| Photos (see all 19 | slideshow) | Videos |
| Leelee Sobieski | ... | Joan D'Arc | |
| Chad Willett | ... | Jean de Metz | |
| Jacqueline Bisset | ... | Isabelle D'Arc | |
| Powers Boothe | ... | Jacques D'Arc | |
| Neil Patrick Harris | ... | The Dauphin, later King Charles VII of France | |
| Maury Chaykin | ... | Sir Robert de Baudricourt | |
| Olympia Dukakis | ... | Mother Babette | |
| Jonathan Hyde | ... | Duke of Bedford | |
| Robert Loggia | ... | Father Monet | |
| Shirley MacLaine | ... | Madame de Beaurevoir | |
| Peter O'Toole | ... | Bishop Cauchon | |
| Maximilian Schell | ... | Brother Jean le Maistre | |
| Peter Strauss | ... | La Hire | |
| Ron White | ... | Dunois | |
| Jaimz Woolvett | ... | Duke of Burgundy | |
| Ted Atherton | ... | Jean d'Estivet | |
| Chandra Engstrom | ... | Young Joan | |
| Jaroslav Fricek | ... | Noel | |
| Robert Haley | ... | La Tremoile | |
| Matt Hoffman | ... | Louis | |
| Jirina Klinkova | ... | Baby Joan | |
| Kris Lemche | ... | Emile | |
| Gregory Linington | ... | Gerard | |
| Chris Hoffman | ... | Raymond | |
| rest of cast listed alphabetically: | |||
| Daniel Brown | ... | Chamberlain | |
| Zlatan Camo | ... | Sir Robert's Page | |
| Hynek Cermak | ... | Philip's Messenger | |
| John Comer | ... | English Guard 2 | |
| Richard H. Cutting | ... | Capt. Paul | |
| David Dunbar | ... | Christian | |
| Trey Eckles | ... | Zealot 1 | |
| Lida Engelov | ... | Mother Superior | |
| Rozita Erbenova | ... | Little Soup Kitchen Girl | |
| Miroslav Fantys | |||
| David Fisher | ... | English Guard 1 | |
| Rich Gold | ... | Bishop in Square | |
| Rod Grover | ... | Assessor 3 | |
| Ivan Gubel | ... | Male Refugee | |
| Ondrej Hartl | ... | Jacquemine D'Arc | |
| Klára Issová | ... | Michael's Wife | |
| Galika Janova | ... | Loire Daughter | |
| Ludek Jelen | ... | Loire Father | |
| Olga Kasalkova | ... | Old Plague Woman | |
| Joel Kirby | ... | Assessor 2 | |
| Liliana Komorowska | ... | Emile's Mother | |
| Janet Lynch | ... | Loire Village Woman | |
| Ross Manson | ... | Victor | |
| Mikulas Mara | ... | Michel D'Arc | |
| Curtis Mathew | ... | Bishop | |
| Avi Muyderman | ... | Executioner | |
| Jan Nemejovsky | ... | Assessor 1 | |
| David Nykl | ... | Duke of Luxembourg | |
| Robert Orr | ... | Sergeant-at-arms | |
| Josef Pejchal | ... | Michel D'Arc | |
| Rudolf Pellar | ... | Assessor 4 | |
| Justin Peroff | ... | Pierre D'Arc | |
| Daniel Rous | ... | Sir Robert's Guard | |
| Cliff Saunders | ... | Bertrand dePoligny | |
| David Schofield | ... | Gladsdale | |
| Milan Sipek | ... | Compeigne Messenger | |
| Petr Smejkal | ... | Loire Son | |
| Robert Sobieski | ... | Young Pierre | |
| John Standing | ... | Archbishop | |
| Joel Sugerman | ... | Priest in Square | |
| Jirí Trnka | ... | Old Jacquimine D'Arc | |
| Richard Trstan | ... | Steward | |
| Jan Unger | ... | Claude | |
| Marek Valenta | ... | Charles Page 1 | |
| Thomas Valik | ... | Messenger | |
| Jared Wall | ... | Young Emile | |
| Rick Warden | ... | English Chaplain | |
| Dale Wyatt | ... | Reims Noblewoman | |
Directed by | |||
| Christian Duguay | |||
Writing credits(WGA) | ||
| Michael Alexander Miller | (written by) and | |
| Ronald Parker | (written by) | |
Produced by | |||
| Peter Bray | .... | producer | |
| Luc Campeau | .... | line producer | |
| Andrew Deane | .... | co-executive producer | |
| Graham Flashner | .... | executive producer | |
| Brenda Friend | .... | co-executive producer | |
| Ed Gernon | .... | executive producer | |
