| Photos (see all 19 | slideshow) | Videos |
Directed by | |||
| David Mallet | |||
Writing credits | ||
| Tim Rice | (book) | |
Produced by | |||
| Andrew Lloyd Webber | .... | producer | |
| Andy Picheta | .... | line producer | |
| Austin Shaw | .... | executive producer | |
| Nigel Wright | .... | co-producer: music | |
Cinematography by | |||
| Nicholas D. Knowland | (as Nic Knowland) | ||
Film Editing by | |||
| Dave Gardener | |||
| Rose Landfield | |||
| David Mallet | |||
| Nick Morris | |||
Casting by | |||
| David Grindrod | |||
Production Design by | |||
| Mark Thompson | |||
Art Direction by | |||
| Michael Minas | |||
Costume Design by | |||
| Mark Thompson | |||
Makeup Department | |||
| Christine Allsopp | .... | personal makeup artist | |
| Kiri Mellalieu | .... | makeup artist | |
| Sharon O'Brien | .... | hair stylist | |
| Anna Pitt | .... | makeup artist | |
| Caroline Robinson | .... | makeup artist | |
| Steven Smith | .... | assistant makeup artist | |
| Lynnette Tanner | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Joe Geary | .... | third assistant director | |
| Dez Gray | .... | third assistant director | |
| Paul Lay | .... | third assistant director | |
Art Department | |||
| Gordon Deller | .... | property master | |
| Marj Deller | .... | prop hand | |
| Peter Flynn | .... | stagehand | |
| Tony Foster | .... | stagehand | |
| Kamael Heru-ur Smith | .... | scene designer | |
| Kamael Heru-ur Smith | .... | stagehand | |
| Cris Malcolm | .... | stagehand | |
| Michael May | .... | scenic artist | |
| Alex McKenzie | .... | stagehand | |
| Paula McLean | .... | stagehand | |
| Steve Nagy | .... | stagehand | |
| Ian Neal | .... | stagehand | |
| Jeff Paewai | .... | stagehand | |
| Bruce Rostran | .... | scenic artist | |
| Joanne Steward | .... | scene designer | |
| Alison Trotter | .... | prop hand | |
| Graeme Warrington | .... | prop hand | |
Sound Department | |||
| Sandy Buchanan | .... | foley mixer | |
| Vicki Cooksley | .... | sound | |
| Adam Crawford | .... | sound | |
| Dene Harris | .... | sound | |
| Nick Look | .... | sound | |
| Craig Lundy | .... | sound | |
| John MacGibbon | .... | sound | |
| Stacey Pilcher | .... | sound | |
| John Spelman | .... | sound | |
Visual Effects by | |||
| Victor Riva | .... | visual effects | |
| Costas Charitou | .... | digital effects artist: Rushes Postproduction Ltd. (uncredited) | |
Camera and Electrical Department | |||
| Dan Fontaine | .... | best boy | |
| Charlie Forbes | .... | gaffer | |
| Stewart Hadley | .... | lighting designer | |
| Sam Osborne | .... | head first assistant camera | |
| Talya Pilcher | .... | lighting technician | |
| Chris Varga | .... | dolly grip | |
Music Department | |||
| John Cameron | .... | orchestrator | |
| Michael Cowles | .... | musician: violin | |
| Annette Haley | .... | musician: percussions | |
| Barry Jones | .... | conductor | |
| Rebekah Love | .... | musician: keyboards, rehearsals | |
| Eddie Ovenden | .... | musician: guitar | |
| Bruce Roberts | .... | musician: trumpet | |
| Peter Warren | .... | musician: violin | |
Transportation Department | |||
| Colin Simmons | .... | driver: director | |
Other crew | |||
| Janine Deller | .... | understudy: "Wife" | |
| Craig Dustin | .... | head mechanic | |
| Maruna Engu | .... | understudy: "Brother" | |
| Peter Flynn | .... | fly hand | |
| Tony Foster | .... | fly hand | |
| Julia Francis | .... | understudy: "Wife" | |
| Kamael Heru-ur Smith | .... | fly hand | |
| Kamael Heru-ur Smith | .... | programme compiler | |
| Kamael Heru-ur Smith | .... | programme designer | |
| Innes Jephson | .... | understudy: "Pharoah" | |
| Mendy Johnson | .... | production assistant | |
| Brian Jugelier | .... | front of house manager | |
| Cris Malcolm | .... | fly hand | |
| Dean McKerras | .... | choreographer | |
| Paula McLean | .... | fly hand | |
| Scott McLeish | .... | understudy: "Brother" | |
| Allan Nagy | .... | stage manager | |
| Carol Nagy | .... | caterer | |
| Kay Nagy | .... | production administrator | |
| Ian Neal | .... | fly hand | |
| Merryn Osborne | .... | reader | |
| Ron Osborne | .... | front of house manager | |
| Jeff Paewai | .... | fly hand | |
| Steven Pimlott | .... | stage director | |
| Leah Robinson | .... | understudy: "Narrator" | |
| Nichola Treherne | .... | associate director | |
| Anthony Van Laast | .... | choreographer | |
| Bruce Warwick | .... | programme compiler | |
| Bruce Warwick | .... | programme designer | |
| Bruce Warwick | .... | promoter | |
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| Joseph: King of Dreams | Ben-Hur | Joseph | Joseph in Egypt | The Prodigal |
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Those hoping to see a direct translation of the stage show might be slightly dissapointed. It has lost some of it's wit and charm, but has replaced them with an exuberance reminisant of the old time film musicals, where everyone looked as if they were having the time of their lives. This is what shines through mostly about this video. The feeling that the people involved knew they wanted it to be special, and they have succeded.
They have opened the show up slightly, with the opening set in a school and all the main cast as the teachers. They've added some rather snazzy special effects which on this occassion don't overwhelm the whole film, but help to draw the viewer into the world which they create. There are some wonderful cameos from a few familiar faces and the largely unknown cast of Brothers and Wives shine, with a few stand out performances from some of them. One of the girls reminds me of a young Joyce Grenfell.
Then we have our Two principals Donny Osmond and Maria Friedman. There were a few raised eyebrows when it was announced that Donny would be playing the lead role, but all misgivings are swept away as he makes the part all his very own, with a mixture of playful charm and vitality. Maria Friedman is a screen star in the making, with a charisma that makes her seem a natural for the screen. She has been wowing audiences in the West End for sometime now, but I'm sure that soon Tinseltown will take her and make her the star she should be.
There is very little wrong with this production and I'm sure that it will have been in many peoples Christmas stocking. So while it may not be a gem, you can safely say it is a rough diamond, which in many cases shines much brighter.