| Photos (see all 95 | slideshow) | Videos (see all 6 NEW) |
| Heath Ledger | ... | William | |
| Rufus Sewell | ... | Count Adhemar | |
| Shannyn Sossamon | ... | Jocelyn | |
| Paul Bettany | ... | Chaucer | |
| Laura Fraser | ... | Kate | |
| Mark Addy | ... | Roland | |
| Alan Tudyk | ... | Wat | |
| Bérénice Bejo | ... | Christiana (as Berenice Bejo) | |
| Scott Handy | ... | Germaine | |
| James Purefoy | ... | Colville | |
| Leagh Conwell | ... | Young William | |
| Christopher Cazenove | ... | John Thatcher | |
| Steven O'Donnell | ... | Simon the Summoner (as Steve O'Donnell) | |
| Jonathan Slinger | ... | Peter the Pardoner | |
| Nick Brimble | ... | Sir Ector | |
| Karel Dobry | ... | Flanders King of Arms | |
| Philip Lenkowsky | ... | Rouen King of Arms | |
| Roger Ashton-Griffiths | ... | Old Bishop | |
| Petr Meissel | ... | Sword Official | |
| Matthew Mills | ... | Colville's Herald (as Mathew Mills) | |
| Daniel Rous | ... | Local Earl Lagny | |
| Vladimir Kulhavy | ... | Fence | |
| Miroslav Mokos | ... | French Squire | |
| Noel le Bon | ... | French Squire (as Noel Le Bon) | |
| Scott Bellefeville | ... | French Squire (as Scott Bellefeuille) | |
| David Schneider | ... | Relic Seller | |
| Rudolf Kubík | ... | Paris Master of Arms (as Rudolf Kubik) | |
| David Fisher | ... | London King of Arms | |
| David Sterne | ... | Retired Knight | |
| Alice Connor | ... | Lone Girl | |
| Alice Veselá | ... | Spy (as Alice Vesela) | |
| Berwick Kaler | ... | Man in Stocks | |
| Howie Lotker | ... | Lagny Master at Arms | |
| Jan Kuzelka | ... | Smithee | |
| Václav Krejcí | ... | Smithee (as Vaclav Krejci) | |
| Jan Nemejovsky | ... | Smithee | |
| rest of cast listed alphabetically: | |||
| Jakob Schwarz | ... | Blackbird Knight (uncredited) | |
Directed by | |||
| Brian Helgeland | |||
Writing credits(WGA) | ||
| Brian Helgeland | (written by) | |
Produced by | |||
| Todd Black | .... | producer | |
| Brian Helgeland | .... | producer | |
| Tim Van Rellim | .... | producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Richard Greatrex | (director of photography) | ||
Film Editing by | |||
| Kevin Stitt | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Tony Burrough | |||
Art Direction by | |||
| John Hill | |||
| Grant Armstrong | (uncredited) | ||
Set Decoration by | |||
| Dominic Smithers | |||
| Jiri Zucek | |||
Costume Design by | |||
| Caroline Harris | |||
Makeup Department | |||
| Ivana Chlostova | .... | makeup artist | |
| Fae Hammond | .... | makeup supervisor | |
| Julianna Mendes-Ebden | .... | makeup artist | |
| Pebbles | .... | key hair stylist | |
| Pebbles | .... | key makeup artist | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| Milan Vlcek | .... | makeup artist | |
| Eva Vytlelová | .... | makeup artist | |
Art Department | |||
| Corina Burrough | .... | production buyer | |
| Noel Cowell | .... | property master | |
| Tomas Hais | .... | set dresser | |
| Pavel Hemmy | .... | property master | |
| Klara Holubova | .... | assistant property master | |
| Mark Kebby | .... | set designer | |
| Tomas Lehovec | .... | stand-by props | |
| Dan Michl | .... | props | |
| Stefan Mily | .... | set dresser | |
| Sam Stokes | .... | on-set art director | |
| Dan Sweetman | .... | storyboard artist | |
| Pavel Tatar | .... | draftsman | |
| Jan Vohlídal | .... | set designer (as Jan Vohlidal) | |
| Václav Vohlídal | .... | set designer (as Vaclav Vohlidal) | |
Special Effects by | |||
| Terry Glass | .... | special effects coordinator | |
| Dana H. Suddath | .... | special effects coordinator | |
| Jirí Vater | .... | special effects technician | |
| Paul Whybrow | .... | special effects supervisor: second unit | |
| Mark Meddings | .... | special effects foreman (uncredited) | |
Visual Effects by | |||
| Marilyn Anderson | .... | technical assistant manager | |
| Nicholas Atkinson | .... | visual effects editor | |
| Mark Bakowski | .... | digital compositor | |
| Lloyd Lee Barnett | .... | digital compositor | |
| Philip Borg | .... | digital artist | |
| Dawn Bowery | .... | digital compositor | |
| Tim Burke | .... | visual effects supervisor | |
| Angus Cameron | .... | digital effects supervisor: Millfilm, Shepperton | |
| Virginie Degorgue | .... | model maker | |
| Rob Delicata | .... | producer: model unit | |
| Dave Early | .... | digital matte painter (as David Early) | |
| Paul Edwards | .... | visual effects producer: Mill Film | |
| Lillan Gahlin | .... | digital compositor: Mill Film | |