| Deb LeFaive | .... | line producer | |
| Peter Sussman | .... | executive producer | |
Original Music by | |||
| Asher Ettinger | |||
| Tony Kosinec | |||
Cinematography by | |||
| Pierre Gill | |||
Film Editing by | |||
| Ralph Brunjes | |||
Casting by | |||
| Deirdre Bowen | |||
| Susan Glicksman | |||
| Fern Orenstein | |||
Production Design by | |||
| Michael Joy | |||
Art Direction by | |||
| Shannon Grover | |||
| Martin Martinec | |||
Set Decoration by | |||
| Frances Calder | |||
| Pavel Hemmy | |||
Costume Design by | |||
| John Hay | |||
Makeup Department | |||
| Jan Archibald | .... | key hair stylist | |
| Tomoko Hidaka | .... | key makeup artist | |
| Melissa Purino | .... | key makeup artist | |
| Benjamin Robin | .... | hair stylist (as Ben Robin) | |
| Marie Soudna | .... | hair stylist | |
Art Department | |||
| Milan Babik | .... | props | |
| Bill Burd | .... | property master | |
| Tim Burd | .... | first assistant props | |
| Tomas Hais | .... | set dresser | |
| Yvan Hart | .... | plasterer | |
| Radan Kapinos | .... | set props | |
| Jason B. Landels | .... | set props | |
| Stefan Mily | .... | set dresser | |
| Frantisek Rezek | .... | set props | |
| Peter Stratford | .... | assistant art director | |
| Martina Ter-Akopowá | .... | art department interpreter | |
| Jana Vacková | .... | set props | |
| Josef Vecerek | .... | assistant set decorator | |
| Miroslav Zdenek | .... | draughtsman | |
| Jiri Zucek | .... | co-property master | |
Special Effects by | |||
| Georges Demétrau | .... | special effects supervisor | |
| Pavel Sagner | .... | special effects coordinator | |
| Jirí Vater | .... | special effects technician | |
| Jirí Vojtech | .... | special effects senior technician | |
| Olivier Zenenski | .... | special effects coordinator | |
| Alain Couty | .... | special effects (uncredited) | |
Visual Effects by | |||
| Dave Asling | .... | model shop supervisor | |
| Stephen Bahr | .... | visual effects coordinator | |
| Barb Benoit | .... | lead compositor | |
| Mike Borrett | .... | visual effects coordinator | |
| Dug Claxton | .... | compositor | |
| Thierry Delobel | .... | digital artist | |
| Janeen Elliott | .... | digital compositor | |
| Xavier Fourmond | .... | digital compositor | |
| Sarah Norton | .... | digital compositor | |
| Joel Skeete | .... | lead compositor | |
| Jason Snea | .... | digital compositor | |
| Linda Tremblay | .... | digital compositor | |
| Thomas Turnbull | .... | visual effects supervisor | |
| Rainy Venne | .... | digital artist | |
Stunts | |||
| Veronika Bellová | .... | stunt double | |
| Vladimir 'Furdo' Furdik | .... | stunts | |
| Roman Jankovic | .... | horses stunts | |
| Jirí Kuba | .... | stunt coordinator | |
| Gustáv Kyselica | .... | utility stunts | |
| Mario Luraschi | .... | stunt coordinator | |
| Branislav Martinak | .... | utility stunts | |
| Lubomir Misak | .... | utility stunts | |
| Michael Sandala | .... | stunts | |
| Roman Spacil | .... | fights choreographer | |
| Philippe Zone | .... | stunts | |
Casting Department | |||
| Sean Garman | .... | casting associate | |
| Timothy J. Gorman | .... | casting coordinator | |
| Orly Sitowitz | .... | casting associate | |
Costume and Wardrobe Department | |||
| Henri Aubertin | .... | key dresser | |
| Blanche-Danielle Boileau | .... | associate costume designer (as Blanche Boileau) | |
| Miroslav Fozo | .... | wardrobe coordinator | |
| Pascal Gauthier | .... | dresser | |
| Maria Hubackova | .... | wardrobe | |
| Helena Ilingerova | .... | wardrobe mistress | |
