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74 out of 87 people found the following review useful: Excellent film, 29 November 2004 Author: Avoura from London, UK
Best robot film ever. This really is a great film, which shows how a machine who strangely is endowed with creativity, thought and awareness unlike other robots, strives to become more than he is. This is a great film and very much about family life, emotions, what it means to be human, and trying to better oneself through both serving others and learning with others about oneself. If you ever wanted to be more than you are then watch this film. This is not so much a film about robots or sci-fi, but a film about life and humanity and relationships, love and family. The robots and sci-fi are just a scenario which allows us to explore ourselves more as humans and wonder about our existence.
67 out of 75 people found the following review useful: uneven but often rewarding film, 25 June 2000 Author: Roland E. Zwick (magneteach@aol.com) from United States
Owing to the fact that it is based on an Isaac Asimov story, `Bicentennial Man' turns out to be a more interesting and meaningful film than both its advertising campaign and its own opening section would indicate. The caveat for those seeking out a fun film for the entire family is that this movie, though initially sold as a warm cuddly comedy in the tradition of say `Mrs. Doubtfire,' actually deals with some very heavy and heady issues like sexuality, aging and dying, which may make it less-than-ideal viewing for young children.The first section of the film is, by far, its weakest. In 2005, the wealthy Martin family receives delivery of a brand new servant android (Robin Williams) who, almost immediately, begins to display a remarkable range of human emotions and interests. Thus, we are set up for yet another in a long line of predictable tales (i.e. `Harry and the Hendersons,' `Stuart Little') in which a family comes to adopt a strange, not-quite-human creature, welcoming him in as one of their own. Indeed, in the film's early stages, there is no shortage of either bland humor or drippy sentimentality as Andrew, the android, ingratiates himself with all but one of the Martin household. The `wit' in the film consists, basically, of endless jokes about how Andrew takes all idioms at literal face value, a running gag that is, finally, as unoriginal as it is wearying.Then, however, just as we are about to give up hope in it, the movie becomes more intriguing. Rather than staying within the context of the present life of this one family, the screenplay begins to move ahead in time, exploring Andrew's gradual growth toward total humanity, while the initial family grows up and eventually dies off. Actually, despite how one may feel about the film itself, one must admire its boldness and audacity, for it is not often that, in a film billed as a mass audience comedy, all the main characters pass on to their heavenly reward at one point or another – but, then again, how many comedies span a two hundred year time period? `Bicentennial Man' obviously has more on its mind than mere fish-out-of-water buffoonery, as it becomes an often-elegiac reflection on the transience of life, the meaning of being human and the search for societal acceptance. The mood of the film is remarkably hushed and reflective at times, which again might make it slow going for the modern mass audience more conditioned to a faster pace and giddier tone, especially in a Robin Williams film (though, of late, his films have certainly been taking on a much more somber quality, vide `What Dreams may Come,' `Patch Adams' and `Jakob the Liar'). There are times when `Bicentennial Man' seems overly impressed with its own self-importance, yet one appreciates its refusal to settle for the easy path of cheap comedy and upbeat sentiments. There is, indeed, a real sadness to much of the film.Special acknowledgement should be made of the superb art direction, set design, costume design, makeup and special effects that together give the film its understated and believable futuristic look. In addition, James Horner's melancholic symphonic score, though a bit lubricious at times, does create an atmosphere of contemplative seriousness that perfectly matches the tone and purpose of the film.`Bicentennial Man' may not turn out to be what you are looking for when you first seek it out, but, if you approach it with an open mind and a certain degree of tolerance and indulgence, you may be pleasantly surprised and, perhaps, even rewarded.
44 out of 50 people found the following review useful: A good well-paced touching movie, 13 February 2004 Author: Stephen McGhee from Oklahoma City, OK - US
This movie surprised me. Having been a fan of Issac Asimov for many years I thought that this adaptation with Chris Columbus at the helm would be terrible. I was wrong. Some may complain that this movie is too long and slow, but I would wager that their attention spans are somewhat lacking. If you are looking for a high action movie with robots then you have come to the wrong place. If you are looking for a sci-fi based romantic comedy about the personal growth of one man...er robot, then this is the movie. The comedy was well written and well played, appropriately placed in each moment. AS for the character of Andrew(Robin Williams), though he is supposed to be a robot you really connect with his character and sense his growth over time. Unlike A.I. his character learns and grows and has real not fabricated emotional attachments. I give this movie an 8 or 9. Very good.
