| Photos (see all 4 | slideshow) |
| Johannes Silberschneider | ... | Alfred Kager | |
| Elisabeth Ebner-Haid | ... | Flower girl |
Directed by | |||
| Virgil Widrich | |||
Writing credits(in alphabetical order) | ||
| Virgil Widrich | writer | |
Produced by | |||
| Peter Janecek | .... | associate producer | |
| Constanze Schumann | .... | assistant producer | |
| Virgil Widrich | .... | producer | |
Original Music by | |||
| Alexander Zlamal | |||
Cinematography by | |||
| Martin Putz | |||
Film Editing by | |||
| Virgil Widrich | |||
Art Direction by | |||
| Joachim Luetke | |||
Makeup Department | |||
| Michaela Maier | .... | makeup artist | |
| Petra Meißl | .... | makeup artist | |
| Martha Ruess | .... | makeup artist | |
Production Management | |||
| Gabriele Kranzelbinder | .... | production manager | |
Art Department | |||
| Gerald Anetzhuber | .... | construction assistant | |
| Georg Wagner | .... | construction assistant | |
Sound Department | |||
| Johannes Eibensteiner | .... | sound assistant | |
| Alexander Zlamal | .... | sound | |
Special Effects by | |||
| Ronald Anzenberger | .... | special effects | |
| Markus Gasser | .... | special effects | |
| Regine Müller | .... | special effects | |
Visual Effects by | |||
| Joachim Luetke | .... | matte effects | |
Camera and Electrical Department | |||
| Volkmar Geiblinger | .... | second cinematographer | |
| Matthias Greuling | .... | still photographer | |
| Thomas Kienast | .... | gaffer | |
| Leena Koppe | .... | gaffer | |
| Martin Putz | .... | camera operator | |
Music Department | |||
| Edda Breit | .... | musician: cello | |
| Margarete Bruckner | .... | musician: viola | |
| Amora DeSwart | .... | musician: violin | |
| Katharina Gottfried | .... | musician: cello | |
| Veronika Gottfried | .... | musician: violin | |
| Gerswind Olthoff | .... | musician: viola | |
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| Almost Romeo | La science des rêves | From Hare to Heir | High Fidelity | Secret Sinners |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Austria section | Add this title to MyMovies |
A young man who works in a photocopying shop photocopies his hand with amusement one day. However the photocopy then kicks out copies of him earlier in the day etc. He turns the machine off and locks the copies away. However he finds copies of himself repeating themselves all over his town as things begin to get out of hand.
I had very high hopes for this before I watched it because I had heard good things about it and I was mainly satisfied afterwards despite a few problems. The story could be taken as an allegory of cloning or several other things. I ignored the subtexts and focused on the fact that it was simply a clever idea at heart. Technically the film is brilliantly imaginative and worth watching. The film was shot digitally. These digital images were then all photocopied and then animated. In terms of the plot this adds eight to the copying subject but it is also an very different way to make a film.
The slight downside is that the grainy images and rough style can be a little hard on the eyes at first, but I soon forgot this as I watched it. The plot is very clever but it is just one idea. After several minutes the novelty and the freshness wears off and it starts to outstay it's welcome I wanted it to go somewhere. The ending is good and it saves the film just as it was starting to run out of steam.
Overall I enjoyed it and there's no doubting the imagination and technical ability that went into making this. In a world where Being John Malkovich is praised then this too should be appreciated as it has similar shots if not ideas. Well worth a look plus it's easily the best (the only!) piece of Austrian cinema I've ever seen!