| Ben Browder | ... | John Crichton | |
| Claudia Black | ... | Officer Aeryn Sun | |
| Virginia Hey | ... | Pa'u Zotoh Zhaan | |
| Anthony Simcoe | ... | Ka D'Argo | |
| Kent McCord | ... | Jack Crichton | |
| Lani John Tupu | ... | Pilot (as Lani Tupu) | |
| Murray Bartlett | ... | D.K. | |
| Greg Blandy | ... | Peacekeeper Guard #1 | |
| Colin Borgonon | ... | Peacekeeper Weapons Officer | |
| Christine Stephen-Daly | ... | Lt. Teeg | |
| Damen Stephenson | ... | Bio Isolation Man #1 | |
| Lawrence Woodward | ... | Bio Isolation Man #2 | |
| Jonathan Hardy | ... | Dominar Rygel XVI (voice) | |
| rest of cast listed alphabetically: | |||
| Sandi Finlay | ... | Escort Alien (uncredited) | |
| Episode Crew |
Directed by | |||
| Andrew Prowse | |||
Writing credits | ||
| Rockne S. O'Bannon | (creator) | |
| Rockne S. O'Bannon | (written by) | |
Produced by | |||
| Matt Carroll | .... | producer | |
| Richard Clendinnen | .... | line producer | |
| Kris Noble | .... | executive producer | |
| Rockne S. O'Bannon | .... | executive producer | |
| Naren Shankar | .... | co-executive producer | |
Original Music by | |||
| Braedy Neal | (as Subvision) | ||
| Chris Neal | (as Subvision) | ||
| Subvision | |||
Cinematography by | |||
| Craig Barden | (director of photography) | ||
Production Design by | |||
| Tim Ferrier | |||
Art Direction by | |||
| Tom Brown | |||
| Julian Parry | (supervising art director) | ||
| Charlie Revai | |||
Makeup Department | |||
| Adam Johansen | .... | special makeup effects artist | |
| Shane Thomas | .... | makeup artist | |
| Colin Ware | .... | creature designer and prosthetic makeup artist | |
Production Management | |||
| Ralph Belcher | .... | assistant unit manager | |
| Matt Jones | .... | unit manager: second unit | |
Second Unit Director or Assistant Director | |||
| Tigger Carroll | .... | third assistant director | |
Art Department | |||
| Marco Bittner Rosser | .... | draughtsman | |
| Peter Cunningham | .... | art department electrician | |
| Diana Freeman | .... | art department coordinator | |
| Peter 'Babylon' Owens | .... | vehicle builder | |
| David Russell | .... | storyboard artist | |
| Kerrie Van Lambaart | .... | assistant to set designer | |
Sound Department | |||
| Christian Bass | .... | dialogue editor | |
| Rodney Berling | .... | adr & dialogue editor | |
| Nick Breslin | .... | dialogue editor (as Nicholas Breslin) | |
| Damian Candusso | .... | dialogue editor | |
| Ella Fairbairn | .... | assistant sound editor | |
| Linda Murdoch | .... | sound editor | |
| Alicia Slusarski | .... | sound effects editor | |
Special Effects by | |||
| Billy Aziz | .... | special effects technician | |
| Richard Darwin | .... | animatronic model designer | |
| Chris Fitzgerald | .... | creature effects designer | |
| Chris Murray | .... | special effects supervisor | |
| Ronald Rametta | .... | special effects technician | |
| Conrad Rothmann | .... | special effects technician | |
| David Trethewey | .... | special effects senior technician | |
Visual Effects by | |||
| Emmanuel Blasset | .... | visual effects: Animal Logic | |
| Felix Crawshaw | .... | visual effects coordinator | |
| Diego Guerrero | .... | animator | |
| Andrew Jackson | .... | digital artist | |
| Steve James | .... | Co-3D Creative Director | |
| Simon Maddison | .... | visual effects artist | |
| Dave Morley | .... | senior compositor | |
| Robert Nicol | .... | technical director | |
| Alex Scollay | .... | 3D animator | |
| Glen Sharah | .... | systems administrator | |
| Josh Simmonds | .... | digital effects artist | |
| Andy Tamandl | .... | animator | |