| José Granell | .... | model unit supervisor | |
| Charley Henley | .... | digital artist | |
| Adam Howarth | .... | model construction manager | |
| Antony Hunt | .... | visual effects executive producer: Mill Film | |
| Michael Illingworth | .... | digital compositor | |
| Derek Ledbetter | .... | visual effects | |
| Paul Oakley | .... | technical assistant | |
| Simon Payne | .... | digital artist | |
| Chris Shaw | .... | motion control CGI interface | |
| Nigel Stone | .... | director of photography: model unit | |
| Kitty Veevers | .... | digital compositor | |
| Damien Cheetham | .... | post production engineer: Mill Film (uncredited) | |
| Joey Harris | .... | technical assistant (uncredited) | |
| Craig Rowe | .... | technical assistant: MillFilm (uncredited) | |
Stunts | |||
| Patrice Cossoneau | .... | stunts | |
| Antonin Dave | .... | stunts | |
| Thomas DuPont | .... | stunts | |
| Cedric Gary | .... | stunts | |
| Allan Graf | .... | stunt coordinator | |
| Michal Grün | .... | stunts (as Michael Grun) | |
| Jiri Horky | .... | stunt rigger | |
| Martin Hub | .... | stunt coordinator: Czech Republic | |
| Dusan Hyska | .... | stunt rigger | |
| Roman Jankovic | .... | stunt double | |
| Roman Jankovic | .... | stunts | |
| Filip Kadlec | .... | stunts | |
| Jindrich Klaus | .... | stunt rigger | |
| Ales Kosnar | .... | stunts (as Ales Krosnar) | |
| Miroslav Lhotka | .... | stunt performer | |
| Michael Sandala | .... | stunts | |
| Dennis Scott | .... | stunts (as Dennis R. Scott) | |
| Mike Watson | .... | stunts | |
| Paul Weston | .... | sword fight choreographer | |
| Webster Whinery | .... | stunts | |
| Pavel Cajzl | .... | stunt double (uncredited) | |
| Dimo Liptkovsky | .... | stunts (uncredited) | |
| Gareth Milne | .... | assistant stunt coordinator (uncredited) | |
| Jan Petrina | .... | stunts (uncredited) | |
| Paul Weston | .... | stunt coordinator (uncredited) | |
| Pete White | .... | horse stunt coordinator (uncredited) | |
| Nick Wilkinson | .... | assistant stunt coordinator (uncredited) | |
Casting Department | |||
| Jessica Horáthová | .... | casting: Czech Republic (as Jessica Horvathova) | |
| Peter Kalin | .... | associate casting: in-house | |
| Josef Loucim | .... | extras casting | |
| Gilly Poole | .... | casting: U.K. | |
| Nancy Safran | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Angela Anzimani | .... | workshop tailor | |
| Tim Aslam | .... | assistant wardrobe supervisor | |
| Alma Barbieri | .... | workshop tailor | |
| Simon Brindle | .... | special costumes | |
| Katherine Burchill | .... | assistant costume designer | |
| Corina Burrough | .... | equine dresser | |
| Georgina Gunner | .... | wardrobe mistress | |
| Tereza Horakova | .... | interpreter: wardrobe department | |
| Alice Kheilova | .... | costume interpreter | |
| Marco Magno | .... | wardrobe assistant | |
| Marco Scotti | .... | wardrobe supervisor | |
| Iveta Trmalova | .... | wardrobe mistress | |
Editorial Department | |||
| Steven A. Calabro | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Peter McNulty | .... | first assistant editor | |
| Andrea Pugner | .... | assistant editor | |
| Eric Rigney | .... | avid technician | |
Music Department | |||
| Robb Boyd | .... | assistant music editor | |
| Michael Farrow | .... | score mixer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Sonny Kompanek | .... | orchestrator | |
| Dean Parker | .... | music assistant | |
| Adam Milo Smalley | .... | music editor | |
| David Torn | .... | musician: guitar soloist | |
Transportation Department | |||
| Silvie Janculová | .... | transportation captain | |
Other crew | |||
| Stanley Brossette | .... | unit publicist | |
| Tami Cassell | .... | adr loop group | |
| Karolina Cerna | .... | accounting assistant | |
| Hana Duplinska | .... | assistant: Mr. Helgeland | |
| Boban Dvorak | .... | assistant to director: second unit | |
| Daniel S. Frisch | .... | production accountant | |
| Romana Hajkova | .... | assistant horse master (as Romana Havkova) | |
| Caroline Harris | .... | armor designer | |
| Stuart Hopps | .... | choreographer | |
| Veronika Horka | .... | production coordinator | |
| Peter Hric | .... | horse master (as Andy Hric) | |
| Lance Johnson | .... | office intern | |
| Lenka Kadlecova | .... | production secretary | |
| Samantha Knox-Johnston | .... | travel coordinator | |
| Jiri Krejcir | .... | location manager | |
| Tina Marie Montoya | .... | assistant: Mr. Van Rellim | |
| Pavel Myslik | .... | assistant horse master | |
