| Photos (see all 7 | slideshow) | Videos |
| Shirley Henderson | ... | Debbie | |
| Gina McKee | ... | Nadia | |
| Molly Parker | ... | Molly | |
| Ian Hart | ... | Dan | |
| John Simm | ... | Eddie | |
| Stuart Townsend | ... | Tim | |
| Kika Markham | ... | Eileen | |
| Jack Shepherd | ... | Bill | |
| Enzo Cilenti | ... | Darren | |
| Sarah-Jane Potts | ... | Melanie | |
| David Fahm | ... | Franklyn | |
| Ellen Thomas | ... | Donna | |
| Peter Marfleet | ... | Jack | |
| Nathan Constance | ... | Alex | |
| Anton Saunders | ... | Danny | |
| Abby Ford | ... | Nurse | |
| Michelle Jolly | ... | Midwife | |
| Rebecca Lenkiewiez | ... | Policewoman (as Rebecca Lenkiewicz) | |
| Vanessa Pratt | ... | Kelly | |
| Mark Sproston | ... | Rupert | |
| Michael Hodgson | ... | Kitchen Shop Father | |
| Emma Sear | ... | Kitchen Shop Mother | |
| Megan Sear | ... | Kitchen Shop Baby | |
| Nuno Vaz | ... | Portuguese Neighbour |
Directed by | |||
| Michael Winterbottom | |||
Writing credits(in alphabetical order) | ||
| Laurence Coriat | writer | |
Original Music by | |||
| Michael Nyman | |||
Cinematography by | |||
| Sean Bobbitt | |||
Film Editing by | |||
| Trevor Waite | |||
Casting by | |||
| Wendy Brazington | |||
Production Design by | |||
| Mark Tildesley | |||
Costume Design by | |||
| Natalie Ward | |||
Makeup Department | |||
| Konnie Daniel | .... | hair designer | |
| Konnie Daniel | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Michael Elliott | .... | second assistant director | |
| Toby Hosking | .... | assistant director | |
| Nick Laws | .... | first assistant director | |
Art Department | |||
| Michelle Day | .... | set dresser | |
| Aen Kavanagh | .... | construction manager | |
| Catrona MacMillan | .... | property master | |
| Polly Philcox | .... | props buyer | |
| Emma Robens | .... | art department assistant | |
Sound Department | |||
| Louis Bertini | .... | supervising sound editor | |
| Jan Cholawo | .... | foley editor | |
| Peter Christelis | .... | sound effects editor | |
| John Falcini | .... | dubbing mixer | |
| Richard Flynn | .... | sound | |
| Andy Moffat | .... | boom operator | |
| Lee Taylor | .... | foley mixer | |
| Ian Wilson | .... | supervising sound editor | |
| Aad Wirtz | .... | dubbing mixer | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
Stunts | |||
| Dorothy Ford | .... | stunt driver | |
| Andreas Petrides | .... | stunts | |
| Nick Powell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Paul Edwards | .... | Steadicam operator | |
| Nic Lawson | .... | focus puller | |
| Marcus Robinson | .... | still photographer | |
| Gordon Segrove | .... | clapper loader | |
| Tim Wiley | .... | gaffer | |
Costume and Wardrobe Department | |||
| Kate Towns | .... | costume assistant | |
Editorial Department | |||
| Martin Corbett | .... | first assistant editor | |
| Alec Gibson | .... | color grader | |
| Simon Sleap | .... | second assistant editor | |
Music Department | |||
| Fran Andrade | .... | musician: violin | |
| Nigel Barr | .... | musician: trombone | |
| Beverley Davison | .... | musician: violin | |
| Twydor Davis | .... | source music editor | |
| Matt Donin | .... | assistant music engineer | |
| Martin Elliott | .... | musician: bass guitar | |
| Jonathan Evans-Jones | .... | musician: violin | |
| Andrew Findon | .... | musician: tenor baritone saxophone and flute | |
| Miranda Fulleylove | .... | musician: violin | |
| Simon Haram | .... | musician: soprano alto saxophone | |
| Sophie Harris | .... | musician: cello | |
| William Hawkes | .... | musician: viola | |
| Tony Hinnigan | .... | musician: cello (as Anthony Hinnigan) | |
| Austin Ince | .... | music engineer | |
| Sophie Landon | .... | musician: violin | |
| David Lee | .... | musician: french horn | |
| Paul Morgan | .... | musician: double bass | |
| Kate Musker | .... | musician: viola | |
| Michael Nyman | .... | conductor | |
| Michael Nyman | .... | music producer | |
| Michael Nyman | .... | musician: piano | |
| Andrew Parker | .... | musician: viola | |
| Jonathan Rees | .... | musician: violin | |
| Jackie Shave | .... | musician: violin | |
| Katherine Shave | .... | musician: violin | |
| Steve Sidwell | .... | musician: trumpet | |
| Jason Westbrook | .... | assistant music engineer | |
Other crew | |||
| Nuala Alen-Buckley | .... | production accountant | |
| Ruth Breslaw | .... | production coordinator | |
| Rosie Bridge | .... | production assistant | |
| Heather Burton | .... | production runner | |
| James A. Cooper | .... | production assistant | |
| Alex Gladstone | .... | location manager | |
| Hugh Gourlay | .... | assistant location manager | |
| Susanna Lenton | .... | script supervisor | |
| Fiona Neilson | .... | production associate | |
| Arabella Page Croft | .... | production runner | |
| Roger Phillips | .... | title designer | |
| Emily Stewart | .... | production assistant | |
| Nicole Stott | .... | script development | |
| Steve Fletcher | .... | tutor (uncredited) | |
| Becky Jones | .... | assistant location manager (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
This movie has only just come out on DVD in Britain, that is a shamefully long time for a film to reach the country it was made in. But now it is here, and possibly finding a new audience, I thought I'd write a quick review. If you have read some of the other reviews, you will no doubt be aware of the 'kitchen sink' factor in this film. Well, I'm not going to deny that, the subject matter would not look out of place in a soap opera. . . .however it is the performances, the script and the fantastic style of this movie which pulls it out of the mundane and into the cinematic. Michael Winterbottom is clearly a director who like several of his British contemporaries such as Mike Leigh and Shane Meadows, believes that the drama around us in everyday life is worthy of the big screen. The film has a fine ensemble of characters, three very different sisters, their estranged brother and squabbling parents. The performances are brave and heartfelt in all cases, and even though the drama takes place over one weekend, the characters really do evolve. The most enticing thing about the film is the way it is shot and scored. Sean Bobbitt's time lapse photography and dogma style 16mm cinematography combined with Michael Nyman's emotive music is a really fantastic combination. This film shows London how the people who live there see it, namely from the ground. Nearly every film set in London now seems to have to include the Gherkin, the Tate modern and the Millennium wheel, what Winterbottom presents us with is something simultaneously far less and far more remarkable.