| William Forsythe | ... | Mike Stark | |
| Marina Sirtis | ... | Dr. Christine DuMaurier | |
| Nigel Havers | ... | Hofstadter | |
| Miguel Ángel Suárez | ... | Domingo Cabrera | |
| Michel Angelo Mejias | ... | Memo | |
| Miguel Ángel Álvarez | ... | Tameala | |
| Julio Axel Landrón | ... | Coba | |
| Adamari López | ... | Dulce | |
| Luz Minerva Rodríguez | ... | Midwife | |
| Axel Anderson | ... | Gen. Díaz | |
| Mercedes Sicardo | ... | Vieja | |
| Ernesto Concepción | ... | Viejo | |
| Ernesto Concepción Jr. | ... | Roberto | |
| Gil René Rodríguez | ... | Xavier / Azarasco Leader | |
| Carlos Cestero | ... | Tryster (as Carlos A. Cestero) | |
| Jonathan Dwayne | ... | Mannheim | |
| Wanda L. Sais | ... | Esperanza | |
| Elaine Henríquez | ... | María Dolores | |
| Luis Muñoz | ... | Azaraco | |
| rest of cast listed alphabetically: | |||
| Johary Ramos | ... | Alien Creature | |
| Javier Mayol | ... | Native (uncredited) | |
Directed by | |||
| Herb Freed | |||
Writing credits(in alphabetical order) | ||
| Herb Freed | writer | |
| Marion Segal | writer | |
Produced by | |||
| Leo Carillo | .... | associate producer | |
| Gregory Cascante | .... | executive producer | |
| William Forsythe | .... | associate producer | |
| Herb Freed | .... | producer | |
| Terry Lynch | .... | associate producer | |
| Francisco Marrero | .... | producer (as Frank Marrero) | |
| Denise McCabe Morrissey | .... | associate producer | |
| Luis Ramos | .... | executive producer | |
| Charles Saxton | .... | associate producer | |
| Marion Segal | .... | producer (as Merion Segal) | |
Original Music by | |||
| Dick Hamilton | |||
Cinematography by | |||
| Mario García Joya | |||
Film Editing by | |||
| Marion Segal | |||
Casting by | |||
| Fran Bascom | |||
Production Design by | |||
| Terry Lynch | |||
Set Decoration by | |||
| Bonita Huffman | |||
Makeup Department | |||
| Ron Boudreau | .... | special wigs | |
| Donna Cicatelli-Lewis | .... | makeup artist: second unit (as Donna Cicatelli) | |
| Rick Gonzales | .... | key makeup artist | |
| Rick Gonzales | .... | special makeup effects artist | |
| Kay Gonzalez | .... | second makeup assistant | |
| Doug Jacobs | .... | special wigs | |
| Bill McCoy | .... | special makeup effects artist | |
| Steven Roundtree | .... | second makeup assistant | |
| Jean Smith | .... | hair stylist | |
| Jean Smith | .... | makeup artist | |
Production Management | |||
| Rosi Acosta | .... | production manager | |
| Scott Michael Nabat | .... | post-production supervisor (as Scott Nabat) | |
Second Unit Director or Assistant Director | |||
| Peter Alvarez | .... | second second assistant director | |
| Colleen Comer | .... | second assistant director | |
| Mark G. Mathis | .... | first assistant director (as Mark Mathis) | |
| Mark G. Mathis | .... | second unit director (as Mark Mathis) | |
Art Department | |||
| Juan Albaledejo | .... | carpenter | |
| Carlos Badia | .... | swing gang | |
| Charlie Bonilla | .... | greens person | |
| Charlie Bonilla | .... | on-set dresser (as Carlos Bonilla) | |
| Richard C. Brody | .... | prop builder: second unit | |
| Gladys Bustos | .... | assistant property master | |
| Moises Duprey | .... | scenic assistant | |
| Eric González | .... | assistant carpenter | |
| Elena Guede | .... | lead person | |
| Felix Huertas | .... | gang boss carpenter | |
| William Huffman | .... | construction coordinator | |
| Santo Jorge | .... | swing gang | |
| Kevin Andrew Kinnaird | .... | art production assistant | |
| Augusto Loria | .... | on-set dresser | |
| Luis R. Márquez | .... | assistant carpenter | |
| Jorge Martínez | .... | assistant carpenter | |
| Johnny Meléndez | .... | carpenter | |
| Leida E. Molina | .... | carpenter | |
| Faustino Montero | .... | assistant carpenter | |
| Arnaldo Morales | .... | swing gang | |
| George Nachtrieb | .... | art department coordinator | |
| Ely Orias | .... | lead artist: second unit | |
| Francisco Ortiz | .... | carpenter | |
| José Ortiz | .... | assistant carpenter | |
| Ana Ramírez | .... | art department assistant | |
| Miguel Ramos | .... | assistant carpenter | |
| Francisco Rivera | .... | assistant carpenter | |
| Francisco L. Rivera | .... | scenic assistant | |
| José Rivera Vega | .... | assistant carpenter | |
| Peter Rodriguez | .... | head scenic artist | |
| Harlak P. Rubio | .... | property master (as Harak P. Rubio) | |
| Casey Slade | .... | lead artist: second unit | |
| J. Brennan Smith | .... | property master: second unit | |
