| Gena Rowlands | ... | Minnie Brinn | |
| Laura Linney | ... | Iris Bravard | |
| Emile Hirsch | ... | Lonnie Bravard | |
| Fred Ward | ... | Errol Podubney | |
| Lee Tergesen | ... | Lud van Eppy | |
| Miguel Sandoval | ... | Ramando Galvez | |
| Scott Gibson | ... | Ronnie Dale Bravard | |
| Amy Stewart | ... | Rhondlyn Podubney | |
| Michael McLachlan | ... | Gang Leader | |
| Philip Eddolls | ... | Teenager #1 | |
| Nathan Hoppe | ... | Teenager #2 | |
| Peter Costigan | ... | Teenager #3 | |
| Caroline Gillis | ... | Smoking Mother at Mall | |
| Boyd Banks | ... | Handprint Clerk | |
| Ingrid Veninger | ... | Woman in Line at the Mall | |
| Judy Sinclair | ... | LaNelle Turrell | |
| Gerry Mendicino | ... | Vito Delgaccio | |
| Darren Frost | ... | Harlan | |
| Wayne Ward | ... | Bikeshop Salesman | |
| Tamara Levitt | ... | Make-up Salesgirl | |
| Laura Catalano | ... | Jasmine | |
| Catherine Burdon | ... | Boutique Saleswoman | |
| Samantha Espie | ... | Cookie Counter Girl | |
| David Sparrow | ... | Mall Security Guard #1 (as Dave Sparrow) | |
| Mark Melymick | ... | Mall Security Guard #2 | |
| Colm Magner | ... | Police Officer in Car | |
| Costin Manu | ... | Priest | |
| Darrell Hicks | ... | Paulstag (groom) | |
| Frank Nakashima | ... | Coroner | |
| Jenni Burke | ... | Nurse #1 | |
| Laurel Paetz | ... | Nurse #2 | |
| Andrew Moodie | ... | Police Officer at Hospital | |
| David Talbot | ... | Emergency Room Doctor | |
| John Anderson | ... | Band Leader | |
| Adam Cabral | ... | Lonnie (age 4) | |
| Eric Cabral | ... | Lonnie (age 6) | |
| rest of cast listed alphabetically: | |||
| Katerina Taxia | ... | Athanasia | |
| Don Ackerman | ... | Orderly (uncredited) | |
Directed by | |||
| Daniel Petrie | |||
Writing credits(WGA) | ||
| Kent Broadhurst | (written by) | |
Original Music by | |||
| Laurence Rosenthal | |||
Cinematography by | |||
| Rene Ohashi | |||
Film Editing by | |||
| Hughes Winborne | |||
Casting by | |||
| Robin D. Cook | |||
Production Design by | |||
| Susan Longmire | |||
Art Direction by | |||
| Juanita Holden | |||
Set Decoration by | |||
| David Edgar | |||
Costume Design by | |||
| Ruth Secord | |||
Makeup Department | |||
| Rachel Affolter | .... | makeup assistant | |
| Suzanne Benoit | .... | makeup artist: Ms. Rowland | |
| Vann E. Gouweleeuw | .... | key makeup artist (as Vann Gouweleeuw) | |
| Ron Rhodda | .... | hair stylist assistant | |
| Moira Verwijk | .... | key hair stylist | |
Production Management | |||
| Lisa Byrne | .... | unit manager | |
| Skates Naiman | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Laurel Morgan | .... | trainee assistant director | |
| Pazz Neglia | .... | second assistant director | |
| Bruce Speyer | .... | first assistant director | |
| Peter Stolworthy | .... | dailies assistant director | |
| Jeremy Timmons | .... | third assistant director | |
Art Department | |||
| Chris Buxton | .... | key greens | |
| Joanne Filleti | .... | key scenic painter (as Joanne Frances Filleti) | |
| Stephen J. MacDougall | .... | set dresser | |
| Alan MacMinn | .... | property master | |
| Karen McConnell | .... | lead buyer | |
| Norm Ouzounis | .... | on-set dresser | |
| Allan E. Snikkar | .... | carpenter | |
| Matthew Toth | .... | assistant property master | |
| Frans Van Gerwen | .... | construction manager | |
| Wayne Wightman | .... | assistant art director | |
| Ron Zarosiak | .... | lead dresser | |
Sound Department | |||
| Suzanne Angel | .... | adr supervisor | |
| Paul Aronoff | .... | adr mixer | |
| Brian Avery | .... | sound mixer | |
| Beau Biggart | .... | adr mixer | |
| Tim Chilton | .... | foley artist | |
| Gavin Coford | .... | boom operator | |
| Bob Costanza | .... | sound effects editor | |
| Tommy Goodwin | .... | foley mixer | |
| Joseph Melody | .... | sound supervisor (as Joseph A. Melody) | |
| Gary Montgomery | .... | sound re-recording mixer | |
| Craig M. Otte | .... | sound re-recording mixer | |
| Jill Schachne | .... | foley artist | |
Special Effects by | |||
| Jeff Skochko | .... | special effects coordinator | |
