Mulholland Dr. (2001)

Director:

David Lynch

Writer (WGA):

David Lynch (written by)

Release Date:

26 October 2001 (Canada)

Genre:

Drama | Fantasy | Mystery | Romance | Thriller

Tagline:

A Love Story In The City Of Dreams

Plot:

After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.

Plot Keywords:

Dream | Amnesia | Los Angeles California | Director | Conspiracy

Awards:

Nominated for Oscar. Another 33 wins & 30 nominations

Cast

Naomi Watts	...	Betty Elms / Diane Selwyn
Laura Harring	...	Rita (as Laura Elena Harring)
Ann Miller	...	Catherine 'Coco' Lenoix
Dan Hedaya	...	Vincenzo Castigliane
Justin Theroux	...	Adam Kesher
Brent Briscoe	...	Detective Neal Domgaard
Robert Forster	...	Detective Harry McKnight
Katharine Towne	...	Cynthia Jenzen
Lee Grant	...	Louise Bonner
Scott Coffey	...	Wilkins
Billy Ray Cyrus	...	Gene
Chad Everett	...	Jimmy Katz
Rita Taggart	...	Linney James
James Karen	...	Wally Brown
Lori Heuring	...	Lorraine Kesher

Also Known As:

Mulholland Drive (France) (UK) (USA) (closing credits title)

MPAA:

Rated R for violence, language and some strong sexuality.

Runtime:

147 min

Country:

France | USA

Language:

English | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

Singapore:R21 (cut) | Iceland:16 | Italy:T | Brazil:16 | Chile:18 | Argentina:16 | Australia:MA | Belgium:KNT | Canada:13+ (Quebec) | Canada:14A (Alberta) | Canada:14 (Nova Scotia) | Canada:18A (British Columbia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Finland:K-15 | France:U | Germany:16 | Ireland:15 | Israel:16 (TV rating) | Netherlands:16 | New Zealand:R16 | Norway:15 | Portugal:M/16 | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Switzerland:16 (canton of the Grisons) | UK:15 | USA:R (certificate #37982)

Filming Locations:

7400 West Franklin Avenue, Hollywood, Los Angeles, California, USA

Company:

Les Films Alain Sarde

Trivia:

David Lynch first came up with the idea for the story in the early 1990s, when his television show "Twin Peaks" (1990) was still on the air. Would the show have continued for a third season, Lynch would have entered into talks with ABC to spin-off the character of Audrey Horne, who would have survived her being trapped inside an exploding building in the Season 2 cliffhanger. The character(s) that Naomi Watts plays was originally intended to be Audrey; David Lynch has never revealed if Audrey would have had the same fate as Naomi Watts' character(s) in the film.

Goofs:

Crew or equipment visible: When Adam Kesher leaves the meeting to smash the limo's windows, the crew is reflected in the window across the street, pushing the cameraman and dolly.

Quotes:

[first lines]
Rita: What are you doing? We don't stop here.

Movie Connections:

Referenced in Cabin Fever: Beneath the Skin (2004) (V)

Soundtrack:

Crying

Mulholland Drive? That's where I was going!

The case history of 'Mulholland Dr.' is known: What should had been another excursion (after 'Twin Peaks') into the rivaled field of TV-series ended up abruptly after completing the pilot. It was too risky and twisted for the producers to venture an investment. Lynch used all the filmed and cut material and started new shootings to finish a completely new feature film. The result: One of the most impressive cinema experiences of this decade which can be ranked among the best works of David Lynch. His earlier movies 'Eraserhead', 'Blue Velvet' or 'Wild at Heart' kept aloof in an irritating way which hustled the viewer into the role of a voyeur, but never involved him as part of the plot happening such as here.

'Mulholland Dr.' is a puzzle where pieces are missing, others obviously were taken from 'Eraserhead' and 'Lost Highway', but it never seemed to be unfinished work. In the internet I came across with a lot of instructions and essays to explain this film. I am aware now that it loses its magic when you try to decipher it completely. All those detailed solution explanations are not only waste but also the questionable attempt to offer an answer where no such thing is completely required. Imagine this scenario: A little child is dissecting his teddy bear to find out where the secret and the specific of that bear lies. Is it because it wants to destroy his toy? Does the secret lie in the teddy bear or actually in the heart of the child? Transferring this to 'Mulholland Dr.' it means innocence is one of the most important conditions to watch and appreciate it.

David Lynch succeeds not only to picture the surface of human behavior life but also to grapple with everything beneath that. Human desires, dreams, obsessions and fears - all that what remains unspoken; emotions that are often repressed. 'Mulholland Dr.' has the intensity calling for a cast that completely takes issue with the substance. Actresses and actors who are ready to follow the visions of the director selflessly.Laura Elena Harring, Naomi Watts, Justin Theroux solve their task in such an impressing way that you wouldn't want or couldn't imagine another cast. While their acting at the beginning seems to be a little superimposed you soon will realize that this stereo typing is set in with a purpose to manipulate the viewer and to baffle him as soon as the red thread of the film is visible.

When you claim the criterion of a well made film in being able to lose yourself and dive into what you see on screen than Lynch succeeded in making a masterpiece. A modern masterpiece that manifest David Lynch's status as one of the most important, creative and courageous directors of the present. Like every film maker who go beyond the limits he is confronted with criticism and ignorance. This will fade as soon as you find the individual key to Lynch's world of films. 'Mulholland Dr.' is more than just a sleeper – it is a must see for everyone who loves ambitious cinema. And besides, the film is a pay-off with Hollywood, in form and content, which in that distinctness was hardly dared before.