Overview
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Release Date:
29 October 1999 (Canada)
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Tagline:
A true story about finding the courage to be yourself.
Plot:
The story of the life of Brandon Teena, a transgendered teen who preferred life in a male identity until it was discovered he was born biologically female.
full summary |
full synopsis
Awards:
Won Oscar.
Another 42 wins
&
27 nominations
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User Comments:
Sensational subject matter masking a true romance
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| Laird Adamson | .... | assistant: Christine Vachon |
| Leora Backer | .... | assistant production office coordinator |
| Aaron Bartz | .... | production assistant |
| Paul Brennan | .... | legal services: Sloss Law |
| Peter Burns | .... | assistant: John Hart |
| Ronnie Butler | .... | security |
| John Cadenhead | .... | location manager |
| Terry K. Cahill | .... | security |
| George Camarda | .... | script supervisor: additional photography, New York |
| Judson Davenport | .... | location production assistant |
| Rachel Dawson | .... | production office coordinator: additional photography, New York |
| Stephen Dupree | .... | production assistant |
| Barak Epstein | .... | intern |
| Tony Estrada | .... | location scout |
| Dee Evans | .... | production office coordinator |
| Mark M. Faulkner | .... | security |
| Andrea Friedman | .... | additional location manager |
| Tommy Garrett | .... | security |
| Kyle Gross | .... | security |
| Jeremy Slade Haak | .... | intern |
| Gabriel Harris | .... | production assistant: additional photography, New York |
| Beverly G. Hendley | .... | security |
| Jeff Hill | .... | publicist |
| Gates Houp | .... | production assistant |
| Susanne Jones | .... | travel |
| Louis Katz | .... | physician: New York (as Louis Katz, MD) |
| Kim Kyle | .... | intern |
| Maria Lee | .... | intern |
| Sherri Lennon | .... | location manager |
| Joni Linton | .... | script supervisor: second unit, Dallas |
| Jennifer Lobban | .... | accounting intern |
| Jennifer Lobban | .... | production intern |
| Ann Marsland | .... | office production assistant |
| Jen McGowan | .... | production assistant: additional photography, New York (as Jennifer McGowan) |
| Dr. Gerald Michaelson | .... | physician: California (as Gerald Michaelson, MD) |
| Randy Miears | .... | key set production assistant |
| Susan R. Millard | .... | security |
| Ross Miller | .... | insurance: D.R. Reiff And Associates |
| Pamela Mount | .... | location scout |
| David O | .... | production assistant |
| Roman Ostrowski | .... | physician: New York (as Roman Ostrowski, MD) |
| Bill Perkins | .... | location production assistant |
| Michael Raines | .... | production assistant |
| Jack Riccobono | .... | production assistant: additional photography, New York (as Jack Ricobono) |
| Pamela Richardson | .... | script supervisor |
| Stanton Grant Richardson | .... | security |
| Cody Rogers | .... | office production assistant |
| Cody Rogers | .... | set medic |
| Bob Roizman | .... | projectionist: additional photography, New York |
| Ben Schoen | .... | titles: Scarlet Letters |
| Paula Schoen | .... | physician: California (as Paula Shoen, MD) |
| M.K. Shaw | .... | production accountant |
| Mark Shelby | .... | location scout |
| Fred Siegel | .... | tax accountant (as Fred Siegel, CPA) |
| Anitra K-M Smith | .... | office production assistant |
| Maya Stowe | .... | assistant: Kim Peirce |
| Paul Worrel | .... | physician: Texas (as Paul Worrel, MD) |
| Jason Zampino | .... | production assistant: additional photography, New York |
| Sarah Nean Bruce | .... | production advisor (uncredited) |
| Robert P. Campbell | .... | product placement (uncredited) |
| Dylan Verrechia | .... | assistant: Kim Peirce (uncredited) |
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Crew verified as complete
- AC Delco Co. thanks to (as AC Delco)
- All Payments Services payroll (as All Payments)
- American Auto Rental picture cars
- Arent Fox thanks to (as Eileen at Arnet Fox)
- Automotive Fabrication picture cars
- Bank of America bank (as Bank of America Texas)
- Broadway Skateland thanks to
- Budget Rent-a-Car trucks
- C5 audio post production services (as C5, Inc.)