| Ben De Luca | .... | systems administrator (uncredited) | |
Stunts | |||
| Ashley Fairfield | .... | stunts | |
| Alex Kuzelicki | .... | stunts | |
| Angela Moore | .... | stunt double | |
Camera and Electrical Department | |||
| Jonas Juhanson | .... | additional grip (as Jo Juhanson) | |
| Adam Kuiper | .... | best boy grip | |
| Peter Stott | .... | focus puller: main camera | |
Animation Department | |||
| Graham Binding | .... | animator | |
Costume and Wardrobe Department | |||
| Julie Barton | .... | set costumer | |
| Jo Thorpe | .... | costume cutter | |
Editorial Department | |||
| Alicia Gleeson | .... | assistant editor | |
| Alan Hansen | .... | colorist | |
| Noelleen Westcombe | .... | post-production coordinator | |
Music Department | |||
| Aaron Symonds | .... | assistant to composer | |
Other crew | |||
| Royce Dunn | .... | script supervisor | |
| Jonathan Hardy | .... | puppetry | |
| Karen Mansfield | .... | script supervisor | |
| Arwen Munro | .... | assistant production coordinator | |
| Christine Robson | .... | production accountant | |
| Oksana Sokol | .... | script supervisor | |
| Victoria Sullivan | .... | script supervisor | |
| Emanda Thomas | .... | assistant to producer | |
| Dama Claire | .... | production consultant (uncredited) | |
| Martin Kosinar | .... | stand-in (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Directed by | |||
| Geoff Bennett | (episode "Perfect Murder, A") | ||
| Tony Tilse | (episode "Look at the Princess, Part I: 'A Kiss is But a Kiss'") (episode "Look at the Princess, Part II: 'I Do, I Think'") (episode "Look at the Princess, Part III: 'The Maltese Crichton'") (episode "Til the Blood Runs Clear") | ||
| Ian Watson | (episode "Into the Lion's Den: Part 1 - Lambs into the Slaughter") | ||
Writing credits(in alphabetical order) | ||
| Rockne S. O'Bannon | creator | |
Produced by | |||
| Richard Manning | .... | executive producer (2003) (episode "Self Inflicted Wounds. Part I Could'a, Would'a, Should'a") | |
| Sue Milliken | .... | consulting producer (episode "Self Inflicted Wounds. Part I Could'a, Would'a, Should'a") | |
| Justin Monjo | .... | co-executive producer (2003) | |
| Justin Monjo | .... | supervising producer (episode "Self Inflicted Wounds. Part I Could'a, Would'a, Should'a") | |
| Lesley Parker | .... | line producer (episode "Self Inflicted Wounds. Part I Could'a, Would'a, Should'a") | |
| Andrew Prowse | .... | co-producer (episode "Self Inflicted Wounds. Part I Could'a, Would'a, Should'a") | |
| Andrew Prowse | .... | producer (2003) | |
| Mark Saraceni | .... | supervising producer (2003) | |
| Emily Skopov | .... | consulting producer (2001-2002) | |
| David Willis | .... | consulting producer | |
| Tony Winley | .... | producer (episode "Self Inflicted Wounds. Part I Could'a, Would'a, Should'a") (as Anthony Winley) | |
Film Editing by | |||
| Nicholas Holmes | (2000-2002) | ||
Makeup Department | |||
| Annie Single | .... | makeup supervisor (season 4) | |
Production Management | |||
| David Birrell | .... | post-production supervisor | |
| Paula Jensen | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Cole | .... | second assistant director: second unit (1999-2001) | |
| Daniel Palmisano | .... | assistant director | |
| Adrian Pickersgill | .... | first assistant director | |
Art Department | |||
| Damien Drew | .... | draftsman | |
| Paul Matthews | .... | art department electrician | |
Sound Department | |||
| Phil Judd | .... | sound mixer | |
| Jo Mion | .... | sound assistant (season 1) | |
| Angus Robertson | .... | post-production sound | |
| Angus Robertson | .... | sound editor | |
