| Martin Scorsese | ... | Host |
Directed by | |||
| Martin Scorsese | |||
Writing credits(in alphabetical order) | ||
| Suso Cecchi d'Amico | writer | |
| Raffaele Donato | writer | |
| Kent Jones | writer | |
| Martin Scorsese | writer | |
Produced by | |||
| Giorgio Armani | .... | executive producer | |
| Giorgio Armani | .... | producer | |
| Marianne Bower | .... | associate producer | |
| Marco Chimenz | .... | executive producer | |
| Barbara De Fina | .... | producer | |
| Giuliana Del Punta | .... | producer | |
| Raffaele Donato | .... | co-executive producer | |
| Bruno Restuccia | .... | producer | |
| Riccardo Tozzi | .... | executive producer | |
Cinematography by | |||
| Phil Abraham | |||
| William Rexer | |||
Film Editing by | |||
| Thelma Schoonmaker | |||
Production Design by | |||
| Wing Lee | |||
Makeup Department | |||
| Felice Diamond | .... | makeup artist | |
| Todd Kleitsch | .... | makeup artist | |
Production Management | |||
| Marco Serrecchia | .... | production manager | |
Art Department | |||
| Anthony Baldasare | .... | set dresser | |
| Autumn Jones | .... | scenic | |
| Ron Petagna | .... | construction coordinator (as Ronnie Petagna) | |
Sound Department | |||
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby | |
| Chris Fielder | .... | sound assistant | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Keith Gardner | .... | boom operator | |
| Sean Huff | .... | sound assistant | |
| Peter Miller | .... | narration recordist | |
| Peter Miller | .... | sound mixer | |
| Tom Nelson | .... | sound mixer (as Thomas Nelson) | |
| Roger Phenix | .... | narration recordist | |
| Mike Poppleton | .... | sound assistant | |
| Mark Roy | .... | narration recordist | |
| Reilly Steele | .... | sound re-recording mixer | |
| Philip Stockton | .... | supervising sound editor | |
| William Tzouris | .... | narration recordist (as William P. Tzouris) | |
| Magdaline Volaitis | .... | supervising sound editor | |
Visual Effects by | |||
| Jennifer Basnyat | .... | visual effects | |
| Romano Bellucci | .... | optical camera | |
| Carlo Cotta | .... | technical support: opticals | |
| Gianfranco De Angelis | .... | optical camera assistant | |
| Paolo Verrucci | .... | color timer | |
Camera and Electrical Department | |||
| Gideon Bachman | .... | still photographer | |
| Bob Brennan | .... | dolly grip (as Robert A. Brennan) | |
| Rod Calarco | .... | second assistant camera (as Rod S. Calarco) | |
| Mimmo Cattarinich | .... | still photographer | |
| Raymond Cauchetier | .... | still photographer | |
| Gene Engels | .... | gaffer | |
| Jonathan Furmanski | .... | first assistant camera | |
| Rod E. Geiger | .... | still photographer (as Rod Geiger) | |
| Nils Johnson | .... | video assist operator | |
| Tim Lucas | .... | still photographer | |
| Gordon Parks | .... | still photographer | |
| George Patsos | .... | key grip | |
| Giovanni Rinaldi | .... | still photographer | |
| Pamela Rittelmeyer | .... | first assistant camera | |
| Paul Ronald | .... | still photographer | |
| Isabella Rossellini | .... | still photographer | |
| Roswita Schmidt | .... | still photographer | |
| Martin Scorsese | .... | still photographer | |
| Enzo Silvana | .... | still photographer | |
| Sergio Strizzi | .... | still photographer | |
| Giorgio Tonti | .... | still photographer | |
| Pierre Zucca | .... | still photographer | |
Editorial Department | |||
| Scott Brock | .... | associate editor | |
| Tom Foligno | .... | assistant editor | |
| Joel Hirsch | .... | assistant editor | |
| Christopher Marcoux | .... | assistant editor (as Chris Marcoux) | |
| Roberta Schiavoni | .... | negative cutter | |
| Teresa Sercia | .... | negative cutter | |
| Donatella Tiburzi | .... | negative cutter | |
| Silvio Tonino | .... | color timer | |
| Jeffrey M. Werner | .... | assistant editor (as Jeff Werner) | |
Other crew | |||
| Michael Boonstra | .... | production coordinator | |
| Julie Brennan | .... | assistant: Mr. Scorcese | |
| Giulio Calvani | .... | general organiser | |
| Gretchen Campbell | .... | assistant: Mr. Scorsese | |
| Anne Carrott | .... | production assistant | |
| Duncan Chinnock | .... | teleprompter operator | |
| Anita Dunn | .... | assistant coordinator | |
| Sarah Feinberg | .... | assistant: Ms. De Fina | |
| Cecilia Ferrari | .... | delegate: Mediatrade | |
| Tracey Grimaldi | .... | teleprompter operator | |
| Paul Kramer | .... | location manager | |
| Erica Levy | .... | assistant: Ms. De Fina | |
| Cristiana Munafio | .... | press office: Mediaset | |
| Paolo Pacetti | .... | assistant: Ms. Del Punta | |
| Marcello Paolillo | .... | researcher | |
| Silvio Tonino | .... | dailies advisor | |
| Claudio Triomfera | .... | press office: Mediaset | |
| Vinny Vella | .... | consultant | |
Thanks | |||
| Justin Brennan | .... | thanks | |
| Tim Lucas | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Does anybody know when this is coming out on DVD? | Eddie C. |
| Thankyou Scorsese | bono_vox_is_god |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb Italy section | Add this title to MyMovies |
Martin Scorsese has compiled a fascinating personal documentary in "Mio viaggio in Italia." What makes this so compelling is the compassion with which Scorsese renders his selections.
He admits to having discovered these films, from his childhood to adulthood, not through reading about them (as in a film textbook) but actually experiencing them in the theater. His passion for these works and their directors exudes with great enthusiasm, which becomes infectious.
The films are not superficially presented, but rather in substantial enough portions as to allow one to glean their essence--at the same time, without ruining seeing the entire work.
His interpretive commentaries reveal one who has been deeply affected by these productions, and who has given great thought to their meaning and significance.
For the film buff, this is a most engrossing journey; for the young person new to Italian cinema, this is a valuable introduction to an artistic treasure chest.