| Photos (see all 55 | slideshow) | Videos (see all 7 NEW) |
| Björk | ... | Selma Jezkova | |
| Catherine Deneuve | ... | Kathy | |
| David Morse | ... | Bill Houston | |
| Peter Stormare | ... | Jeff | |
| Joel Grey | ... | Oldrich Novy | |
| Cara Seymour | ... | Linda Houston | |
| Vladica Kostic | ... | Gene Jezkova | |
| Jean-Marc Barr | ... | Norman | |
| Vincent Paterson | ... | Samuel | |
| Siobhan Fallon | ... | Brenda | |
| Zeljko Ivanek | ... | District Attorney | |
| Udo Kier | ... | Dr. Porkorny | |
| Jens Albinus | ... | Morty | |
| Reathel Bean | ... | Judge | |
| Mette Berggreen | ... | Receptionist | |
| Lars Michael Dinesen | ... | Defense Attorney / Dancer | |
| Katrine Falkenberg | ... | Suzan / Dancer | |
| Michael Flessas | ... | Angry Man | |
| John Randolph Jones | ... | Detective | |
| Noah Lazarus | ... | Officer of the Court / Dancer | |
| Sheldon Litt | ... | Visitor | |
| Andrew Lucre | ... | Clerk of Court / Dancer | |
| John Martinus | ... | Chairman / Dancer | |
| Luke Reilly | ... | New Defense Council | |
| T.J. Rizzo | ... | Boris / Dancer (as TJ Rizzo) | |
| Stellan Skarsgård | ... | Doctor | |
| Sean-Michael Smith | ... | Person in Doorway (as Sean Michael Smith) | |
| Paprika Steen | ... | Woman on Night Shift | |
| Eric Voge | ... | Officer | |
| Nick Wolf | ... | Man with Hood | |
| Timm Zimmermann | ... | Guard / Dancer | |
| Al Agami | ... | Dancer | |
| Alex Mouro | ... | Dancer | |
| Alexander Arli | ... | Dancer | |
| Allan Gyldenkærne | ... | Dancer | |
| Ami Eklöf-Annell | ... | Dancer | |
| Ana Christine Broström | ... | Dancer | |
| Anders Tärneberg | ... | Dancer | |
| Anders Thorhauge | ... | Dancer | |
| Anders-Peter Torsleff Hansen | ... | Dancer | |
| Ann Crosset | ... | Dancer | |
| Anna David | ... | Dancer | |
| Anna Norberg | ... | Dancer | |
| Anna Rosenberg | ... | Dancer | |
| Annette Lindholm | ... | Dancer | |
| Anthony Ajoise Olufemi Jacob | ... | Dancer | |
| Birgitte Skands | ... | Dancer | |
| Bjorn Ahlander | ... | Dancer | |
| Bo Westerholm | ... | Dancer | |
| Bobo Eriksson | ... | Dancer | |
| Britt Bendixen | ... | Dancer | |
| Carl Johan De Neergaard | ... | Dancer | |
| Carol Linda Nielsen | ... | Dancer | |
| Claus Berenhard | ... | Dancer | |
| Cristian Valle | ... | Dancer | |
| Diana G.L. Watson | ... | Dancer | |
| Ed Hickok | ... | Dancer | |
| Edvin Karsson | ... | Dancer | |
| Eli Stalhand | ... | Dancer | |
| Elin Johansson | ... | Dancer | |
| Emilie Bendz | ... | Dancer | |
| Erik Dammann | ... | Dancer | |
| Erik Drugge | ... | Dancer | |
| Fredrik Börgesson | ... | Dancer | |
| Frederik Mondrup | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Marianne Bengtsson | ... | Dancer | |
| Troels Asmussen | ... | Dancer (uncredited) | |
Directed by | |||
| Lars von Trier | (as Lars Von Trier) | ||
Writing credits | ||
| Lars von Trier | (written by) (as Lars Von Trier) | |
Produced by | |||
| Malte Forsell | .... | line producer (as Malte Forssell) | |
| Friðrik Þór Friðriksson | .... | associate producer (as Fridrik Thor Fridriksson) | |
| Finn Gjerdrum | .... | associate producer | |
| Mogens Glad | .... | associate producer | |
| Anja Grafers | .... | associate producer | |
| Tony Grob | .... | line producer: USA | |
| Torleif Hauge | .... | associate producer | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Lars Jönsson | .... | co-executive producer | |
| Tero Kaukomaa | .... | associate producer | |
| Poul Erik Lindeborg | .... | associate producer | |
| Leo Pescarolo | .... | collaborating producer | |
| Marianne Slot | .... | co-executive producer | |
| Els Vandevorst | .... | associate producer | |
| Vibeke Windeløv | .... | producer | |
Original Music by | |||
| Björk | (music composed by) | ||
Cinematography by | |||
| Robby Müller | (director of photography) | ||
Film Editing by | |||
| François Gédigier | (as François Gedigier) | ||
| Molly Marlene Stensgaard | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Karl Júlíusson | (as Karl Juliusson) | ||
Art Direction by | |||
| Peter Grant | |||
Costume Design by | |||
| Manon Rasmussen | |||
Makeup Department | |||
| Michelle Crane | .... | key hair stylist: second unit (as Michelle Ahern) | |