43 out of 50 people found the following review useful: A beautifully Innocent Film, 16 January 2005 Author: mjw2305 from England
Firstly, i have not read Asimov's book and therefore cannot remark on any errors in translation from book to film.I have read many of the comments posted here on the IMDb, but fail to see why so many people feel the need to mention that the world is perceived as perfect in the the future, maybe it is, maybe it isn't, the fact is, it's not important. This movie quite simply follows the life of a man trapped in a robots body and his quest to be accepted in the world, and be allowed to love and cherish the people close to him.I have to say that i didn't expect much from this movie, i thought it would be a kids film, full of typical Robin Williams style laughs, i was way off in my assumption. This is probably Robin Williams's best performance and it is a very emotional journey through change and development of the human condition.Overall the film is quite amusing, very touching and is full of realistic characters all very well cast to not overshadow 'Andrew' as he quests over 200 years for acceptance.A great movie 9/10
40 out of 48 people found the following review useful: More Depth than Appears on the Surface, 2 January 2005 Author: nlebay from Canada
Most people who have seen this movie are of the opinion that it was average at best. Indeed there is no complicated plot, no big action scenes and a predictable ending but there is a Story. It's Andrew with his Box of Chocolats, simply going through life searching for what eludes him and what we generally take for granted - humanity. The characters along the way are well acted - in particular the robot creator and his ditsy assistant. This movie is a tear jerker as Andrew's friends come and go and lifetimes pass him by without him really comprehending it all. The only real failings were the large gaps in time and how Andrew came about - but then it's difficult to compress 200 years into 1 1/2 hours. If you enjoyed Azimov's books as much as I did, then this movie is for you. Far better in my opinion than IA or I Robot who also took their cues from Azimov.
31 out of 33 people found the following review useful: Outstanding, 13 August 2006 Author: duffy047 from Belgium
I heaven't read the book, but BICENTENNIAL MAN is a very touching and heartwarming movie about a house-robot (Robert Williams) that begins a 200-year journey to become and to be legally recognized as a human. During his journey, he has to face the fact and live with it that all loved ones around him grow older and eventually die while he is immortal.I think that this was one of Robin Williams' best performances ever, if not the best. He proves that he can either play a 'funny wacky' character but also a serious character that will touch the hearts of the viewers. And this movie does just that.I like the purity and the innocence of the story and I wonder why this movie has such a low rating. It's a must see for all open minded people.
39 out of 50 people found the following review useful: Fine performances and a shapely message are the things that make this misadvertised production work. *** our of ****, 12 January 2000 Author: Blake French (dlfspartan@aol.com) from Michigan, USA
BICENTENNIAL MAN (1999) ***Starring: Robin Williams, Sam Neill, Wendy Crewson, Embeth Davidtz, and Oliver Platt Directed by Chris Columbus. Running Time: 133 minutes. Rated PG (for mild language and some sex-related material) By Blake French: Chris Columbus is very good at directing tearjerkers. He has a history of constructing such movies as "Stepmom" and "Mrs. Doubtfire." "Bicentennial Man" is being misadvertised as a humble family comedy. Although it starts out unsatisfying, the film gradually becomes more and more penetrating as we discover the film is really about inner emotions, the changing of times, how people change over time, and the meaning of life from an original point of view. "Bicentennial Man" is a sweet, touching production with lots of heart and a shapely message. At first "Bicentennial Man" looks to be about a futuristic family who buys an android robot that is supposed to do housework and serve them. The family of four includes two children, one named Little Miss, and the parents who are called by the name of Sir and Ma'am. They adopt Andrew expecting him to be similar to all the other androids in the area. Nearly every household has one. However, Sir soon notices certain features about Andrew that make him unique, different from any other android he has ever seen. Andrew occupies creativity and emotional personality, elements that these robots are presumed not to contain. The film doesn't contain a good an introduction to the family who adopts Andrew, which is mainly the reason why I was never entirely concerned for the characters. But the reasoning behind the lack of focus on the family is due to the fact that "Bicentennial Man" isn't about the family who buys Andrew, but a narrative of Andrew himself. A running flaw in the film is our foundering curiosity that only grows more ponderous as the script progresses. The audience desires more information about why Andrew is so different from the other robots. There are obvious reasons, sure, but what I wanted was an explanation of why he is special. A lust for information that is never appropriately granted.The