| Andre Braugher | ... | Father Joseph Verrett | |
| Rip Torn | ... | Father Robert Grant | |
| Sean Squire | ... | Travis Porter | |
| Ruby Dee | ... | Mommit Porter | |
| Bill Nunn | ... | Howard Porter | |
| Daniel Hugh Kelly | ... | Mike Malone Sr. | |
| Tony Colitti | ... | Chick Viola | |
| Anderson Bourell | ... | Mike Malone Jr. | |
| Khalil Kain | ... | Heatwave Hundley | |
| Tony Bond | ... | Clanky | |
| Khaz B | ... | Boo | |
| Darris Love | ... | Antoine Toussaint | |
| Elimu Nelson | ... | Touché | |
| Damien Dante Wayans | ... | Snow Lurcher (as Damien Wayans) | |
| Brett Rice | |||
| John Lawhorn | |||
| Shawn Wright | |||
| Tom Turbiville | |||
| Frank Hoyt Taylor | |||
| Angela Elayne Gibbs | ... | Thelma Porter (as Angela Mills) | |
| Arthur Agee | ... | Ice Gainsworth | |
| Bill Ewin | ... | The Archbishop | |
| Thomas Jefferson Byrd | |||
| rest of cast listed alphabetically: | |||
| Sharon Blackwood | ... | Sister Marie Claire | |
| Albert B. Cooper IV | ... | The Haircut Man | |
| Rodney A. Copeland | ... | Student | |
| Vonetta Flowers | ... | Cheerer | |
| Patrice Jackson | ... | Woman at bus station | |
| Kyle Massey | ... | Principal / Dancer (as Kyle Orlando Massey) | |
| Sahr Ngaujah | ... | Lil' Ricky (as Michael Ngaujah) | |
| Ric Reitz | ... | Head Referee | |
| Shawn Shepard | ... | Rod | |
| Robert Owen | ... | Redneck in restaurant (uncredited) | |
| Kenon Walker | ... | Basketball Player (uncredited) | |
| Amber Wallace | ... | Malone's sister (uncredited) | |
Directed by | |||
| Steve James | |||
Writing credits(WGA) | ||
| Harold Sylvester | (written by) | |
Produced by | |||
| Tamara Gregory | .... | co-producer | |
| Magic Johnson | .... | executive producer | |
| Quincy Jones | .... | executive producer | |
| David A. Rosemont | .... | co-executive producer | |
| David Salzman | .... | executive producer | |
| Jill Tanner | .... | co-producer | |
| Gordon Wolf | .... | producer | |
Original Music by | |||
| Stephen James Taylor | |||
Cinematography by | |||
| Bill Butler | |||
Film Editing by | |||
| Patrick Flannery | |||
| Paul Seydor | |||
Casting by | |||
| Jaki Brown | |||
| Shay Griffin | |||
| Robyn M. Mitchell | |||
Production Design by | |||
| Maxine Shepard | |||
Set Decoration by | |||
| Joseph Litsch | |||
Makeup Department | |||
| Charles Gregory Ross | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Karen Davis | .... | second assistant director | |
| Randy Fletcher | .... | first assistant director | |
| Pam Satterfield | .... | second second assistant director | |
Art Department | |||
| Frank Blair | .... | assistant propmaster | |
| Wren Boney | .... | set dresser | |
| Ted Boonthanakit | .... | storyboard artist | |
| James Brothers | .... | on-set dresser | |
| Sammy Ray Hill | .... | set dresser | |
| Lorin Semone Leifer | .... | art department coordinator | |
| Alba Leone | .... | lead person | |
| Michael Pisani | .... | set dresser | |
Sound Department | |||
| Freddy Chancellor | .... | boom operator | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound effects editor | |
| Mick Davies | .... | utility sound | |
| Jim Hawkins | .... | sound | |
Visual Effects by | |||
| Steven Fagerquist | .... | titles and effects | |
Camera and Electrical Department | |||
| Eddie Evans | .... | key grip | |
| Denny Mooradian | .... | gaffer | |
| Greg Morse | .... | 24 frame video | |
| Michael Stone | .... | camera operator | |
| Fred Thomas | .... | camera loader | |
| Joseph Thomas | .... | assistant camera | |
| Grady Upchurch | .... | second assistant camera | |
Casting Department | |||
| Chris Gray | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kate Sawyer | .... | key set costumer | |
Editorial Department | |||
| Mara Milicevic | .... | post-production assistant | |
Transportation Department | |||
| Susan Van Apeldoorn | .... | transportation | |
Other crew | |||
| Rick Baca | .... | payroll accountant | |
| Robert T. Bartlett | .... | production assistant | |
| Albert B. Cooper IV | .... | assistant location manager | |
| Karen P. Morris | .... | first assistant production accountant | |
| Robin O'Brien | .... | assistant production coordinator | |
| Mike Riley | .... | location manager | |
| Katie Willard Troebs | .... | production coordinator | |
| Mark Bronson | .... | post-production accountant (uncredited) | |
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| Hoosiers | 17 Again | The Basketball Diaries | Coach Carter | Hoop Dreams |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I must admit that I watched picked this one up on the drawing power of Andre Braugher, based on his powerful work on the now-defunct tv series "Homicide: Life on the Street". So I guess I shouldn't be disappointed that his character in this movie strongly resembles Homicide's Frank Pembleton. (In this movie he's a Jesuit priest; in Homicide his strong moral centre arises from his Jesuit background) Despite this, or perhaps because of this, Braugher is almost always compelling when he's onscreen, exercising his range from indignant anger to his icy cold stare.
There were also some strong supporting performances, especially Bill Nunn as the concerned father of the best player on the high school team. The whole thing is apparently drawn from real life, and the background of the struggle to overcome America's apartheid system is certainly compelling.
All that said, however, this movie does have some problems. Many of these probably arise from the format- in a 90 minute made for cable movie, there isn't time to be as expansive as one would like. But still, too many of the characters are really one dimensional, and follow a pattern of set up/resolution. Rather than showing any real-life personality, they get the movie-imposed "character arc". (And pity the poor white folks in this movie; I know there's frustratingly little time to offer us more characters, but we get really no chance to get into the heads of the players on the other side of the ball and their families.) And worst of all, this movie ends with the deeply cliched BIG GAME.
Seeing as this comes from the director of the very good documentary "Hoop Dreams", I would have hoped for more investigation of the characters involved, and the circumstances of their lives, rather than more kinetic in-game action. (And, despite the executive producer presence of Magic Johnson, the basketball sequences are fairly uninspired.)
All things considered, the movie was well put together and moved along briskly. If I wasn't thrilled, at least I wasn't bored. If you like Andre Braugher, you'll probably want to see this movie, but in general, you'd probably be better off watching a few old episodes of "Homicide", and chasing that with "Hoop Dreams".
Final note: If I were making a movie about a high-school basketball team, I'd get my people to watch "Hoosiers", and then filter everything from that film out of my project. Sports are such a huge part of so many people's lives, there's got to be more stories than these movies keep on telling. In this flick, I found all the trouble that went into setting up the BIG GAME much more interesting that the game itself; why can't that be the focus?
Rating: 5 out of 10 (average). (And this factors in a bonus point for Andre Braugher)