3D supervisor | |
| Bill Dietrich | .... | digital artist | |
| Michael Feder | .... | visual effects executive producer: Blue Sky Studios | |
| Donald Fly | .... | general manager | |
| Gilbert Gonzales | .... | paint/roto artist | |
| Nicolle Gray | .... | technical assistant | |
| Rob Hodgson | .... | visual effects supervisor | |
| Kim Lavery | .... | visual effects producer | |
| David Lee | .... | technical assistant (as Dave Lee) | |
| Mary Leitz | .... | digital compositor | |
| Mark Leo Perry | .... | digital artist | |
| Anthony Mabin | .... | senior digital effects compositor: Manex Visual FX (as Anthony 'antman' Mabin) | |
| Matt Magnolia | .... | visual effects coordinator: MVFX | |
| Rod Park | .... | bidding producer | |
| Devorah Petty | .... | digital artist | |
| Sheldon Ramones | .... | technical assistant | |
| John E. Sasaki | .... | digital compositor | |
| Mark Shoaf | .... | digital artist | |
| John Siczewicz | .... | senior digital artist: Blue Sky Studios | |
| Jonathan F. Styrlund | .... | visual effects producer | |
| Daniel Sunwoo | .... | digital artist | |
| Sean White | .... | runner | |
| Eric Wilson | .... | visual effects producer: Blue Sky Studios | |
| Jamie Baxter | .... | digital artist (uncredited) | |
Stunts | |||
| Fong-Tei Chen | .... | martial arts stunts | |
| Hu Chen | .... | martial arts stunts | |
| Tiger Hu Chen | .... | stunts | |
| Su-Weh Chin | .... | martial arts stunts | |
| Wei-Lun Fung | .... | martial arts stunts | |
| Xian Gao | .... | martial arts trainer | |
| Yun Liang Geo | .... | martial arts stunts | |
| Cuan-Liang Ho | .... | martial arts stunts | |
| Chuen-Ze Jin | .... | martial arts stunts | |
| Zheng Jin | .... | martial arts stunts | |
| Zhan-Wen Keu | .... | martial arts stunts | |
| Chi-Tei Lam | .... | martial arts stunts | |
| Feng-Mei Le | .... | martial arts stunts | |
| Feng Lin | .... | martial arts stunts | |
| Hong-Lin Liu | .... | martial arts stunts | |
| Jun Ning | .... | martial arts stunts | |
| Wai-Fai Wong | .... | martial arts stunts | |
Camera and Electrical Department | |||
| Feng-Xiang Bao | .... | set camera grip: second unit | |
| Te Ba | .... | set lighting grip: second unit | |
| Gei-Ming Cao | .... | set lighting grip | |
| Kam-Chuen Chan | .... | still photographer | |
| Sung Fai Choi | .... | camera operator: second unit | |
| Jin-Chu Du | .... | set lighting grip | |
| Jimmy Fok | .... | crane operator | |
| Yun Gao | .... | set lighting grip: second unit | |
| Tao Hai | .... | set camera grip: second unit | |
| Si Ha | .... | set lighting grip: second unit | |
| Hai Hong | .... | set lighting grip: second unit | |
| Patrick Ho | .... | clapper loader | |
| Li-Jun Jia | .... | set lighting grip | |
| Yu-Cuo Jiang | .... | set camera grip | |
| Louis Jong | .... | key grip | |
| Jimmy Kwok | .... | focus puller: second unit | |
| Chun-Shing Lam | .... | electrician | |
| Chun-Wan Lam | .... | gaffer: second unit | |
| Kenny Lam | .... | first focus puller | |
| Kerry Lam | .... | first focus puller | |
| Wai-Kwan Lau | .... | clapper loader: second unit | |
| Wing-Teng Law | .... | electrician: second unit | |
| Tak-Shing Lee | .... | first gaffer | |
| Wing-Kong Leung | .... | camera loader | |
| Baoquan Li | .... | Steadicam operator: second unit | |
| Jie Li | .... | set lighting grip | |
| Ming Hing Ng | .... | electrician | |
| Fi-Hong Pun | .... | electrician | |
| Zhan-Biao Shan | .... | set camera grip | |
| Dong-Shan Shi | .... | set camera grip | |
| Ching-Chuen Shuan | .... | best boy electric | |
| Marc Spicer | .... | underwater photographer: second unit | |
| Lin-Chen Sun | .... | set camera grip | |
| Pin Tang | .... | video operator: second unit | |
| Hai-Zhi Wang | .... | video operator | |
| Shu-Jun Wang | .... | set lighting grip | |
| Yuen-Me Xuen | .... | set camera grip | |
| Hai-Dong Zhang | .... | set camera grip | |
| Long Zhang | .... | set lighting grip | |
| Jia-Lieng Zhing | .... | set camera grip | |
Costume and Wardrobe Department | |||
| Wu-Tong Cao | .... | assistant costumer | |
| Jun Chai | .... | costumer | |
