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Phone Booth (2002)
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Overview
User Rating:
Director:
Writer (WGA):
Larry Cohen (written by)
Release Date:
4 April 2003 (USA)
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Tagline:
A ringing phone has to be answered. more
Plot:
Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. full summary | full synopsis
Plot Keywords:
Publicist
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Sniper
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Sniper Rifle
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New York City
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Hostage
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Awards:
7 nominations
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NewsDesk:
(71 articles)
Dublin toilet humor on show at U.S. film festivals (IrishCentral)
(From IrishCentral. 17 November 2009, 2:02 AM, PST)
The Sunday Movie Quiz – The Answers
(From HeyUGuys. 16 November 2009, 12:33 PM, PST)
(From IrishCentral. 17 November 2009, 2:02 AM, PST)
The Sunday Movie Quiz – The Answers
(From HeyUGuys. 16 November 2009, 12:33 PM, PST)
User Comments:
One ringy dingy.
more (596 total)
US TV Schedule:
Cast
(Cast overview, first billed only) | Colin Farrell | ... | Stu Shepard |
 | Kiefer Sutherland | ... | The Caller |
 | Forest Whitaker | ... | Captain Ed Ramey |
 | Radha Mitchell | ... | Kelly Shepard |
 | Katie Holmes | ... | Pamela McFadden |
 | Paula Jai Parker | ... | Felicia |
| Arian Waring Ash | ... | Corky (as Arian Ash) |
 | Tia Texada | ... | Asia |
 | John Enos III | ... | Leon |
 | Richard T. Jones | ... | Sergeant Cole |
| Keith Nobbs | ... | Adam |
 | Dell Yount | ... | Pizza Guy |
 | James MacDonald | ... | Negotiator |
 | Josh Pais | ... | Mario |
 | Yorgo Constantine | ... | ESU Commander |
Additional Details
MPAA:
Rated R for pervasive language and some violence.
Parents Guide:
Runtime:
81 min
Country:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
USA:R (certificate #39201) |
Sweden:11 |
Iceland:14 |
Iceland:16 (video rating) |
Netherlands:12 |
Malaysia:(Banned) |
Germany:12 (cut) |
South Korea:12 |
Philippines:PG-13 |
Brazil:14 |
New Zealand:M |
Australia:MA (original rating) |
Australia:M (re-rating on appeal) |
Canada:13+ (Quebec) |
Canada:14A |
Finland:K-15 |
Mexico:B15 |
Norway:15 |
Singapore:NC-16 |
Singapore:PG (cut) |
UK:15 |
Portugal:M/12 |
Germany:16
Filming Locations:
Company:
Fun Stuff
Trivia:
Mel Gibson was set to star and even gave screenwriter some helpful suggestions that wound up in the film, but he eventually backed out.
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Goofs:
Continuity: When Stu is walking outside Mario's restaurant, his cigarette appears and disappears between shots.
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Quotes:
The Caller:
Come on Stu. You're a selfish guy. Just pick one of them and save yourself.
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Movie Connections:
Referenced in Saturday Night Live: The Best of Tracy Morgan (2004) (V)
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Soundtrack:
Operator
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FAQ
This FAQ is empty. Add the first question.more (596 total)
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Anyone who doubts that people are as easily programmable as Pavlov's pets need look no further Graham Bell's little box. While most of us generally don't start salivating at the sound of a ringing phone, few people (unless they work for a software help desk) can resist the urge to answer one. Pray that the darkest force that dials your number is a telemarketer.
For Stu Shephard, sincerity is little more than a fuzzy concept. A shady publicist, his life consists of spinning interconnecting webs of lies to further the careers of clients and raise his stature. In his spare time he enjoys abusing his assistant, and ignoring his wife. Stu is, is also determined to give an impressionable young actress a test run on the casting couch. When he enters the one functioning pay phone in a ten-block radius in the hopes of setting up a liaison, the phone rings. It turns out to be Stu's conscience on the line. With a sniper rifle aimed at Stu's head.
When you take into account that `Phone Booth' was filmed in just ten days, on a limited budget with a dearth of special effects, one principle actor and a single venue you could be forgiven for questioning the potential success of this film. The original November 2001 release date might give one pause - films that sit on the shelf usually do so for a reason - read `straight to video'. In this instance the studio wanted to wait until Farrell was more familiar to moviegoers. He achieved this with a little film called `Minority Report' (the name of his co-star escapes me at the moment...). `Phone Booth's' new release date had to be pushed back once again after the sniping episodes in Washington. Some things are worth the wait.
While he stole the spotlight as the maniacal hit man in `Daredevil', Farrell is faced with a different animal in `Phone Booth', an 80-minute soliloquy which lives or dies on his performance (several A-list stars walked away from the project for this very reason). Reminiscent of his much-lauded turn in `Tigerland', Farrell confirms that he isn't a one trick pony, proffering a wide-ranging display of emotions, from cocky to cathartic without straying into soap opera or comic territory. He delivers his lines with a solid fluidity rare among his peers, no simple feat when one takes into account that he's suppressing a harsh brogue. Farrell also demonstrates a presence, beyond mere charisma - his good looks can only inspire interest for so long - that draw the viewer into the story.
While the supporting cast - Katie Holmes as the naive ingenue and Forrest Whitaker as the good cop - fulfill their purpose, it is Keifer Sutherland who takes up what little slack there is. While the audience doesn't get to see Sutherland, he is amply menacing as the cold, otherworldly voice on the other end of the phone. The audience is never privy to who he is (`Just call me Bob') or what his motives are, but it is inconsequential - he sees all, knows all, and is clearly in charge. Unlike S&M, there are no safe words. And for a control freak like Stu nothing could be more terrifying.
Although tied to a static location, deft camera work provides action, perspective and mood with such techniques as quick pans, compressed zooming, and picture in picture sequences, while careful not to cross the gimmickry line . Enhanced sound editing bolsters the visuals: ringing phones are jarring, Bob's quietly booming voice is unsettling, and the sound of a round being chambered is deafening.
`Phone Booth' could easily have been a quirky novelty flick that played well amongst the art house set. Thanks to Farrell's performance it makes for good mainstream cinema (normally an oxymoron) and may actually make a few top ten lists.