| Steve Skochko | .... | special effects foreman | |
Stunts | |||
| Shelley Cook | .... | stunt coordinator (as Shelly Cook) | |
| John Stoneham Sr. | .... | co-stunt coordinator | |
Camera and Electrical Department | |||
| Craig Black | .... | electrician | |
| James Chrysler | .... | electrician | |
| Curtis Clark | .... | generator operator | |
| Michael Fylyshtan | .... | Steadicam operator | |
| Michael Gillan | .... | electrician | |
| James D. Grant | .... | grip | |
| Marni Grossman | .... | still photographer | |
| Dennis Kane | .... | chief lighting technician | |
| Dennis Kim | .... | second assistant camera | |
| Richard Lyon | .... | dolly grip | |
| David Mason | .... | key grip | |
| Chris Morsby | .... | first company grip | |
| William Munro | .... | grip | |
| David Niven | .... | first assistant camera | |
| Mark Pellar | .... | first company electrician | |
| Ken Regan | .... | special still photographer | |
| Ed Tanner | .... | grip | |
| Glenn Warner | .... | camera operator | |
Casting Department | |||
| Robin D. Cook | .... | casting: Canada | |
| Elizabeth Gray | .... | casting associate: Canada | |
| Andrea Kool | .... | casting assistant: Canada | |
| Helen Mossler | .... | casting executive: USA | |
| Krisztina M. Neglia | .... | extras casting (as Krisztina Meuring) | |
Costume and Wardrobe Department | |||
| Karen Eppstadt | .... | costume supervisor | |
| Deborah Kirkegaard | .... | assistant costume designer | |
| Lesley McCan | .... | assistant costume supervisor | |
Editorial Department | |||
| John Breinholt | .... | assistant editor | |
| Tom Overton | .... | colorist | |
Music Department | |||
| Daniel J. Johnson | .... | music editor | |
Transportation Department | |||
| Glen McGugan | .... | transportation captain | |
| Erwin Roithmeier | .... | transportation coordinator | |
Other crew | |||
| Unjoo Lee Byars | .... | main title producer | |
| Jane Conway | .... | animal wrangler | |
| Greg Coultas | .... | craft service | |
| Danita DeSouza | .... | assistant accountant | |
| Meg Dyer | .... | assistant: Mr. Lucchesi | |
| Wendy Eaman | .... | location manager | |
| Janice Fowlie | .... | production accountant | |
| Donna Gardon | .... | script supervisor | |
| Lisa Ghione | .... | unit publicist | |
| Katharine Gray | .... | assistant production coordinator | |
| Mandy Kane | .... | production assistant | |
| Barbora Krivy | .... | craft service | |
| Caedmon Malowany | .... | assistant location manager | |
| Katherine Manabat | .... | assistant: Ms. Persinger | |
| Ronan Quinn | .... | assistant: Mr. Petrie | |
| Joanne Rider | .... | production coordinator | |
| Alana Sosnova | .... | assistant: Mr. Goetz | |
| Toni Thomas | .... | production assistant | |
| Trevor A. Weber | .... | location scout | |
| Rick Whalen | .... | production assistant | |
| Hope White | .... | assistant accountant | |
| Ralph Berge | .... | production executive (uncredited) | |
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| The Notebook | The Libertine | The Men's Club | Yi yi | Choses secrètes |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Not a cheery film, but riveting. Rowlands and Linney are both brilliant, and Laura Linney is especially so. She equals or exceeds her performance in You Can Count On Me, and she should have won the oscar for that film going away. If Linney does not soon win an Academy Award, there is no justice. She is one of the best actors working today, ranking right up there with Meryl Streep. She is totally convincing and incredibly moving in this role; as Iris, playing once more against type. I stumbled on to this film on one of the Showtime channels late at night. I've seen no promotion for it, and I'm shocked that I haven't. In its way, and certainly in the Linney and Rowlands performances, it's as good as Dinner With Friends, which had its premiere on HBO earlier the same night. Dinner With Friends was promoted hugely. Wild Iris is equally rewarding. I can't imagine why the Showtime publicity engines have not been running overtime. I'd be very proud to have produced this film with these two principals.