Joe Gould's Secret (2000)

User Rating:

6.5/10   

Director:

Stanley Tucci

Writers (WGA):

Joseph Mitchell (books)
Howard A. Rodman (screenplay)

Release Date:

26 May 2000 (USA)

Genre:

Drama

Plot:

Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals...

Plot Keywords:

Based On Book | Independent Film | Character Name In Title

Cast

Ian Holm	...	Joe Gould
Stanley Tucci	...	Joe Mitchell
Hope Davis	...	Therese Mitchell
Sarah Hyland	...	Elizabeth Mitchell
Hallee Hirsh	...	Nora Mitchell
Celia Weston	...	Sarah
Patrick Tovatt	...	Harold Ross
Susan Sarandon	...	Alice Neel
Patricia Clarkson	...	Vivian Marquie
John Tormey	...	Harry Kolis
Jack O'Connell	...	Chef
Jerry Mayer	...	Minetta Bartender
Nell Campbell	...	Tamar (Hostess)
Ron Ryan	...	Jack
Allan Corduner	...	Francis McCrudden

MPAA:

Rated R for some language and brief nudity.

Runtime:

104 min | Argentina:108 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Brazil:12 | Iceland:L | Malaysia:U | Canada:14+ (Ontario) | Argentina:Atp | USA:R | Spain:T

Company:

Bohemian Productions

Quotes:

Joe Gould: In the winter, I'm a Buddhist; in the summer, I'm a nudist!

Movie Connections:

Featured in Edge of Outside (2006)

Soundtrack:

I'll Never Be the Same

The year's best (so far)

It's no accident that the opening scene of "Joe Gould's Secret" is an all-American family having a normal conversation over breakfast. The head of this household, author Joseph (Joe) Mitchell (director Stanley Tucci) is about to have his world turned upside-down by a person whom he's at first merely intrigued by, but then finds himself friends with: Joe Gould, a homeless beggar who "speaks seagull." Gould (Ian Holm) is himself an author, claiming to have recorded a staggering volume recounting the conversations of strangers he calls the 'Oral History' or simply 'O.H.' One portion of the OH is his own thoughts on these conversations, which he keeps with different people he knows all over New York City. The other is the actual conversations, which he claims to have hidden away under lock and key. Gould won't let anyone read it because it's too personal to him. Over the course of the story, Mitchell starts to suspect that these writings don't even exist. He also finds that he's got a lot more in common with this mentally ill tramp than he'd care to admit.

The heart of the story is the friendship between Gould and Mitchell. Both men are well portrayed and given great depth by the actors who play them. That the script is the best of any produced this year doesn't hurt either. Mitchell treats Gould as a story he's writing, as merely an interesting character for people to read about, and not a human being. Mitchell thinks he's done Gould a great service, but finds that all he's done is take away even more of Gould's humanity. Most of his `friends' treat him in a similar fashion: they love how he entertains them with his craziness, but when it comes to helping him, the most they're willing to do is make a contribution to the "Joe Gould fund." Holm's performance is mesmerizing. Behind all of Gould's ravings is a sadness that he always manages to keep just below the surface. Holm brings across several levels of a man's personality, sometimes in no more than a glance. His work here is a perfect, once-in-a-lifetime achievement I hope he is remembered for.

There is much more to Joe Gould's Secret than a message about how we treat the homeless in America. It has so many levels, you could watch it several times and find a different story in it each time. Tucci has several points to make, but doesn't do it at the expense of storytelling. His love and understanding of the story and characters shines through, like a kid finding a stray puppy, running home with it, and announcing, "look what I found!"

Grade: A