Antony and Cleopatra (1974) (TV)

Director:

Jon Scoffield

Writer:

William Shakespeare (play)

Release Date:

4 January 1975 (USA)

Plot Keywords:

Shakespeare's Antony And Cleopatra | Based On Play | Character Name In Title

Awards:

1 win & 1 nomination

Cast

Richard Johnson	...	Marc Antony
Janet Suzman	...	Cleopatra
Rosemary McHale	...	Charmian
Mavis Taylor Blake	...	Iras
Darien Angadi	...	Alexas
Sydney Livingstone	...	Mardian (as Sidney Livingstone)
Geoffrey Hutchings	...	A Fig Seller
Loftus Burton	...	Diomedes
Lennard Pearce	...	Cleopatra's Schoolteacher
Joseph Charles	...	Cleopatra's Messenger
Tony Osoba	...	Cleopatra's Servant
Douglas Anderson	...	Cleopatra's Eunuch
Michael Egan	...	Cleopatra's Eunuch
Paul Gaymon	...	Cleopatra's Eunuch
Wendy Bailey	...	Servant
Madelaine Bellamy	...	Servant
Edwina Ford	...	Servant
Amanda Knott	...	Servant
Joe Rock	...	Servant
Gito Santana	...	Servant
Nicholas McArdle	...	King
Derek Wright	...	King
Frederick Radley	...	King
Norman Caro	...	King
Richard Young	...	King
Patrick Stewart	...	Enobarbus
Constantine Gregory	...	Ventidius (as Constantin De Goguel)
William Morgan Sheppard	...	Scarus (as Morgan Sheppard)
Joseph Marcell	...	Eros (as Joe Marcell)
Jonathan Holt	...	Dercetas
Chris Jenkinson	...	Silius (as Christopher Jenkinson)
John Bott	...	A Soothsayer
Robert Oates	...	1st Watchman
Arthur Whybrow	...	2nd Watchman
Michael Radcliffe	...	3rd Watchman
Geoffrey Greenhill	...	Soldier
William Thomas	...	Soldier (as William Huw-Thomas)
David Janes	...	Soldier
Jeremy Pearce	...	Soldier
Mark Sheridan	...	Soldier
Corin Redgrave	...	Octavius (Augustus Caesar)
Raymond Westwell	...	Lepidus
Mary Rutherford	...	Octavia
Philip Locke	...	Agrippa
Derek Godfrey	...	Macenas
Ben Kingsley	...	Thidias
Martin Milman	...	Dolabella
Tim Pigott-Smith	...	Proculeius
Keith Taylor	...	A Messenger
Thomas Chesleigh	...	Gallus
Desmond Stokes	...	Taurus
Alan Foss	...	A Senator
John Bardon	...	Demetrius
Peter Godfrey	...	A Sentry
Malcolm Kaye	...	A Guard

Directed by
Jon Scoffield

Writing credits (in alphabetical order)
William Shakespeare		play

Original Music by
Guy Woolfenden

Production Design by
Michael Bailey

Art Department
Christopher Morley	....	consultant production designer
Terry Royce	....	stand-by propsman

Stunts
B.H. Barry	....	fights

Costume and Wardrobe Department
Ann Curtis	....	costume design consultant

Other crew
Trevor Nunn	....	director of stage production (uncredited)

Production Companies

• Incorporated Television Company (ITC)
• Royal Shakespeare Company

Distributors

• American Broadcasting Company (ABC) (1975) (USA) (TV) (original U.S. airing)

Other Companies

• Royal Shakespeare Company  group cast members

Runtime:

161 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Company:

Incorporated Television Company (ITC)

Quotes:

Enobarbus: The barge she sat in, like a burnis'd throne/Burned on the water: the poop was beaten gold./Purple the sais, and so perfumed/ That the winds were lovesick with them./ The oars were silver, which to the tune of flutes kept stroke, and made/ The water which they beat to follow faster/ As amorous of their strokes.

Movie Connections:

Version of Antonius und Cleopatra (1963) (TV)

An Erotic Technique That Can't Be Beat

Though the acting from the Royal Shakespeare company is first rate, this version of Antony and Cleopatra is little more than a photographed stage play. And a bit long for the cinema at that.

The title roles are played well by Richard Johnson and Janet Suzman. The story has been told three times in contemporary verse in the cinema by Theda Bara, Claudette Colbert, and Elizabeth Taylor as the seductive Queen of Egypt who tried to bend one too many conquerors to her will by use of her legendary charms.

William Shakespeare's Mark Antony was a principal character in two of his plays, Julius Caesar where he skillfully picked up the leadership of his late patriarch Caesar and routed the conspirators who assassinated the legendary conqueror.

To give legitimacy to his enterprise, Antony was forced into partnership with Octavian Caesar, Julius's grandnephew and a legion commander Lepidus made the triumvir of three. This play is a story of the dissolution of that partnership caused in no small part by Cleopatra.

Sex may have more a part in Antony and Cleopatra than in any other work of Shakespeare. Historians might very well argue that Mark Antony was using Cleopatra as his entrée to gaining alliances with various Roman dependencies in a power play against Octavian. But Shakespeare was no doubt titillating his 16th century audience with the tales of Cleopatra's erotic technique. Ahenobarbus, Antony's good friend played here by Patrick Stewart, says that while Octavia's sister's a pretty thing, when you get entangled with Cleopatra, she's so good that men are never satisfied, they keep hungering for more.

So that's the reason why Antony instead of tending to business and keeping an eye on Octavian gradually loses support in Rome where it really counts. The guy who was so shrewd in Julius Caesar in Antony and Cleopatra is just a love struck fool. It's the basis for his tragedy.

As for Cleopatra, three times wasn't the charm. Julius Caesar and Mark Antony may have succumbed although there is debate about who was using who. But in Octavian as played here by Corin Redgrave is all about business.

I was interested in the difference between Ahenobarbus in Cecil B. DeMille's Cleopatra which starred Claudette Colbert and the way Shakespeare writes him and Stewart plays him. In the DeMille film, Ahenobarbus is played by C. Aubrey Smith as a stout old soldier who finds it a matter of conscience to leave Antony and support his beloved Roman Empire which he sees embodied now in Octavian. Patrick Stewart's Ahenobarbus is far more of an opportunist who makes a calculated move at the right time.

The money here was spent on talent with the people mentioned and the others in the cast from the Royal Shakespeare Company. Down the cast list you'll find Ben Kingsley in a minor role. Look also for a very touching performance by Rosemary McHale as Charmian, Cleopatra's faithful handmaiden who makes the last journey with her.

This version of Antony and Cleopatra is not a movie per se, it lacks the production values of one. The Elizabeth Taylor Cleopatra had the spectacle to go with the acting. This one succeeds on talent alone.