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Michael Berry (written by) &
John Blumenthal (written by) ...
(more)
17 September 1999 (USA) more
He's A Cop That's Not. Believe That! more
A thief turned ex-con poses as a cop to retrieve a diamond he stole years ago. full summary | add synopsis
Film Junk Podcast Episode #221: Up and Drag Me To Hell
(From FilmJunk. 1 June 2009, 11:59 PM, PDT)
Totally Unrecalled For
(From Ugo MovieBlog. 26 February 2009, 11:21 AM, PST)
Basic but funny more (137 total)
Directed by | |||
| Les Mayfield | |||
Writing credits(WGA) | ||
| Michael Berry | (written by) & | |
| John Blumenthal | (written by) and | |
| Stephen Carpenter | (written by) | |
Produced by | |||
| Peaches Davis | .... | co-producer | |
| Michael Fottrell | .... | co-producer | |
| Toby Jaffe | .... | producer | |
| Daniel Melnick | .... | executive producer | |
| Neal H. Moritz | .... | producer | |
| Allen Shapiro | .... | executive producer | |
Original Music by | |||
| Ed Shearmur | (as Edward Shearmur) | ||
Cinematography by | |||
| David Eggby | (director of photography) | ||
Film Editing by | |||
| Michael Tronick | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Bill Brzeski | |||
Art Direction by | |||
| Philip Toolin | |||
Set Decoration by | |||
| Brana Rosenfeld | (as Brana Michelle Roenfeld) | ||
Costume Design by | |||
| Denise Wingate | |||
Makeup Department | |||
| Rebecca Alling | .... | makeup artist | |
| Percy Burries | .... | hairdresser | |
| Debra Denson | .... | makeup artist: Mr. Lawrence | |
| Voni Hinkle | .... | hair supervisor | |
| Melanie Hughes | .... | makeup supervisor | |
| Lucia Mace | .... | hair supervisor: second unit | |
| Shari Perry | .... | hairdresser | |
| Carol Strong | .... | makeup supervisor: second unit | |
| Amy L. Disarro | .... | makeup artist (uncredited) | |
Production Management | |||
| Michael Fottrell | .... | unit production manager | |
| Justin Moritt | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| David R. Ellis | .... | second unit director | |
| Bruce Franklin | .... | first assistant director | |
| Christopher T. Gerrity | .... | first assistant director: second unit (as Chris Gerrity) | |
| Conte Matal | .... | second assistant director (as Conte Mark Matal) | |
| Sean McCarron | .... | second assistant director: second unit | |
| Nicholas Wolfert | .... | second second assistant director: second unit (uncredited) | |
Art Department | |||
| Fanée Aaron | .... | set designer | |
| Ronald Cox | .... | general foreman (as Ron Cox) | |
| David Fencil | .... | property master: second unit | |
| A. Todd Holland | .... | set designer | |
| William C. Jones | .... | general foreman (as William Jones) | |
| Kris Peck | .... | assistant property master | |
| John H. Samson | .... | construction coordinator (as John Samson) | |
| Wayne Shepherd | .... | lead man | |
| Tommy 'Tom' Tomlinson | .... | property master (as Tommy Tomlinson) | |
| Jason Weil | .... | assistant art director | |
| Eileen Zegar | .... | assistant set decorator | |
| Doug Crawford | .... | propmaker (uncredited) | |
| Darrin Denlinger | .... | storyboard artist (uncredited) | |
| James Diggs | .... | stand-by painter (uncredited) | |
| Suzette Ervin | .... | assistant art director (uncredited) | |
| Louis Farah | .... | construction medic (uncredited) | |
| Lilly Frank | .... | stand-by painter (uncredited) | |
| Bart C. Hubenthal | .... | set dresser (uncredited) | |
| Steven O'Bannon | .... | labor foreman (uncredited) | |
| Edmond Scott Ratliff | .... | set dresser (uncredited) | |
| Freddy Waff | .... | set dresser (uncredited) | |
Special Effects by | |||
| John S. Baker | .... | special effects (as John Baker) | |
| Al Broussard | .... | special effects supervisor: second unit | |
| John B. Hagey | .... | special effects (as John Hagey) | |
| William D. Harrison | .... | special effects | |
| Roger Lifsey | .... | special effects | |
| Clay Pinney | .... | special effects supervisor | |
| Joshua Pinney | .... | special effects | |
| Thomas Rasada | .... | special effects technician | |
| Keith Suzuki | .... | special effects | |
| Craig R. Uszak | .... | special effects | |
| Kenneth Van Order | .... | special effects | |
Visual Effects by | |||
| Mat Beck | .... | visual effects supervisor | |
| Chris Haberski | .... | special effects crew: Pixel Envy | |
| Erik Liles | .... | lighting: Pixel Envy, Inc. | |
| Ross MacKenzie | .... | special effects crew: Light Matters, Inc. | |
| Tony Meager | .... | special effects crew: Light Matters, Inc. | |
| Rina Osamura | .... | special effects crew: Pixel Envy | |
| Chris B. Schnitzer | .... | special effects: Light Matters, Inc. crew (as Chris Schnitzer) | |
