| Videos (see all 4) |
| Heather Donahue | ... | Heather Donahue | |
| Joshua Leonard | ... | Joshua 'Josh' Leonard | |
| Michael C. Williams | ... | Michael 'Mike' Williams (as Michael Williams) | |
| Bob Griffith | ... | Short Fisherman | |
| Jim King | ... | Interviewee | |
| Sandra Sánchez | ... | Waitress (as Sandra Sanchez) | |
| Ed Swanson | ... | Fisherman With Glasses | |
| Patricia DeCou | ... | Mary Brown | |
| Mark Mason | ... | Man in Yellow Hat | |
| Jackie Hallex | ... | Interviewee with Child |
Directed by | |||
| Daniel Myrick | |||
| Eduardo Sánchez | (as Eduardo Sanchez) | ||
Writing credits | ||
| Daniel Myrick | (writer) & | |
| Eduardo Sánchez | (writer) (as Eduardo Sanchez) | |
Produced by | |||
| Robin Cowie | .... | producer | |
| Bob Eick | .... | executive producer | |
| Kevin J. Foxe | .... | executive producer | |
| Gregg Hale | .... | producer | |
| Michael Monello | .... | co-producer | |
Original Music by | |||
| Tony Cora | |||
Cinematography by | |||
| Neal Fredericks | |||
Film Editing by | |||
| Daniel Myrick | |||
| Eduardo Sánchez | (as Eduardo Sanchez) | ||
Production Design by | |||
| Ben Rock | |||
Art Direction by | |||
| Ricardo Moreno | (as Ricardo R. Moreno) | ||
Art Department | |||
| Patricia DeCou | .... | art technician | |
| Brigan Gresh | .... | scenic artist (as Brigan Docking) | |
| Andrew White | .... | scenic artist | |
Sound Department | |||
| Harry Cohen | .... | final sound mixer | |
| Gerry Lentz | .... | final sound mixer | |
| Dana Meeks | .... | sound mixer | |
| Jack Sherdel | .... | sound | |
| Rich Weingart | .... | final sound mixer | |
| Eddie Bydalek | .... | sound recordist (uncredited) | |
| Paul Curtis | .... | dialogue editor (uncredited) | |
| Elisabeth Flaum | .... | sound effects editor (uncredited) | |
| Shawn Kennelly | .... | foley mixer (uncredited) | |
| Clive Taylor | .... | sound editor (TV version) (uncredited) | |
Stunts | |||
| Steven A. Blake | .... | stunt rigging | |
| Douglas Retzler | .... | stunt rigging | |
Camera and Electrical Department | |||
| Stefanie DeCassan | .... | still photographer (as Stefanie Decassan) | |
| Hector Lopez | .... | additional photographer | |
| Julie Ann Smith | .... | still photographer | |
Casting Department | |||
| Lisa Dane | .... | additional casting | |
Music Department | |||
| Dan Barrio | .... | music assistant | |
| Tony Cora | .... | musician | |
Other crew | |||
| Melvin Bayer | .... | location | |
| Howard Bernstein | .... | phase one instigator | |
| Mark Bobrow | .... | production assistant | |
| Beverly Brooks | .... | video to film transfer | |
| Shelley Buell | .... | accountant | |
| Rachel Carter | .... | audition assistant | |
| Harry Clein | .... | marketing | |
| Ray Combs | .... | behind-the-scenes video | |
| Matt Compton | .... | audition assistant | |
| Matt Compton | .... | location | |
| Sarah Cowie | .... | accountant | |
| Carolyn DeCassan | .... | audition assistant | |
| Carolyn DeCassan | .... | production assistant (as Carolyn Decassan) | |
| Stefanie DeCassan | .... | audition assistant | |
| Stefanie DeCassan | .... | production assistant (as Stefanie Decassan) | |
| David Donaldson | .... | video to film transfer | |
| Julia Fair | .... | production assistant | |
| Lonnie Glerum | .... | key production assistant | |
| Christian Gueverra | .... | location | |
| Trey Howard | .... | investor tape production (as Trey Butts) | |
| Chrystal Jordan | .... | investor tape production (as Crystal Jordan) | |
| Shannon Kibler | .... | production assistant | |
| Kurt McNew | .... | production assistant | |
| Zubi Mohammed | .... | behind-the-scenes video | |
| Britt Nichols | .... | audition assistant | |
| Gene O'Baker | .... | accountant | |
| Kelly Phipps | .... | audition assistant | |
| John Pierson | .... | phase one instigator | |
| Billy Plank | .... | production assistant | |
| Tina Plank | .... | production assistant | |
| Dave Poole | .... | production assistant | |
| Sandra Sánchez | .... | production assistant (as Sandra Sanchez) | |
| Dave Segal | .... | investor tape production | |
| Wendy Smith | .... | investor tape production | |
| Joe Solari | .... | investor tape production | |
| Adrian Steinbach | .... | production assistant | |
| Fahad Vania | .... | audition assistant | |
| Fahad Vania | .... | production assistant | |
| Jeremy Walker | .... | marketing | |
| Dennis Warner | .... | investor tape production | |
| William L. Whitacre | .... | legal (as Bill Whitacre) | |
| Jenn Winn | .... | investor tape production | |
| Sam Barber | .... | pre-production supervisor (uncredited) | |
| Cathy Ziehl | .... | assistant to studio vice president (uncredited) | |
Thanks | |||
| Jane E. Barrick | .... | special thanks | |
| Teresa Bone | .... | special thanks | |
| Steve Boudreau | .... | very special thanks | |
| Peter Broderick | .... | special thanks | |
| Carmen Cacaven | .... | special thanks | |
| Larry Carneglia | .... | special thanks | |
| Karo Cavanaugh | .... | very special thanks | |
| Brian Clark | .... | special thanks | |
| Fran Cowie | .... | very special thanks | |
| Les Cowie | .... | very special thanks | |
| Sandy Craig | .... | special thanks | |
| Matthew Curtis | .... | special thanks | |
| Cecilia DeCassan | .... | special thanks | |
| Gino DeCassan | .... | special thanks | |
| Stefanie DeCassan | .... | very special thanks | |
