| Photos (see all 13 | slideshow) | Videos |
| Lionel Abelanski | ... | Shlomo | |
| Rufus | ... | Mordechai | |
| Clément Harari | ... | The Rabbi | |
| Michel Muller | ... | Yossi | |
| Agathe de La Fontaine | ... | Esther | |
| Johan Leysen | ... | Schmecht | |
| Bruno Abraham-Kremer | ... | Yankele | |
| Marie-José Nat | ... | Sura | |
| Gad Elmaleh | ... | Manzatou | |
| Serge Kribus | ... | Schtroul | |
| Michel Israel | ... | Sage 3 | |
| Rodica Sanda Tutuianu | ... | Golda | |
| Sanda Toma | ... | Mere de Yossi | |
| Zwi Kanar | ... | Lilenfeld | |
| Razvan Vasilescu | ... | The Tzigan Colonel | |
| Mihai Calin | ... | Sami | |
| Ovidiu Cuncea | ... | Moitl | |
| Marius Drogeanu | ... | Mendel | |
| Vladimir Jurascu | ... | Von Glück | |
| Robert Borremans | ... | Hauptsturmführer S.S. | |
| Bebe Bercovici | ... | Joshua | |
| Luminita Gheorghiu | ... | Rivka | |
| Georges Siatidis | ... | Itzik | |
| Michel Vanderlinden | ... | Resistant 1 | |
| Daniel Decot | ... | Resistant 2 | |
| Constantin Barbulescu | ... | Resistant 3 | |
| Constantin Codrescu | ... | Sage 1 | |
| Theodor Danetti | ... | Sage 2 (as Teodor Danetti) | |
| Savel Stiopul | ... | Sage 4 | |
| Constantin Dinulescu | ... | Sage 5 | |
| Marian Stan | ... | Homme 1 Synagogue | |
| Mugur Arvinescu | ... | Homme 2 Synagogue | |
| Cornel Vulpe | ... | Le Maire | |
| George Ulmeni | ... | Grossman | |
| Eugenia Serban | ... | Titina | |
| Florin Kevorkian | ... | Miron (as Florin Chevorchian) | |
| Ernest Maftei | ... | Maleie | |
| Serban Danescu | ... | Isaak | |
| Mihacia Bercu | ... | Sheine | |
| Rudi Rosenfeld | ... | Le Chamess | |
| Cristian Irimia | ... | David | |
| Mircea Cojan | ... | Sacha | |
| Alexandru Georgescu | ... | Yehuda | |
| Corneliu Revent | ... | Zacharie | |
| Cornel Ciupercescu | ... | Le Facteur | |
| Mircea Constantinescu | ... | Le Chef | |
| Constantin Draganescu | ... | Le Paysan Comptoir (as Costica Draganescu) | |
| Silvia Nastase | ... | Femme 1 Eglise | |
| Domalta Constantinlu | ... | Femme 2 Eglise | |
| Laura Neagle | ... | Femme Dipart | |
| Marioara Sterian | ... | Femme Diportie 1 | |
| Rosana Gutman | ... | Myriam | |
| Corneliu Jipa | ... | Le Juif Etable | |
| Claudiu Istodor | ... | Le Juif Locomotive | |
| Petre Lupu | ... | Ben | |
| Aristita Diamandi | ... | Cuisiniére | |
| Cristina Barsan | ... | L'enfant de Sura | |
| Cornel Streche | ... | L'enfant Shtetl | |
| Olga Bucataru | ... | Femme Wagon | |
| Leonie Waldman Eliad | ... | Femme Shtetl 2 | |
| Eugenia Bosânceanu | ... | Femme Shtetl 3 | |
| Tudorel Filimon | ... | Homme Shtetl 1 | |
| Constantin Ghenescu | ... | Homme Shtetl 2 |
Directed by | |||
| Radu Mihaileanu | |||
Writing credits(in alphabetical order) | ||
| Radu Mihaileanu | writer | |
| Moni Ovadia | italian version | |
Produced by | |||
| Marc Baschet | .... | producer | |
| Ludi Boeken | .... | producer | |
| Frédérique Dumas-Zajdela | .... | producer | |
| Eric Dussart | .... | producer | |
| Michel Israel | .... | associate producer | |
| Cédomir Kolar | .... | producer | |
| Francis de Laveleye | .... | associate producer | |
| René Seegers | .... | associate producer | |
| Robert Swaab | .... | associate producer | |
Original Music by | |||
| Goran Bregovic | |||
Cinematography by | |||
| Giorgos Arvanitis | |||
| Laurent Dailland | |||
Film Editing by | |||
| Monique Rysselinck | |||
Production Design by | |||
| Christian Niculescu | |||
Set Decoration by | |||
| Christian Niculescu | (chief set decorator) | ||
Costume Design by | |||
| Viorica Petrovici | |||
Makeup Department | |||
| Daniela Busoiu | .... | makeup artist | |
| Catalin Ciutu | .... | hair stylist | |
| Tina Kopecka | .... | hair stylist | |
| Jeni Lita | .... | hair stylist | |
| Irène Ottavis | .... | makeup artist | |
| Mihai Stanescu | .... | makeup artist | |
Production Management | |||
| Radu Badica | .... | unit production manager | |
| Thierry Bettas-Bégalin | .... | production manager | |
| Thierry Bettas-Bégalin | .... | production supervisor | |
| Mathieu Bompoint | .... | assistant production supervisor: Belgium | |
| Irina Chirita | .... | unit production manager | |
| Marianne Lambert | .... | unit manager | |
| Vlad Paunescu | .... | production supervisor: Romania | |
| Michèle Tronçon | .... | production supervisor: Belgium | |
Art Department | |||
| Cristian Baluta | .... | props (as Cristi Baluta) | |
| Ionel Bratu | .... | props | |
| Viorel Ghenea | .... | props | |
| Adrian Lazar | .... | props | |
