| Photos (see all 7 | slideshow) |
| Boy George | ... | Narrator | |
| James Layton | ... | Gabriel | |
| Lee Williams | ... | Seth | |
| Margaret Towner | ... | Doreen | |
| Rita Davies | ... | Fanny | |
| Rosemarie Dunham | ... | Mrs Drax | |
| Kevin Moore | ... | The Priest | |
| David Prescott | ... | Mark | |
| Angharad Rees | ... | Mary | |
| Matthew Dean | ... | Kester | |
| Leila Lloyd-Evelyn | ... | Polly | |
| Mr. Powell | ... | Lord Biffen | |
| rest of cast listed alphabetically: | |||
| Alastair Cumming | ... | Michael | |
Directed by | |||
| Will Gould | |||
Writing credits(in alphabetical order) | ||
| Charles Lambert | writer | |
| Matthew Read | writer | |
Produced by | |||
| Clare Erasmus | .... | line producer | |
| Charles Lambert | .... | producer | |
Original Music by | |||
| Basil Moore-Asfouri | |||
Cinematography by | |||
| Laura Remacha | |||
Film Editing by | |||
| Carol Salter | |||
Casting by | |||
| Teresa Green | |||
| Matthew Read | |||
Production Design by | |||
| Mark Larkin | |||
Costume Design by | |||
| Shanti Freed | |||
Makeup Department | |||
| Jonathan Joslin | .... | special makeup effects artist | |
| Sophie Oliver | .... | hair stylist | |
| Sophie Oliver | .... | makeup artist | |
| Caroline Rose | .... | makeup artist | |
Production Management | |||
| Emma Hancox | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Greg Cole | .... | first assistant director | |
| Debbie Malynn | .... | second assistant director | |
Art Department | |||
| Llewelyn Hancox | .... | art department assistant | |
| Edwin Lambert | .... | property master | |
Sound Department | |||
| Peter Burgis | .... | foley artist | |
| Andrea Carnevali | .... | sound effects editor | |
| Peter Hodges | .... | dubbing mixer | |
| Peter Hodges | .... | sound editor | |
| Grayson James | .... | sound recordist | |
| Susan Lenny | .... | sound editor | |
| Darren Shaw | .... | boom operator | |
| Darren Shaw | .... | sound assistant | |
| Chris Trussler | .... | adr mixer | |
| Chris Trussler | .... | foley mixer | |
Special Effects by | |||
| Jonathan Joslin | .... | special effects | |
| Steve Miller | .... | pyrotechnics supervisor (as Steven Miller) | |
Visual Effects by | |||
| Sarah Bowen | .... | visual effects animator | |
Camera and Electrical Department | |||
| Rasmus Bleekemolen | .... | gaffer | |
| Tim Bonnebaight | .... | electrician | |
| Craig Gillings | .... | video assist operator | |
| Martin Gooch | .... | focus puller | |
| Douglas Gray | .... | focus puller | |
| Ben Jackson | .... | assistant grip | |
| Amanda Lockhart | .... | still photographer | |
| Simon Middleton | .... | key grip | |
| Andy Munday | .... | electrician | |
| Clair Parkinson | .... | clapper loader | |
| Iwan Prys Reynolds | .... | focus puller | |
| Paul David Ullah | .... | electrician | |
Costume and Wardrobe Department | |||
| Elena D'Cruze-Reynolds | .... | costume supervisor (as Elena D'Cruze) | |
| Nadine Hindi | .... | costume consultant | |
Editorial Department | |||
| Sotira Kyriacou | .... | additional editor | |
| Conal Percy | .... | additional editor | |
Music Department | |||
| Elizabeth Bradley | .... | musician: double bass | |
| Linda Fairhurst | .... | musician: cello | |
| David Graham | .... | music recording assistant | |
| Anna Holmes | .... | musician: cello | |
| Tim Hunt | .... | music recording engineer | |
| Catherine Martin | .... | music copyist | |
| Catherine Martin | .... | musician: violin | |
| Katherine McGillivray | .... | musician: viola | |
| Basil Moore-Asfouri | .... | conductor | |
| Andrea Morris | .... | musician: violin | |
| Adam Summerhayes | .... | musician: violin | |
| Lechar Tryb | .... | musician: viola | |
Other crew | |||
| Mary Barnecutt | .... | continuity | |
| Katie Collins | .... | publicist | |
| Yvonne Davies | .... | continuity | |
| Ray Gale | .... | runner | |
| Miles Gibson | .... | script editor | |
| Fergus Gilroy | .... | runner | |
| Tom Lee | .... | runner | |
| Caroline Luguet | .... | production coordinator | |
| Matt Newman | .... | runner | |
| Catherine Reed | .... | legal advisor: Denton Hall | |
| Cordelia Stafford | .... | catering manager | |
| Julia Tuffs | .... | runner | |
| Recent Posts (updated daily) | User |
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| Just wanted to say.... | lillah_7 |
| Has no-one else picked up on the true meaning of this film? | allan_wilson |
| Why has James Layton never been seen since? | gemnut-1 |
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| My Own Private Idaho | The Night of the Hunter | Maurice | Pianese Nunzio, 14 anni a maggio | If.... |
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| Full cast and crew | Company credits | External reviews |
| IMDb Fantasy section | IMDb UK section | Add this title to MyMovies |
Odd, odd, odd. It's a little like watching Ken Russell seen through a prism of Alain Resnais. And the "wolves" of the title are not exactly "wolves" and not exactly "werewolves." You'll see what I mean when you see their costumes. Being a wolf, or becoming a wolf through inborn genetic or infectious disease or "contact" is a metaphor for homosexuality. (No, I'm not dissing what I am and what you probably are--it's just part of the film's wackiness.) Once you see it's from a play by Charles Lambert, it all makes sense. But it beautifully translates to film.
I love the old lady, Fanny, who despite myriad lines and wrinkles on her tanned old face still retains the remains of great beauty. Hearing the actress adopt a cockney or regional accent, puckishly enunciating her saucy remarks, is a delight. (She also played the incredible beauty at the end of "The Da Vinci Code.") This film is also a satire of the class war, reminiscent of Mike Leigh's "High Hopes." Catch Polly, a member of the Biffen family, with her ludicrous "county" accent as she wears her quilted jacket and complains that the minister won't allow her dog Parsnip into church.
A delightful film, helped by the fantastic beauty of the English countryside and the fantastic beauty of the lead Gabriel, played by James Layton. A melange of humor, beauty, and oddness.