| Fabian Sanjurjo | .... | adr editor | |
| Fabian Sanjurjo | .... | dialogue editor | |
Special Effects by | |||
| Stephen Bettles | .... | special effects technician | |
| Kriselle Gardiner | .... | creative supervisor | |
| Chris 'Flimsy' Howes | .... | model maker | |
| Guy Stephens | .... | creative supervisor | |
Visual Effects by | |||
| Vaughn Arnup | .... | digital compositor (third series) | |
| Marten Blumen | .... | digital compositor | |
| Marcus Bolton | .... | lead compositor | |
| Chris Cooper | .... | lead animator | |
| Sarah Dowland | .... | visual effects producer | |
| Stefan Litterini | .... | digital artist | |
| Gregory W. McKee | .... | animatronics | |
| Sunit Parekh | .... | animator | |
| Matt Town | .... | assistant visual effects editor | |
| Paul Kirwan | .... | digital compositor (uncredited) | |
| Brendan Lonergan | .... | creature finisher/painter (uncredited) | |
Stunts | |||
| Daniel Stevens | .... | stunts | |
| Glenn Suter | .... | stunt rigger: decelerator, ratchets | |
Camera and Electrical Department | |||
| Gary Burdett | .... | key grip | |
| Henry Pierce | .... | camera operator | |
| Luke Thomas | .... | focus puller | |
Animation Department | |||
| Chris Cooper | .... | lead animator | |
Casting Department | |||
| Sharon Kune | .... | casting: USA | |
Editorial Department | |||
| Margi Hoy | .... | post-production | |
| Mark Spessot | .... | assistant editor | |
Other crew | |||
| Damian Bradford | .... | puppetry | |
| Dave Cullins | .... | puppetry | |
| Dave Elsey | .... | creative supervisor | |
| Kerry Fetzer | .... | caterer | |
| Jackie Hallatt | .... | creative supervisor: Costuming | |
| Piers Hampton | .... | project producer: Jim Henson's Creature Shop | |
| Joyce Hsieh | .... | production accountant | |
| Karen Jacobson | .... | voice artist | |
| Richard Manning | .... | executive consultant | |
| Reza Mokhtar | .... | caterer | |
| Sophie Siomos | .... | production accountant | |
| Suzy Vaughan | .... | clip clearance | |
| Suzy Vaughan | .... | script clearance | |
| Mak Wilson | .... | puppet master | |
| Jonathan Wolf | .... | studio representative | |
| Megan Worthy | .... | assistant to producer | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Adventure section | IMDb Australia section | Add this title to MyMovies |
Well how can I categorise Farscape without resorting to gushing superlatives? Ok, here goes! The scripts are fantastic, with each episode offering so much entertainment, drama, humour and sheer watchability. The casting is perfect especially that of Zhaan (the blue lady) played by Virginia Hey, each character has a depth that just isn't there on the Star Trek series.
I think having an Australian spin on the show makes this for me, Australia has been knocking out quality films for years and Farscape is no exception.
I have only seen the first four episodes in UK order and they have a quality that makes each 45 minute show (in the UK) stand out more like a film than a weekly TV series.
The episode that really does it for me is 'I, ET' which turns the alien concept around where Moya (a living ship, even the spacecraft has a great character) is forced to land on a planet that has yet to make 'First contact' and is surprisingly earth like and Crichton meets a radio telescope operator and *he* is the 'little green man' to them. Gripping stuff.
In short the effects are great, the scripts are top quality and the main characters (not one of them really given any more importance than any other) are interesting, not always 'good' and well just excellent.
Roll on the second season!