| Sarah Foxe | .... | special thanks | |
| Ingrid Fraley | .... | special thanks | |
| Richard Fraley | .... | special thanks | |
| Melanie Gasper | .... | special thanks | |
| Ellen Gillis | .... | special thanks | |
| Lonnie Glerum | .... | special thanks | |
| Christian Gueverra | .... | special thanks (as Christian Guevara) | |
| Dee Guzzi | .... | special thanks | |
| Jackie Hale | .... | very special thanks | |
| Tonya Hale | .... | special thanks | |
| Lynda Hansen | .... | special thanks | |
| Thomas Ethan Harris | .... | special thanks | |
| Diana Iwanow | .... | special thanks | |
| Jeff Johnsen | .... | special thanks (as Jeff Johnson) | |
| Mary Johnson | .... | special thanks | |
| Bob Jones | .... | special thanks | |
| Mike Jones | .... | special thanks | |
| Nancy Jane King | .... | special thanks | |
| Louise Levison | .... | special thanks | |
| Jean Lipphard | .... | special thanks | |
| Sandra Lukas | .... | special thanks | |
| Scott Macquarrie | .... | very special thanks | |
| Terry Martin | .... | special thanks | |
| Kurt McNew | .... | very special thanks | |
| Margarita Moreno | .... | special thanks | |
| Oscar Moreno | .... | special thanks | |
| Dick Morris | .... | special thanks | |
| Joe Nagy | .... | special thanks | |
| Michael Nelson | .... | special thanks | |
| Dave Norman | .... | very special thanks | |
| Gene O'Baker | .... | very special thanks | |
| Peg O'Keef | .... | special thanks | |
| Anthony Pekarik | .... | special thanks | |
| Klark J. Perez | .... | special thanks | |
| Janet Pierson | .... | special thanks | |
| John Pierson | .... | special thanks | |
| Don Rhodes | .... | special thanks | |
| Jim Ritzel | .... | very special thanks | |
| Korrin Ritzel | .... | very special thanks | |
| Brian Saway | .... | special thanks | |
| Cecilia Saway | .... | special thanks | |
| Rita Saway | .... | special thanks | |
| William Saway | .... | special thanks | |
| Jack Sherdel | .... | very special thanks | |
| Catherine Smith | .... | special thanks | |
| Don Smith | .... | special thanks | |
| Ali Steinbach | .... | very special thanks | |
| Francis Tanner | .... | very special thanks | |
| Lindsey Tanner | .... | very special thanks | |
| Jan Ungaro | .... | very special thanks | |
| Richard Ungaro | .... | very special thanks | |
| Dennis Warner | .... | special thanks | |
| Paul K. Williamson | .... | special thanks | |
| Lorraine Wood | .... | special thanks | |
| Tara Zwicker | .... | special thanks | |
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| Cloverfield | Curse of the Blair Witch | The Last Broadcast | [Rec] | Diary of the Dead |
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Is THE BLAIR WITCH PROJECT a masterful ghost film or a gimmick to create a multi-media event? It is both. The picture, shot on super 8 video and 16mm film displayed in a squared, documentary-like frame, is quirky, annoying, and spectacularly scary. The scenes at night quite frankly scared the hell out of me. The gimmick that THE BLAIR WITCH PROJECT is created confusion and wonder over whether or not the footage shot was real life. Now, we all know the truth, but the French term 'cinema verite' is defined by this grisly film.
A guaranteed cult classic, BLAIR WITCH has "Heather, Mike, and Josh" heading off into the allegedly hexed woods of Maryland looking for the Blair Witch or whatever else may exist up in those hills. For most of the film, it is very unclear. The beginning excerpts ingeniously set up the three participants to believe they are a) experiencing the supernatural, b) being played like a fiddle by the suspicious townspeople or c) just completely out of their minds. Its up to the viewer to decide but my money is on option A.
Most filmgoers know that the filmmakers Sanchez and Myrick used their MAC cards and cookie jars to put this phenom together and I commend them. This is a tour-de-force thriller that does indeed seem real. Its all improvised and 'verite' like and the best part about the movie's many chills are based on the basic premise that scares most of us: We are generally frightened by what we cannot see. Many times throughout the film, the screen is completely dark with sudden bursts of screams and grainy scenery. For the sake of the suspense, the film may have been better if we did not know the gimmick. The realism is sometimes smothering.
True, the hand-held camera can make you achy in the head, but the way the actors play off each other is magic and not for the faint of heart. I viewed the film on DVD with someone who was not feeling too well because of the dizzying camera, but somehow the black and white and color and rain blend together and allow Myrick and Sanchez to do what they were attempting to do. Spooking an audience with unseen forces is so effective and I was reminded of Robert Wise's original THE HAUNTING from 1963 with the groans and the cries and the shrieks. A baby's giggle can be heard during one spellbinding scene when the tent the 3 students sleep in takes on a life of its own.
Much has been made about a similar film made in similar fashion by some other young auteurs well before THE BLAIR WITCH PROJECT was released. I never saw it and if it was as good as this film we would've seen it. Nonetheless, this past summer shocked and surprised me with the amount of good horror pictures around. In the woods, no one can hear you scream either.
Rating: ***1/2