film skips ahead a generation or so. Sir and Ma'am age and Little Miss grows to be a full grown woman. Many things change for Andrew. He begins to wonder what lies beyond the likes of his household. He longs for emotional reactions to take place on his face and the concept of freedom. Sir has taught Andrew about death, sex, love, humor, and time. He gradually wants more and more independence. This is where Andrew starts becoming interested in turning from a mechanical being to a biological being. The age advancing make-up is believable and awe-inducing. I could hardly trust my eyes that Sam Neill wasn't an old man in the movie. However, although I can see that the filmmakers had no other reliable option, I disliked the jumps in time the it takes. The time gaps force us out of massive plot pieces, some of which are important to the character development. There are some really funny moments in "Bicentennial Man." Most of them appear when the picture becomes a bit emotionally heavy, in order to relieve such tension in the audience. This is a wise choice in the writer's part; the viewers who do mistake this movie as a family comedy will gain some satisfaction from these insulated humorous moments. I wanted more information on how the robot Andrew gradually becomes ''human.'' I felt cheated out of a lot of decent, noteworthy material here. I felt this way because the scenes where we do have the privilege to see Andrew reinvented are wonderfully inventive and interesting. The film should have leaned towards that material a little more. The movie features super charged performances by the entire cast. Robin Williams offers an emotionally accurate acting job that brings the confusion and imagination of the android Andrew to life. The supporting cast is also filled with fine performances with Sam Neill, Wendy Crewson, Embeth Davidtz, and Oliver Platt. Even though I can admit that "Bicentennial Man" contains several flawed motives, I still was a little surprised that the film opened to many negative reviews. This isn't a bad movie, just a differently anticipated one. The movie sets up its effective conclusion from the very beginning; it is the only logical climax for such a story. Although it leaves viewers with a sense of well-being, I thought it posed too many spiritual and biological questions. Overall, however, the movie is a well-depicted idea that deserves more appreciation from audiences than its receiving. Brought to you by Touchstone Pictures and Columbia Pictures.
27 out of 31 people found the following review useful: Some Prose Is Poetry, 17 December 2006 Author: Howard Evans (clarkpark@twcny.rr.com) from East Syracuse NY
For Ray Bradbury the masterwork of perfect poignance is Drink Entire: Against the Madness of Crowds. For Isaac Asimov it is Bicentennial Man. Only Asimov could remake Pinocchio as compelling science fiction. So many have tried to create a sweet and funny story of the machine that would be man, but this is it's perfect telling.Only Robin Williams could play the unlikely hero of this story with perfect comedic timing and perfect emotional pitch. Embeth Davidtz as his leading lady matches his skills at every turn, and Sam Neill turns in one his best performances as the man who first recognized the irreplaceable uniqueness of his mistuned android.Bicentennial Man is first rate science fiction – without physical conflict, without wars, without new ways to incinerate each other. In the end, it makes you glad to be a messy human. Watching this truly beautiful film is a wonderful way to spend an evening, and a guarantor of better dreams than you've had in many years.
25 out of 28 people found the following review useful: A fable, beyond the myth of HAL 2000 -- a film for mature consumption and appreciation, 2 January 2000 Author: Ruby Liang (ruby_fff) from sf, usa
Isaac Asimov, scientist, anthropologist, and philosopher all in one, thought of this Robotic subject beyond the mere joy of fantastic possibilities of computer technology -- it's a more encompassing inquiry to what if a Robot thinks, feels, loves, and yes, wants to be accepted as a human, the imperfections and all! This Chris Columbus directed movie, with the ever-eloquent Robin Williams, and radiant double deliveries (two character portrayals) by Embeth Davidtz, is not the usual Robin Williams comedy fare. It's not "Flubber" or "Mrs. Doubtfire"; it's a philosophical fable at best. It's the reverse of John Boorman's "Zardoz" (1973), where man wanting to be eternally youthful -- here, Robot Andrew (Robin Williams) does not want to be immortal. He wants to experience and feel life, and with a beloved human companion. This Robotic journey spanning decades, gives us life lessons, prompts us to think reflectively on questions of life and living, growing old and resignation to death. The point filtered through Portia (Embeth Davidtz) that being human is to risk and make mistakes/wrong decisions, hearkens to a quote by John Cage: "Computers are always right, but life isn't about being right." Film score is by James Horner ("Legends of the Fall", "Braveheart", "Titanic"). Location shots include San Francisco landmarks with added air transport images (likened to "The Fifth Element") in a futuristic sky. There are no explosive actions or flying bullets, it's an immortal tale about the acceptance of being a mortal human.