| Michelle Crane | .... | key makeup artist: second unit (as Michelle Ahern) | |
| Cédric Gérard | .... | makeup artist: Catherine Deneuve | |
| Sanne Gravfort | .... | makeup artist | |
| Morten Jacobsen | .... | special makeup effects artist | |
| Lisa Mustafa | .... | assistant makeup dept. | |
| John Nollet | .... | hair stylist: Catherine Deneuve | |
| Ursula Rödel | .... | makeup artist: Catherine Deneuve | |
Production Management | |||
| Anders Barlebo | .... | unit manager | |
| Joakim Höglund | .... | unit manager: Sweden | |
| Lene Irgens | .... | post-production manager | |
| Pia Nielsen | .... | technical post-production manager | |
| Jonas Overton | .... | assistant unit manager: Sweden | |
Art Department | |||
| Gorm Andersen | .... | carpenter | |
| Jonas Alexander Arnby | .... | set property assistant (as Jonas Arnby) | |
| Mary Buri | .... | prop master: second unit | |
| Friederik Eriksson | .... | set property assistant | |
| Simone Grau | .... | set property | |
| Jan Hansen | .... | carpenter | |
| Cecilia Hersby | .... | art department coordinator (as Cecilia Sille Hersby) | |
| Nicola Hewitt | .... | set decorator: second unit | |
| Anders Jacobsen | .... | set property assistant | |
| Thomas Karlsen | .... | property | |
| Carsten Larsen | .... | carpenter | |
| Jesper Lorents | .... | property master | |
| Bent 'Niller' Nielsen | .... | construction coordinator (as Bent Nielsen) | |
Sound Department | |||
| Kristian Eidnes Andersen | .... | supervising sound editor | |
| Fabio D'Amico | .... | adr recordist | |
| Guy Sigsworth | .... | sound processor: Celesta | |
| Ad Stoop | .... | boom operator | |
| Per Streit | .... | sound designer | |
| Damian Taylor | .... | sound processor: Celesta | |
| Paul Walton | .... | additional sound recordist | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
| Mark Kenna | .... | consultant: dolby film sound (uncredited) | |
Stunts | |||
| Stig Günther | .... | stunts | |
Camera and Electrical Department | |||
| Sedsel Andersen | .... | continuity: 100 camera department | |
| Frank Berger | .... | gaffer | |
| Edvard Friis-Moeller | .... | department head: 100 camera department (as Edvard Friis-Moller) | |
| Tómas Gislason | .... | consultant: 100 camera department | |
| Peter Hjorth | .... | technical director: 100 camera department | |
| David Koskas | .... | still photographer | |
| Eric Kress | .... | director of photography: second unit | |
| Morten Nybø | .... | electrician (as Morten Nyboe) | |
| Helene Sandberg | .... | still photographer intern | |
| Harri Sipilä | .... | electrician (as Harry Sipilä) | |
| Jean-Robert Viallet | .... | video assistant | |
| Lars von Trier | .... | camera operator (as Lars Von Trier) | |
| Marcel Zyskind | .... | additional camera operator | |
| Marcel Zyskind | .... | focus puller | |
| Kristoffer Andrén | .... | assistant camera: Sweden (uncredited) | |
Casting Department | |||
| Joyce Nettles | .... | casting: UK | |
| Terry Terry | .... | extras casting coordinator: second unit | |
| Robbie Wald | .... | extras casting assistant: second unit | |
Costume and Wardrobe Department | |||
| Jalene Murphy | .... | set costumer | |
| Louize Nissen | .... | assistant costume designer | |
Editorial Department | |||
| Christine Ekstrand | .... | post-production assistant | |
| Peter Hjorth | .... | additional editor | |
| Yvan Lucas | .... | color timer | |
Music Department | |||
| Mark Bell | .... | music producer | |
| Mark Bell | .... | music programmer | |
| Björk | .... | music arranger: choral | |
| Björk | .... | music producer | |
| Björk | .... | musician: celesta | |
| Björk | .... | vocal editor | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Vincent Mendoza | .... | conductor | |
| Vincent Mendoza | .... | music arranger | |
| Vincent Mendoza | .... | orchestrator | |
| Scott Rodger | .... | music manager | |
| Greg Rogers | .... | music consultant | |
| Guy Sigsworth | .... | musician: celesta | |
| Sjón Sigurdsson | .... | composer: lyrics | |
| Valgeir Sigurðsson | .... | music editor | |
| Valgeir Sigurðsson | .... | music mixer | |
| Valgeir Sigurðsson | .... | music programmer | |
