| Photos (see all 3 | slideshow) |
| Sergio Assisi | ... | Ferdinando I Borbone | |
| Gabriella Pession | ... | Maria Carolina d'Asburgo | |
| Nicole Grimaudo | ... | Princess of Medina | |
| Adriano Pantaleo | ... | Ferdinando I Borbone (child) | |
| Lola Pagnani | ... | Sara Goudar | |
| Carlo Caprioli | ... | Emperor Giuseppe d'Asburgo | |
| Moira Grassi | ... | Countess S. Marco | |
| Vanessa Sabet | ... | Maria Giuseppa | |
| Matt Patresi | ... | Angelo Goudar | |
| Yari Gugliucci | ... | Gennarino Rivelli | |
| Lucilla Vacondìo | ... | Lady Stratfordshire | |
| Elena Presti | ... | Princess of Floridia | |
| Paolo De Giorgio | ... | Principe di Caramanico | |
| Giuseppe Bottiglieri | ... | Giacomo Goudar | |
| Giuliano Amatucci | ... | Fedele | |
| Maria Zulima Job | ... | Maria Carolina d'Asburgo (child) | |
| Lea Gramsdorff | ... | Maria Amalia | |
| Mario Scaccia | ... | Ferdinando I Borbone (old) | |
| Isa Danieli | ... | Fravulella | |
| Silvana De Santis | ... | Maria Teresa d'Asburgo | |
| Elio Pandolfi | ... | Father Giuliani | |
| Leonardo Benvenuti | ... | Tanucci | |
| Armando Pugliese | ... | Prince of San Severo | |
| Gianni Bonagura | ... | Austrian Ambassador | |
| Giuliana Gargiulo | ... | Sister Maria Crocifissa | |
| Pelos La Capria | ... | Don Raffaele | |
| Gerardo Gargiulo | ... | King Carlo |
Directed by | |||
| Lina Wertmüller | |||
Writing credits(in alphabetical order) | ||
| Raffaele La Capria | writer | |
| Lina Wertmüller | writer | |
Produced by | |||
| Edwige Fenech | .... | producer | |
| Edwin Fenech | .... | producer | |
Original Music by | |||
| Italo Greco | |||
| Paolo Raffone | |||
| Marcello Vitale | |||
Cinematography by | |||
| Blasco Giurato | |||
Film Editing by | |||
| Pierluigi Leonardi | (as Pier Luigi Leonardi) | ||
Production Design by | |||
| Enrico Job | |||
Costume Design by | |||
| Gino Persico | |||
Makeup Department | |||
| Giancarlo De Leonardis | .... | key hair stylist | |
| Gino Zamprioli | .... | makeup department head | |
Production Management | |||
| Roberto de Laurentiis | .... | production supervisor | |
| Domenico La Spada | .... | production director | |
Second Unit Director or Assistant Director | |||
| Antonio Tozzi | .... | second assistant director | |
Art Department | |||
| Tamara Marini | .... | set designer | |
| Federica Russo | .... | assistant art director | |
| Saverio Sammali | .... | set designer | |
Sound Department | |||
| Paolo Amici | .... | sound effects editor | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| David Quadroli | .... | sound effects editor | |
| Angelo Raguseo | .... | sound re-recording mixer | |
Special Effects by | |||
| Tiberio Angeloni | .... | special effects | |
| Franco Galiano | .... | special effects supervisor | |
Visual Effects by | |||
| Paolo Lato | .... | visual effects producer | |
| Josè Sala | .... | digital compositor | |
| Stefano Trivelli | .... | visual effects supervisor: UBIK VFX | |
Camera and Electrical Department | |||
| Marco Cuzzupoli | .... | assistant camera | |
| Romolo Eucalitto | .... | still photographer | |
Costume and Wardrobe Department | |||
| Alma Barbieri | .... | head cutter | |
Other crew | |||
| Claudia Cimmino | .... | assistant location manager (uncredited) | |
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| Juana la Loca | La reine Margot | Kama Sutra: A Tale of Love | Ludwig | Malèna |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section | Add this title to MyMovies |
A farcical romp involving King Ferdinando 1 of Naples and Princess Marie Carolina of Austria with whom he has an unsteady love-hate relationship, but nevertheless rules with her in the latter half of the 18th Century. Writers like to ridicule the aristocratic rulers and to distort historical facts which give them immeasurable pleasure in the process. This film is no exception. It's not only a film full of fun and action, but set design and costumes are of a very high standard and give an authentic touch to the period despite all the nonsense within the palace walls. Ferdinando as played by Sergio Assisi gives a whirlwind performance as he unbuttons every female bodice on sight or ends up under their billowing skirts. It seems he has sex tattooed on his brain. Even Carolina says he thinks of nothing else.
There are some memorable scenes beginning with the sound of rumbling bowels during a quiet game of cards (quite startling at first). There is a surprisingly unrefined game of blindman's buff where rabbits and white mice add originality to this age-old parlour game. The film is punctuated with comical incidents throughout. Some are only mildly funny, while others are quite hilarious.
In the latter part of the film when Ferdinando is rapidly failing in health he reflects on some of the cruel deeds during his life as he lies gasping on his death bed. Some horrifying close-ups of severed heads and cut throats all-bloodied come as a sudden shock so unexpected in a farce of this type. Some viewers may wish to close their eyes for a moment or two.
In the lighter moments of the film Fernando seems to spend much of his time racing about the palace like a naughty teenager bouncing about on the capacious beds for some more "hankie-pankie" as he calls it. Neatly woven into the story is the political intrigue between Austria and Naples and the use of royal mistresses to seduce the King or distract him from his intentions. I get the feeling that amongst all the silly capers there is more than an ounce of truth in the way that royalty is portrayed in manipulating events for their own ends as they seek expansion of their power over other territories.