| Ron Mawbey | .... | key dresser: extras | |
| Jarka Vesela | .... | wardrobe mistress | |
| Sarka Zvolenska | .... | set costumer | |
Editorial Department | |||
| James C. Christie | .... | assistant editor (as James Christie) | |
| Steve Corcoran | .... | assistant editor | |
| Paul Deakin | .... | on-line editor | |
| Andrea Folprecht | .... | assistant editor | |
| Renee Georgacopoulos | .... | assistant editor | |
| Jason Irvine | .... | assistant editor | |
| Mike Lee | .... | additional editor | |
| Clement Lush | .... | colorist assist | |
| Jennifer Macleod | .... | post-production coordinator | |
Music Department | |||
| María Costa | .... | music supervisor | |
| Yuri Gorbachow | .... | music editor | |
| John Herberman | .... | composer: additional music | |
| Glenn Morley | .... | conductor | |
| Philip Stanger | .... | composer: additional music | |
| Jeff Wolpert | .... | scoring mixer | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Transportation Department | |||
| Simon Borecki | .... | transportation captain | |
| Simon Borecky | .... | transportation captain | |
Other crew | |||
| Jill Anderson | .... | accounting clerk | |
| Elizabeth Hagen | .... | production accountant | |
| Daniela Humlova | .... | script supervisor | |
| Petr Kavalek | .... | assistant to production coordinator | |
| Ondrej Nerud | .... | production coordinator | |
| Hélène Ross | .... | production coordinator | |
| Craig Small | .... | title designer | |
| Patrick Vagner | .... | production accountant | |
| Bosede Williams | .... | script supervisor | |
| Lori Wyant | .... | assistant script supervisor (as Lory Wyant) | |
| Jiri Zucek | .... | location manager | |
| Michael Cella | .... | stand-in: Peter O'Toole (uncredited) | |
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| The Messenger: The Story of Joan of Arc | The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France | Joan the Woman | Joan of Arc | Elizabeth: The Golden Age |
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The story of Joan D'Arc has always interested me, because this was a girl who stood by her beliefs till the end, no matter what she was threatened with or who tried to make her doubt them. She had great conviction, and especially in the Middle Ages, where women's roles were passive, the fact that she was able to rise up, lead an army, and defend herself with extreme wit and cleverness from the onslaught of treachery before and during the famous trial, shows just how remarkable this young girl was (19 when she died).
This movie captures brilliantly the cleverness and strength of this brave heroine. Acting was in the most part very good, as one is gripped from the great opening sequence all the way to the end. While there are some unconvincing CGI effects (mainly of Joan's saints), the battle sequences are very believable to watch. One has to note, however, that the writers took quite a few liberties with the script. The viewer has to be careful to not take every event as fact. I won't go into detail, but please read about the history of Joan, as, even though this movie does a great job in showing Joan as a smart, God-loving person, some events in the movie did not happen historically, or else the writers changed them to suit their own goals.
In the end, however, the main point about Joan, is that she was able use her faith, head, and heart to thoroughly aggravate and embarrass those who would have her dead. In the end, she is still the victor. And the movie reflects this.