| Valgeir Sigurðsson | .... | music recordist | |
| Mark Stent | .... | music mixer: songs (as Mark 'Spike' Stent) | |
| Lars von Trier | .... | composer: lyrics (as Lars Von Trier) | |
| Ray Williams | .... | music consultant | |
| Charlie Morgan | .... | musician: drums (uncredited) | |
Transportation Department | |||
| Thomas Garris | .... | transportation captain | |
Other crew | |||
| Malini Ahlberg | .... | production coordinator: Sweden (as Anna Malini Ahlberg) | |
| Daniel Ahlqvist | .... | location manager | |
| Mattias Andersson | .... | runner | |
| Mette Berggreen | .... | assistant choreographer | |
| Mette Berggreen | .... | consultant: dance edit | |
| Andrea F. Cannistraci | .... | legal services | |
| Linda Daae | .... | continuity | |
| Roger D. Faires | .... | location manager: second unit (as Roger Faires) | |
| Jonas Frederiksen | .... | production controller | |
| Peter Garde | .... | financial advisor | |
| Louise Grosell | .... | production coordinator | |
| Andrea Helgadóttir | .... | assistant: Björk (as Andrea Helgadottir) | |
| Kerstin Hofstadius | .... | travel agent: Sweden | |
| Carsten Holst | .... | assistant: Lars von Trier | |
| Joga Jóhannsdóttir | .... | assistant: Björk (as Joga Johansdottir) | |
| Per Kirkeby | .... | overture sequence | |
| Søren Kloch | .... | digital film transfer | |
| Cecilie Kølpin | .... | production assistant | |
| Hans Lönnerheden | .... | completion bond | |
| Andreas Martinsen | .... | runner | |
| Liz Miller | .... | unit publicist | |
| Mette Nelund | .... | financial coordinator | |
| Pia Severin Nielsen | .... | assistant: Vibeke Windeløv | |
| Vincent Paterson | .... | choreographer | |
| Vincent Paterson | .... | dance director | |
| Charlotte Pedersen | .... | assistant: Vibeke Windeløv | |
| Cecilie Rui | .... | assistant: Vibeke Windeløv | |
| Chris Sanger | .... | assistant: Marianne Slot | |
| Paul Schwartzman | .... | consigliere | |
| Sean-Michael Smith | .... | dialogue coach | |
| Line Spanning | .... | travel coordinator | |
| Carsten Sparwath | .... | production assistant | |
| Jonathan Sydenham | .... | script translator | |
| Nicholas Vroman | .... | assistant: Björk, second unit (as Nick Vroman) | |
| James Wilson | .... | production executive: FilmFour | |
| Karrie Melendrez | .... | story analyst (uncredited) | |
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It feels awkward to attempt to put Dancer in the Dark into words. Von Trier's film is one of those movies that truly change the way we think about cinema and its possibilities, and for such a film, words do no justice. Dancer in the Dark centers around Selma (Björk), a factory worker, who loves her 10-year-old son above everything else in the world. Selma is a happy, innocent creature who enjoys musicals for "nothing bad ever happens in them". These elements (mother's love for her son, joyfulness of musicals versus the hardships of every day life) create a whole unlike anything ever seen on silver screen. Selma is rapidly losing her eye sight, but not her vision: she's the 'dancer in the dark' who is prepared to sacrifice herself to keep the light in her child's eyes. Very early on it becomes obvious that this story can't have a happy ending. However, once you've accepted it, you can put your mind at ease and see the film as it unfolds from Selma's point of view. And what a view it is! Björk gives a performance of a life time - this little woman with a huge voice is all emotion all the time without ever appearing overtly dramatic or cheaply sentimental. There's no weak link in the rest of the cast either, Peter Stormare as Jeff, Catherine Deneuve as Kathy and Siobhan Fallon as the prison guard to name but a few. The biggest star is still the director himself; von Trier demonstrates his talent in a superb fashion by both telling a simple story that will most likely break you heart and examining the ever-persistent ills of the life of the lower class of the American society. What about the film's musical character then? This is where von Trier triumphs the most by understanding the very essence of the whole genre - hope; hope that will live in our soul for ever if we'll only follow our heart.