22 out of 24 people found the following review useful: The most underrated and misunderstood film ever made- Simply Amazing, 28 March 2005 Author: rchrdshelt (rchrdshelt@aol.com) from Birmingham, England
*** This review may contain spoilers ***
This film is absolutely outstanding. Forget the reviews of the critics who seem to love bashing films, this is a tremendous, epic film with such a great heart that explores the values and meaning of humanity and life in general. I saw it for the first time in ages today and its still as touching as the first time I saw it a few years ago. In fact I remember it being shown on a plane I was on the year it came out and I watched the first 5 minutes on a screen with poor picture and sound and remember thinking it was just cheesy family comedy which just plays for humor and nothing else. When I first saw it a few years later when there was nothing else on I was completely blown away by it. It was the complete opposite of what I was thought it was originally. This film does have its humor and that humor is often hilarious in parts, but thats because its delivered so brilliantly by Williams who plays his character to perfection. More importantly it is not supposed to be a comedy. Its a drama and features brilliant performances from an underrated cast including Williams, Sam Neill, Embeth Davditz and Oliver Platt among others.The film is also outstanding from a technical perspective. The futuristic cities, buildings and vehicles look fabulous along with the new household appliances, but the most important thing that really steals the show is the Script and Direction from Kazan and Columbus respectively. I will certainly be watching more of Kazan's films in the future and already thought he did a great job on Matilda beforehand. I've always been an admirer of Columbus and this has to be his best film to date. His vision of the film is splendid and I applaud him for bringing such a brilliant set of actors and sets together to make such an epic and unforgettable film.For most of my reviews for films, I don't like commenting too much on the plot, but here I feel the need to because it touched me so much and the plot helps explain why this happened. It is about a Robot that over 200 years, learns about humanity and seeks to be a part of it. At the beginning its more of a comedy as the robot (who's called Andrew) gets used to the way humans are and learns about simple well known things in life i.e Laughter, Sex, Family Life and Change. But further on as he becomes close to the youngest in the family, he learns more about love and how life is. I sympathised with him as he has to witness this and we follow him as he experiences the deaths of the people closest to him. I felt for him due to him being unable to experience these things like we do. Throughout the film I felt (although the critics certainly didn't and many here probably don't) all these things and became closer and closer to him as he constantly never gives up hope on becoming a human. I found it very emotional and I actually appreciated many of my abilities that I as a human have. To love, to cry, to experience changes, to reproduce, watch my children to grow up, to get older and to eventually move onto another life. As Andrew learns about all these things and begins to want them I really did feel for him like I say because I would find it incredibly hard to live if I was like that.SPOILER Having witnessed the ups and downs of Andrew's life throughout the film and his epic journey to finally become a human being, by the end of the film Andrew has managed to fully achieve this. He is fully human and unfortunately misses this declaration by a few seconds. But he didn't need to like his lover Porscha (His closest family member's granddaughter) says. He has done it. He has found the love he's wanted all those many years with her and he won't have to experience the sadness of watching things change ever again. He has moved onto another life like we're all destined to do and Porscha decides to join him. END OF SPOILERBasically, after seeing this film I did learn just how lucky I am to possess all these extraordinary and unique abilities and I don't believe it is just an accident or coincidence. We each have a destiny and I believe God wants us all to experience these things in life and I'm grateful to be here today and will certainly not be taking any of them for granted.I really think that that this film with a rating of just 6.1 and with the harsh and very unfair criticism its got from critics has to be the most underrated misunderstood film ever made. The film is not really in my opinion a family comedy although it unfortunately has been marketed that way. Its a drama about humanity with bits of comedy that should be watched by anyone of any age. I believe it can help people to become, like me, much more grateful for things we as humans perhaps take for granted in life.I thank you for reading this review and advise you to watch this film and prepare to be moved in a way I don't think any film has done or ever could do.10/10 Not my favourite film of all time but certainly in my Top 5. Stunning.
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