| Anneliese O'Callaghan | .... | production coordinator | |
| Jan Rehanzl | .... | set production assistant | |
| Kathy Rowe | .... | assistant: Mr. Black | |
| Burton Sharp | .... | adr group coordinator | |
| Katerina Silna | .... | assistant production coordinator | |
| Laura Summer | .... | adr voice group | |
| Jiri Tichacek | .... | assistant accountant | |
| David Torn | .... | solo guitar & textures | |
| Vittorio Torrieri | .... | workshop tailor | |
| Vera Trousilová | .... | payroll accountant: Czech Republic | |
| John Uribe | .... | first assistant accountant | |
| Peter White | .... | horse master | |
| Beverly Winston | .... | script supervisor | |
| Pamela Clay | .... | adr voice (uncredited) | |
| Yasmine El-Ghamrawy | .... | technical assistant (uncredited) | |
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| Excalibur | Star Wars: Episode I - The Phantom Menace | Titanic | Balls of Fury | Ridicule |
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In the year of the lackluster blockbuster (ie Pearl Harbor) and horribly disappointing hype-fests (ie Planet of the Apes) Brian Helgeland's "A Knight's Tale" shines bright. What makes the film so amazing is that the story isn't particularly fresh, the lead characters aren't particularly original, and the "special effects" aren't particularly special, yet Helgeland delivers a romping action comedy that delivers on all fronts. This is fusion-theater at it's best. The audience is believeably transported to the 14th century despite myriad references to the modern world. We're assaulted by the action and drama, yet cradled by the humor and emotion. Most importantly, at no point in the film are we brought back to reality; the characters are that charming and believeable. Even the villain has certain endearing qualities. Not enough that we don't still want to see him kicked swiftly in the groin, but we aren't totally put off by him, either. Think Travolta in Swordfish, or Pacino in Scarface. The men we love to hate.
It's difficult to lay a finger on what most gives this film its weight. I'm tempted to say it's the cast, because it's a collection of relative unknowns who manage to take their characters and completely make them their own. Bettany's Chaucer is wickedly impressive, Tudyk's Wat is a scream, Addy's Roland is almost squeezable, and Sewell's Adhemar is completely vile. The only "star" in the film is the little-known Heath Ledger, who brings a time-worn character to the screen with some kind of fresh perspective that has us cheering from the moment we're introduced to him. There are no Travoltas or Pacinos, and amazingly enough this film is all the better for it.
Throughout the screenplay Brian Helgeland, who not only directed but wrote and produced, gives us humor, sentiment and adrenaline in just the right measure. The lead characters really aren't new, but they are somehow fresh. And the supporting characters, while assembled according to formula, aren't formulaic in any way. Their emotion, approach and sensibilities are quite unique. Even the most predictable minor character (Edward the Black Prince) is oddly touching and powerful, despite the fact we know exactly what we're going to get with him.
The music is vibrant, and its usage is terribly original. The cinematography is at times lacking (the lighting is off quite badly at points, as the "Stocks" outtake presented on the DVD will make clear), but even my jaundiced and jaded eye honestly didn't notice until the third viewing of the film. Honestly, I was too riveted to pick up on it. I was IN the 14th century. What did I know from lighting?
Costuming is first-rate, the dialogue is precious, and though some of the humor is forced, by the time we get to those parts we're already too entranced by the rolicking good nature of the film to even care.
In short, this is a low-budget, minimal star-power action adventure comedy romance that borrows all the best elements of The Three Musketeers (BOTH major versions), The Karate Kid (of which I am much reminded) and An Officer and a Gentleman. It is quite a feat. The highest mark of respect I can give a film is to actually purchase it (it goes against my grain to own a movie when there's a Blockbuster on every corner), but I had "A Knight's Tale" in my collection the day it was released...and this after having paid to see it three times in the theater!
Yes, it's been a disappointing year for Hollywood. But "A Knight's Tale" proves that all is not lost. Rent it, buy it or steal it, but SEE it!