- Candlewood Suites accommodations
- Cape Cod Chips thanks to (as Cape Cod Potato Chips)
- Celis Beer thanks to (as Celius Beer)
- Cine Shop prop/set dressing shop
- City of Crandall, Texas thanks to
- City of McKinney, Texas thanks to
- Club Tassas thanks to
- D.R. Reiff & Associates insurance (as D.R. Reiff And Associates)
- DTA Tours & Travel travel (as DTA Travel And Tours)
- Dallas Peterbilt picture cars
- Direct Events prop/set dressing shop
- Double Duece Bar thanks to
- Falco Ink. publicity (as Falco, Inc.)
- Falls City Journal, The thanks to
- Farkas Films thanks to
- Fina thanks to
- Fossil thanks to
- Goodedit conform room (as Good Edit)
- Hand Held Films camera equipment by: additional photography, New York
- Health Nut, The caterers
- Hill Top Classics picture cars
- Honest John's Caddy Corner picture cars (as Caddy Corner)
- Independent Studio Services prop/set dressing shop
- JP Morgan Chase Bank bank (as Chase Bank NY)
- Karaoke Capital karaoke equipment
- Koch Records soundtrack available on
- Kodak motion picture film
- Lesbian Herstory Archives, The thanks to
- Mach II Travel travel
- Mama's catering by: additional photography, New York (as Mama's Food Shop)
- Manhattan Transfer dailies
- McKinney Chamber of Commerce thanks to
- McKinney Grain Company thanks to
- Mill - McKinney, Texas, The thanks to
- Mobile Production Services expendables
- Nantucket Nectars thanks to
- New York City Mayor's Office of Film, Theater & Broadcasting, The thanks to (as NYC Mayor's Office of Film, Theatre and Broadcasting)
- New York Foundation for the Arts thanks to
- New York State Council on the Arts thanks to (as New York State Council for the Arts)
- North Dallas R.V. picture cars
- Ozarka Natural Spring Water, Co. thanks to
- Panavision cameras & lenses (as Panavision®)
- Paris Film Productions lighting equipment by: additional photography, New York
- Post 391 editing room
- Presbyterian Hospital of Kaufman thanks to
- PrimeCo Personal Communications mobile phones (as Prime Co. Personal Communications)
- Red Derby Tavern, The thanks to
- Reels on Wheels shipping/freight
- Reliable Go Carts picture cars
- Scarlet Letters titles by
- Slosslaw legal services (as Sloss Law)
- Sound One Corporation re-recording mixer
- Spice of Life Catering caterers
- Spin Cycle Post ADR studio: NY
- Sundance Institute, The developed with the assistance of (as the Sundance Film Institute)
- TMT thanks to (as T.M.T. Inc.)
- Texas Metal Industries thanks to
- The Astraea Foundation thanks to (as Astrea Foundation)
- Thrifty Car Rental cars (as Thrifty)
- Trade Audio Visuals walkies (as Trade Audio Visual Corp.)
- Transsexual Menace thanks to
- Ugly Duckling picture cars
- Utility Trailer of Dallas picture cars
- Wilshire Stages, The ADR studio: CA (as Wilshire Stages)
- Women Make Movies thanks to
- World Cinevision Services negative cutter (as World Cinevision)
Additional Details
Also Known As:
Take It Like a Man (USA) (working title)
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Rated R for violence including an intense brutal rape scene, sexuality, language and drug use.
Runtime:
118 min
Aspect Ratio:
1.85 : 1
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Fun Stuff
Trivia:
The director,
Kimberly Peirce, first came across the story when reading a long article in Village Voice written by Donna Minkowitz which was printed a few months after the murder.
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Goofs:
Continuity: When Brandon is pulled over by the police, his driver's license lists his height at 5'9'', but after he goes convicted in court, all the papers they show in that scene says he is 5'6''.
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Soundtrack:
Boys Don't Cry
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Recommendations
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This is a very powerful, and in many ways very disturbing, film that ultimately lingers with me not for its sensational subject matter but for its tragic and rewarding love story. Here we have two troubled strangers, both horribly at odds with their surroundings, finding each other, falling in love despite the many factors against them, and finally becoming the victims of the perception of their love. Like many others, I was tremendously impressed by the performance of Hilary Swank but I think the glue that holds the film together and gives it amazing hope and humanity is Chloe Sevigny. She takes a role that could have easily fallen apart in a lesser actress's hands and gives it complexity and depth that goes well beyond the script. To watch her is a breathtaking journey. Watch the way she uses her face in this movie this is an actress of remarkable expressiveness and skill! Overall, it is a very fine film that merits any serious moviegoer's rapt attention.