| Photos (see all 3 | slideshow) |
| Véronique Alain | |||
| Josiane Balasko | |||
| François Béranger | |||
| Georges Bernier | |||
| Romain Bouteille | ... | Le collectionneur de billets de banque | |
| Cabu | |||
| François Cavanna | |||
| Professeur Choron | |||
| Christian Clavier | |||
| Véronique K. Colucci | ... | La dactylo (as Véronique Kantor) | |
| Coluche | ... | Le chef de bureau | |
| Philippe Defrance | |||
| Christine Dejoux | |||
| Albert Delpy | ... | Le voleur de bijoux | |
| Gérard Depardieu | ... | Un voyageur qui ne prend pas le train | |
| Delfeil de Ton | |||
| Lee Falk | ... | Le banquier (segment "New York") | |
| Jean-Paul Farré | ... | Le pompiste | |
| Marcel Gassouk | ... | Le père du chef de bureau | |
| Gébé | |||
| Marcel Gotlib | ... | Un gardien de prison | |
| Henri Guybet | ... | L'homme qui se reveille à 6 heure | |
| Jacques Higelin | |||
| Gérard Jugnot | |||
| Nelly Kaplan | |||
| Daniel Laloux | ... | Un publicitaire | |
| Martin Lamotte | |||
| Patrice Leconte | ... | Le chauffeur du général | |
| Stan Lee | ... | Récitant / New York's Narrator (voice) | |
| Thierry Lhermitte | |||
| Patrice Minet | ... | Un homme qui joue à travailler au bureau | |
| Miou-Miou | ... | La femme qui se reveille à 6 heure | |
| Jean-Pierre Moulin | ... | Le lieutenant | |
| David Pascal | ... | Le vendeur de journaux (segment "New York") | |
| Marie Pillet | ... | La femme dans l'épicerie | |
| Maud Rayer | |||
| Jacques Robiolles | |||
| Jean-Pierre Sentier | |||
| Susan Shapiro | ... | Girl in taxi - Wall St. | |
| Jean-Paul Tribout | ... | L'amoureux scientifique | |
| Frederic Tuten | ... | (scene 'New York') | |
| Xavier Bonastre | ... | Un passant (uncredited) | |
| François Valleix | ... | Un passant (uncredited) |
Directed by | |||
| Jacques Doillon | |||
| Alain Resnais | (segment "Wall Street") | ||
| Jean Rouch | (Nigeria shot) | ||
Writing credits(in alphabetical order) | ||
| Gébé | writer | |
Original Music by | |||
| François Béranger | |||
| Jean-Marie Dusuzeau | |||
Cinematography by | |||
| Gérard de Battista | |||
| Michel Houssiau | |||
| William Lubtchansky | |||
| Jean Monsigny | |||
| Renan Pollès | |||
Film Editing by | |||
| Noëlle Boisson | |||
Second Unit Director or Assistant Director | |||
| Edward Folger | .... | assistant director (segment "New York") | |
| Jean-Jacques Schakmundès | .... | assistant director | |
Sound Department | |||
| Jean Charrière | .... | sound | |
| Alain Contreault | .... | sound | |
| Dominique Dalmasso | .... | sound | |
| Gérard Delassus | .... | sound | |
| Pierre Gamet | .... | sound | |
| Georges Jacquinot | .... | sound | |
| Forrest Murray | .... | sound | |
| Jacques Orth | .... | sound mixer | |
| Jean-Louis Ughetto | .... | sound | |
Editorial Department | |||
| Zoé Durouchoux | .... | assistant editor | |
| Jean-François Goyet | .... | assistant editor | |
|
|
|
|
|
| 68 | Nés en 68 | Tout va bien | La guerre est finie | Mai 68 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb France section | Add this title to MyMovies |
Some movies of the seventies seem to have been made yesterday;not this one.It's in fact one of the most dated works of its era.It's some gentler version of "Themroc" ,less pretentious, funny (in places) but not necessarily more palatable .
There's no story,but a spate of minisketches ,some of them witty,("There's no more property,so there're no more thieves" the warden says while opening the cells ),a lot of them tedious and repetitive.There was enough material to make a very good short,but 85 minutes it's inevitably too long.In a nutshell,let's stop working,let's stop producing,let's stop everything and all you need is love.Hence the title "l'an O1" (=year 01):why a 0,by the way?This is the typically "events of May 68 way of life" film.
If you like it ,try these :Claude Faraldo's "themroc" ,Agnès Varda's "l'une chante et l'autre pas" ,Jean-Luc Godard's " tout va bien"
It was Jacques Doillon's first effort.Although it seems puerile today,it nevertheless displays this director's intellectual ambitions.His best works remain the more accessible :the moving "un sac de billes" (1975)-which people who liked "au revoir les enfants" must see- and the strange disturbing "la drôlesse"(1979) which tells the story of A a hung-up young man who locks up a teenage girl in an attic.