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If not anything, every time I manage to catch a song or a glimpse from "Aandhi"on telly, it makes me stop doing everything and take notice. Every frame of "Aandhi" deserves the "Bible" for acting status. It is next to impossible to judge who was outdoing whom - Sanjeev Kumar or Suchitra Sen. Safe to say, both neatly complimented each other.Amongst all the movies Gulzar held the reigns of direction "Aandhi" gets the top position. The narrative in the form of flashbacks keeps it crisp and the audience intrigued. I seriously doubt if "Aandhi" deserved the due recognition it deserved when it was released. I surely have read about the reference to Indira Gandhi's political career leading to the ban, but I wonder if fuelled the fire to speculation or worked against it I am not too sure. And another thing, political themes haven't worked quite well owing to the dry subject and the lack of succulence, however Gulzar manages to calibrate it to perfection for the audience without going over-board.Gulzar/ Hari Bhai/ R D Burman was a winning combination every time they huddled up and "Aandhi" is no exception. Lyrics penned by Gulzar, mystical as usual were elevated to great heights by the music to R D Burman. The composition are still fresh as they were two decades ago.Noteworthy is the couple's daughter "Munna" who is never shown in the audience and is restricted to a reference in big scheme of things, which in my opinion is the art of fine film-making."Hell hath no fury like a woman scorned" is reserved fiery delivery in the last frames by Suchitra. Sen. Noteworthy is the ending which cannot be more apt.
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