| Valery Vázquez | .... | scenic assistant | |
| Victor Vazquez | .... | scenic assistant | |
Sound Department | |||
| Eric Behrend | .... | sound re-recording mixer | |
| Antonio Betancourt | .... | sound mixer | |
| O.B. Bezirgenian | .... | foley recordist | |
| Phyllis Ginter | .... | foley walker (as Phyllis Ginter-Romike) | |
| Susan L. Gosstrom | .... | post audio project manager | |
| Craig C.J. Jones | .... | dialogue editor | |
| Michael Kreple | .... | adr recordist | |
| Luis Antonio Landrau | .... | boom operator | |
| Don MacDougall | .... | sound re-recording mixer | |
| Paul Ratajczak | .... | sound supervisor | |
| Lawrence W. Wendelken | .... | sound effects editor | |
Special Effects by | |||
| Charlie Bonilla | .... | special effects | |
| Marcos Gavela | .... | special effects assistant (as Marco Gavela) | |
| Zac Hartog | .... | special effects coordinator | |
| Héctor E. Molini | .... | special effects assistant (as Héctor Molini Gronau) | |
| Daniel Ingraham | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Dan Anthony | .... | digital artist | |
| Pete Evans | .... | digital effects supervisor | |
| George Nachtrieb | .... | pixel wrangler | |
Stunts | |||
| Rick Barker | .... | stunt coordinator | |
| Mike Mirkin | .... | stunts | |
Casting Department | |||
| Enrique Cortés | .... | casting: Puerto Rico | |
| Marleny Ezquierdo | .... | casting: Puerto Rico | |
Costume and Wardrobe Department | |||
| Mildred Alvarez | .... | wardrobe assistant | |
| Danielle Gosheat | .... | wardrobe assistant: second unit | |
| Eliannette 'Ely' Soto | .... | costume assistant | |
| Carolyn Stellar | .... | wardrobe: second unit | |
Editorial Department | |||
| Brian Kibbie | .... | negative cutter | |
| Scott Michael Nabat | .... | assistant editor (as Scott Nabat) | |
Music Department | |||
| Jim Halfpenny | .... | composer: additional music | |
| Jim Halfpenny | .... | composer: song "Enchanted Lover" | |
| Laurie Halfpenny | .... | composer: song "Enchanted Lover" | |
Transportation Department | |||
| Ignacio Gonzalez | .... | transportation captain | |
| Victor González | .... | driver: cast | |
| Norberto Mojica | .... | driver | |
| Alex Rodriguez | .... | driver | |
| Carlos Rodríguez | .... | driver | |
| Carlos Rafael Santos | .... | driver (as Carlos R. Santos) | |
| Wilmer Viana | .... | driver | |
Thanks | |||
| Xavier Catafal | .... | special thanks | |
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| The River Within | 1969 | Shock Corridor | The Station Agent | Keep the River on Your Right: A Modern Cannibal Tale |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Mike Stark wants to build a resort city called Byzantium on the site of an ancient city. Because the site is a large jungle area, he has Dr. Hofstadter develop a defoliant which works as well as Agent Orange, but without side effects (at least that's what they believe). Dr. Christine DuMaurier, whose late husband was an anthropologist, is concerned about what the development will do to the native people. A mysterious death leads Stark and Dr. Hofstadter to the jungle, where Dr. DuMaurier confronts Stark, who is unmoved. Stark believes that the native people will want progress. Some do, especially the young people. Others are strongly opposed and might even resort to violence to stop Stark.
Dr. Hofstadter is open to Dr. DuMaurier's ideas. Her theory is that the ancient culture that lived in the area--one more advanced than the Mayans--died out because of a similar defoliant which caused genetic mutations.
This was an okay movie. The native people seemed convincing, especially during religious ceremonies, and there was a lot of Spanish (I assume) spoken, though no need for subtitles. The standout performance, to me, was that of Michel Angelo Mejias, as Memo, a boy with a lot of ambition who impressed Stark, saying Memo reminded him of himself. Memo was quite a likeable character. In one notable scene, Memo and a girl (I would assume his girlfriend) lip-synced to a rock song and did a sultry dance onstage. (I liked the girlfriend, whose name I don't remember, but we didn't see enough of her.) The younger natives and the Americans were more impressed with this than the older natives.
The ending was quite disturbing. There was a positive quality to the final scenes, but not without the negatives that it took to reach that point. And while we didn't see actual violence, we saw its results, which were pretty graphic.