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Love's Labour's Lost (2000)
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Overview
User Rating:
Release Date:
24 March 2000 (Norway) moreTagline:
A New Spin on the Old Song and Dance morePlot:
An update of the classic Shakespeare story, director Kenneth Branagh shot this movie like a classic 30s musical. Love's Labour's Lost tells the story of four best friends who swear off love. full summary | add synopsisAwards:
2 nominations moreNewsDesk:
(12 articles)
Love's Labours Lost To Conclude Summer Season At Shakespeare's Globe Before Us Tour (From BroadwayWorld.com. 4 September 2009, 12:40 AM, PDT)
Love's Labour's Lost: Hollywood Tackles In Vitro Fertilization
(From The Wrap. 19 April 2009, 5:30 PM, PDT)
User Comments:
Much better than the remarks found here more (95 total)Cast
(Cast overview, first billed only)| Alessandro Nivola | ... | King Ferdinand of Navarre | |
| Alicia Silverstone | ... | The Princess of France | |
| Natascha McElhone | ... | Rosaline | |
| Kenneth Branagh | ... | Berowne | |
| Carmen Ejogo | ... | Maria | |
| Matthew Lillard | ... | Longaville | |
| Adrian Lester | ... | Dumaine | |
| Emily Mortimer | ... | Katherine | |
| Richard Briers | ... | Nathaniel | |
| Geraldine McEwan | ... | Holofernia | |
| Stefania Rocca | ... | Jacquanetta | |
| Jimmy Yuill | ... | Dull | |
| Nathan Lane | ... | Costard | |
| Timothy Spall | ... | Don Armado | |
| Anthony O'Donnell | ... | Moth (as Tony O'Donnell) |
Additional Details
MPAA:
Rated PG for sensuality and a brief drug reference.Parents Guide:
View content advisory for parentsRuntime:
93 minLanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalCertification:
Canada:PG (Ontario) | Iceland:L | Netherlands:6 | Finland:S | France:U | Germany:6 | Hong Kong:IIB | Norway:7 | Portugal:M/12 | Singapore:PG | Spain:T | Sweden:Btl | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:U | USA:PGFilming Locations:
Shepperton Studios, Shepperton, Surrey, England, UKFun Stuff
Goofs:
Miscellaneous: During the tearing of the contract, you can see Kenneth Branagh mouthing Matthew Lillard's lines as he is saying them. moreQuotes:
Berowne: Why, all delights are vain; but that most vain, which, with pain purchased, doth inherit pain. moreSoundtrack:
Cheek to Cheek moreFAQ
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Interesting reading the reviews herein. The reviewers either loved or hated it. Some witty shots taken at Branagh's effort to make one of The Bard's weakest comedies into something enjoyable. I mean, c'mon. The play is a story of young men swearing off of love and being made to eat their vows by clever women through little games and switched clues. Hardly a deep plot with potentially tragic twists like Much Ado About Nothing, or confusion reigning during a lover in love with love as in Twelfth Night, or a knee slapper like Midsummer's Night Dream. So, Branagh, ever the innovator and risk-taker, makes it into a gishy late 30s musical with all the trappings (make that 'tappings') from lead into song and dance routines to coordinated smiling shapely swimmers peeling off like a deck of cards into a swimming pool. Busby Berkeley would have loved it, as would those guys like Cole Porter, Irving Berlin and Vincent Youmans who wrote those songs back in the 30s. OK, so the ending sucks but how else can you wind up this comedy? It's not Branagh's fault this play is Much Ado About Nothing; blame it on the Bard. He wrote it.