| Vlad Paun | .... | set dresser | |
| Ionel Popa | .... | property master | |
| Ionel Popa | .... | propmaker | |
| Serban Porupca | .... | assistant art director | |
| Zoli Szabo | .... | construction coordinator | |
| Ica Varna | .... | set dresser | |
Sound Department | |||
| Dan Alexei | .... | sound assistant: second unit | |
| Bertrand Boudaud | .... | foley artist | |
| Julien Cloquet | .... | foley engineer | |
| Mathieu Cox | .... | assistant sound mixer | |
| Dominique Dalmasso | .... | sound mixer | |
| Eric DeVos | .... | sound editor | |
| Pierre Excoffier | .... | sound engineer | |
| Marina Lerchs | .... | assistant sound mixer | |
| Catherine Leygonie | .... | post-synchronization | |
| Radu Nicolae | .... | sound assistant: second unit | |
| Francis Perrard | .... | stereo sound consultant: Dolby (as Francis Perreard) | |
| Olivier Varenne | .... | assistant sound engineer | |
| Marie-Jeanne Wijckmans | .... | foley artist (as Marie Jeanne Wyckmans) | |
Visual Effects by | |||
| Martial Vallanchon | .... | visual effects supervisor | |
Stunts | |||
| Vasile Albinet | .... | stunt performer | |
| Adrian Pavlovschi | .... | stunt coordinator | |
Casting Department | |||
| Rodica Alkalai | .... | casting: Israel | |
| Pierre-Jacques Bénichou | .... | casting: France | |
| Doru Bobesiu | .... | extras casting assistant | |
| Gerda Diddens | .... | casting: Belgium | |
| Catalin Dordea | .... | casting: Romania | |
| Tudor Giurgiu | .... | casting: Romania | |
| Valeriu Pavel | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Eli Calin | .... | costume assistant | |
| Mihaela David | .... | costumer | |
| Rodica Garstea | .... | costumer | |
| Ana Ioneci | .... | costumer | |
| Doina Raducut | .... | costumer | |
| Cristina Voicu | .... | wardrobe | |
Editorial Department | |||
| Olivier Fontenay | .... | color timer | |
| Gert Janssen | .... | assistant editor | |
| Valerie Keyser | .... | assistant editor | |
Transportation Department | |||
| Vali Georgescu | .... | unit driver | |
| Marian Pascale | .... | driver | |
| Marius Vlad | .... | transportation coordinator | |
Thanks | |||
| Daniela Romano | .... | thanks | |
| Stephane Sperry | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Subtitles | aniuscadr |
| Ending? | BigTunaHalpert |
| LOVED this movie | jEdiSiLVeRtaNk |
| Location | carlosmkt17 |
| Is there a train lover? | mihaitudosa |
| does anyone know about the gipsy singer? | elpua84 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Romance section | IMDb France section | Add this title to MyMovies |
It's amazing how many people seem to be complaining about the unrealism of this film. Given that anyone with two brain cells to rub together can see that the film is not trying to be realistic from scene 1 onwards, the question is not whether the film tried to be realistic and failed, but whether a film about the Holocaust must try to be realistic to be any good.
The trouble is that unless as part of the performance the entire audience is deported in cattle-trucks, slowly starved, and then gassed, it is rather difficult to see how any film can be realistic about the Holocaust. So, if there are to be movies about the Holocaust at all, or if they are to do much beyond telling us that the Holocaust was ghastly (we knew that, didn't we?)
they have to give up on trying to be realistic, and try to look at the Holocaust in an indirect way. This is where I think "Train de Vie" succeeds, for example by the deliberate parallels between the society inside the train, and the society that helped caused the Holocaust. I could list them at length, but if you've seen the movie and didn't notice them, you won't be convinced by anything I say, and if you haven't seen the movie, I'd rather leave you the pleasure of discovering them for yourself.
I never actually thought of the film's relation to "Life is Beautiful" until reading the IMDB comments, after I'd seen both films. Well it's very hard to compare the two films, but I don't think "Train de Vie" needs to be ashamed of the comparison. True, Roberto Benigni does not star in it, and that is a heavy handicap for any film. On the other hand I think I like the exuberant un-reality of "Train de Vie" better. After all the portrayal of the Holocaust in "Life is Beautiful" is just as unrealistic as that of "Train de Vie"; the only difference is that "Train de Vie" revels from the first scene
to the last in its unreality. If we must be unreal, let us at least enjoy it.