| Colin Strause | .... | special effects crew: Pixel Envy | |
| Greg Strause | .... | special effects crew: Pixel Envy | |
| Edson Williams | .... | lighting: Pixel Envy, Inc. | |
Casting Department | |||
| Susie Farris | .... | casting associate (as Susan Farris) | |
Costume and Wardrobe Department | |||
| Yvonne Bastidos | .... | costumer: second unit | |
| Lis Bothwell | .... | costumer | |
| Sandra Collier | .... | costumer | |
| Robert Mata | .... | costumer | |
| Lisa D. Quercioli | .... | costumer (as Lisa Quercioli) | |
| Lawrence Quon | .... | costumer | |
| Anthony J. Scarano | .... | wardrobe supervisor | |
| Loring I. Spicer | .... | wardrobe supervisor: second unit | |
Editorial Department | |||
| James Andrykowski | .... | assistant editor | |
| Aaron Brock | .... | assistant editor | |
| Heather Goodwin | .... | assistant editor (as Heather J. Goodwin) | |
| Greg Parsons | .... | additional editor | |
| Dale Jones | .... | avid technician (uncredited) | |
| Eric Rigney | .... | avid technician (uncredited) | |
Music Department | |||
| Pete Anthony | .... | orchestrator | |
| Chris Fogel | .... | electronic music producer | |
| Amanda Goodpaster | .... | music editor | |
| Tom Kramer | .... | music editor | |
| Ken Ross | .... | music supervisor | |
| Melodee Sutton | .... | music coordinator | |
| TQ | .... | composer: song "Get Away" | |
| Dan Wallin | .... | score mixer | |
| Brad Warnaar | .... | additional orchestrator | |
| Chris Fogel | .... | music scoring mixer (uncredited) | |
| Jeff McIlwain | .... | musician (uncredited) | |
Transportation Department | |||
| Michael Antunez | .... | transportation captain (as Michael D. Antunez) | |
| Mike Fenster | .... | transportation co-captain | |
| Lyle Christensen | .... | shotmaker driver (uncredited) | |
| Michael Forte | .... | driver (uncredited) | |
| Teresa Haney | .... | transportation coordinator (uncredited) | |
Der Diamanten-Cop (Germany)
more
Rated PG-13 for action violence, continuous language and some crude humor.
93 min
1.85 : 1 more
Malaysia:U | South Korea:12 | Canada:14 (Nova Scotia) | Canada:14A (Alberta/Manitoba) | Canada:AA (Ontario) | Canada:G (Quebec) | Canada:PG (British Columbia) | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | France:U | Germany:12 | Hong Kong:IIB | Netherlands:12 | New Zealand:M | Norway:15 | Peru:14 | Portugal:M/12 | Singapore:PG | Sweden:11 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:12 | USA:PG-13 (certificate #36456) | Philippines:PG-13 | Iceland:12
During pre-production, the film was originally supposed to carry a hard R rating, but after deliberations, the studio had to tone down the film's script to PG-13. This meant changing the plot, dialog and characters. John August was hired as a "script doctor" to make these changes. more
Continuity: When Miles goes into the office to steal the diamond at the beginning of the movie Eddie holds the door open, when you see a close-up of the door closing it is on the opposite side. more
Miles: You want thirty-one flava's? Baskin and Robbins is where you wanna be. Be cool. more
Featured in "HBO First Look: 'Blue Streak': Inside & Undercover" (1999) more
Seis Salines more
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Jewel thief Miles Logan and his gang are stealing a large diamond in LA. After the robbery Logan is double crossed by another thief, Deacon, but gets away when the police arrive. He stashed the diamond but is sent to jail. When he is released he returns to where he hid the diamond to find it is a police station. He pretends to be a cop to get access but he is partnered with rookie Carlson and sent out to do jobs. However Deacon is also searching for the diamond and Logan must also take care of him as he tries to find the jewel and solve crimes.
I gotta admit that I hate Lawrence his comedies are always sitcom level and he is like a sub-par Eddie Murphy. Sadly I still find his clowning funny! I can't explain it. Here the plot is no more than an excuse for many funny scenes with all the action brought together in a `dramatic' climax! However it is funny even if it's very straightforward. I imagine that if you hat Lawrence then you'll hate this but if you're in the mood for a simple no-brain comedy then you can rely on Lawrence to deliver just that.
He actually quite good here even if he's the same in every film he does the same shtick. It's also good to see Luke Wilson in it even if he's got a role that is really beneath his talents, although Greene is good. Really it's Lawrence's show and he does well but if you hate him then you'll hate this no matter what.
Overall if you want a silly no-brain comedy then this is worth a shot, but if Lawrence annoys you then don't even bother.