| Jin-Hua Gu | .... | costumer | |
| Shu-Chen Hsu | .... | chief costume supervisor | |
| Bao-Rong Huang | .... | wardrobe master | |
| Wang Rong | .... | costumer | |
| Zhi-Bin Zhao | .... | costumer | |
| Yu-Juan Zheng | .... | assistant costumer | |
Editorial Department | |||
| Pankaj Bajpal | .... | colorist | |
| Angela Bellisio | .... | post-production assistant | |
| Andrew Buckland | .... | assistant editor (as Drew Buchland) | |
| Fred Heid | .... | color timer | |
| Shelby Siegel | .... | second assistant editor | |
| Tim Streeto | .... | first assistant editor | |
| Patricia Sztaba | .... | negative cutter | |
| Stan Sztaba | .... | negative cutter | |
| Jeremy Cohen | .... | post-production assistant (uncredited) | |
Music Department | |||
| Jorge Calandrelli | .... | composer: song "A Love Before Time" | |
| Jorge Calandrelli | .... | music producer: "A Love Before Time" | |
| Xie-Yang Chen | .... | conductor | |
| Elaine Chow | .... | translator: lyrics "A Love Before Time" | |
| David Cossin | .... | musician: percussion | |
| Tan Dun | .... | conductor | |
| Tan Dun | .... | electronic music programming | |
| Tan Dun | .... | music producer | |
| Steven Epstein | .... | music producer | |
| Richard King | .... | music mixer | |
| Xiao-Hui Ma | .... | musician | |
| Yo-Yo Ma | .... | musician: cello solos | |
| Wen-Zhao Pei | .... | music producer | |
| Jun-Ciao Tang | .... | musician | |
| Emmy Tu | .... | music producer | |
| Lin-Chen Yuan | .... | electronic music programming | |
Thanks | |||
| Philip Stockton | .... | special thanks | |
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| The Forbidden Kingdom | Batman Begins | Shi mian mai fu | Ying xiong | Chik yeung tin si |
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As a film student living in Toronto, I look forward to the Toronto International Film Festival every year. Last year, the highlight of the festival for me was American Beauty. This year, it would have to be (so far) Ang Lee's "Crouching Tiger, Hidden Dragon".
Being of Asian descent, I've seen my share of wu xia genre movies to last me a life time. However, most of them are so centred on the fighting, that they forget the rest of the elements that are involed. The movie turns into one long scripted fighting scene with maybe a slight hint of story. Crouching Tiger, on the other hand realizes these issues, and builds these oh-so entertaining action sequences into an epic with typical asian themes such as true love and honour.
Being an epic, one would expect the usual long takes and establishing shots, and boy does it ever look beautiful. Traversing through a myriad of regions spanning the lengh of China (from the deserts to bamboo forests, to mountains high in the clouds), the film soley based on its asthetic properties is nothing short of stunning. The lighting of different landscapes and the exquisitly designed costumes all radiate with stunning colour. And then there's the cinemetography. Wow! The backdrops, establishing shots look absolutely marvelous. If your jaw dropped when you saw Rome and its coliseum in Gladiator, wait until you see ancient Beijing recreated on the screen!
Okay, so it's a good looking movie. What about the story? The complexity of the plot is rather sparse, probably reminiscent of epics such as Braveheart or Gladiator, which is by no means a bad thing. Although both Chow Yun Fat and Michelle Yeo did have major parts, this movie belongs mostly to Zhang Ziyi who IMHO did an amazing job playing a very complex role (one which required her to represent nobily as a princess, naivness, as well as show inner strength). Mainly concentrating on her unwillingness to give in to the ideals of an arranged marriage, the decently written script adds a story of an old warrior trying to retire and a 300+ year old sword.
All in all, this film blends story, well choreographed action, and a stylistic eye to create a mythilogical piece that not only represents the wu xia genre justly by doing it well, but also contributes to raising the quality of filmmaking usually applied in the making of a similar type of film.