| Photos (see all 38 | slideshow) | Videos (see all 4) |
| Terence Stamp | ... | Wilson | |
| Lesley Ann Warren | ... | Elaine | |
| Luis Guzmán | ... | Eduardo Roel (as Luis Guzman) | |
| Barry Newman | ... | Jim Avery | |
| Joe Dallesandro | ... | Uncle John (as Joe Dallessandro) | |
| Nicky Katt | ... | Stacy the Hitman | |
| Peter Fonda | ... | Terry Valentine | |
| Amelia Heinle | ... | Adhara | |
| Melissa George | ... | Jennifer 'Jenny' Wilson | |
| William Lucking | ... | Warehouse Foreman | |
| Matthew Kimbrough | ... | Tom Johannson | |
| John Robotham | ... | Rick (Valentine's Bodyguard) | |
| Steve Heinze | ... | Larry (Valentine's Bodyguard) | |
| Nancy Lenehan | ... | Lady on Plane | |
| Wayne Pére | ... | Pool Hall Creep (as Wayne Péré) | |
| John Cothran Jr. | ... | DEA Guy | |
| Ousaun Elam | ... | DEA Guy (as Ousan Elam) | |
| Dwayne McGee | ... | DEA Guy | |
| Brian Bennet | ... | DEA Guy | |
| Allan Graf | ... | Gordon (Valentine's Head Bodyguard) | |
| Carl Ciarfalio | ... | Warehouse Thug (as Carl Ciarflio) | |
| George Marshall Ruge | ... | Warehouse Thug (as George Ruge) | |
| Lincoln Simonds | ... | Warehouse Thug | |
| Rainbow Borden | ... | Warehouse Sweeper | |
| Michaela Gallo | ... | Young Jennifer | |
| Jose Perez | ... | Teen Gun Dealer | |
| Alex Perez | ... | Teen Gun Dealer | |
| Brandon Keener | ... | Excited Guy | |
| Jim Jenkins | ... | Party Guy | |
| Mark Gerschwin | ... | Party Guy #2 | |
| Johnny Sanchez | ... | Valet | |
| Brooke Marie Bridges | ... | Child Actress | |
| Randy Lowell | ... | Director | |
| Eva Rodriguez | ... | Ed's Sister | |
| James Earl Olmedo | ... | Ed's Nephew | |
| Jamie Lin Olmedo | ... | Ed's Niece | |
| Clement Blake | ... | Pool Hall Bartender (as Clement E. Blake) | |
| Tom Pardoe | ... | Party Bartender | |
| rest of cast listed alphabetically: | |||
| George Clooney | ... | Himself (archive footage) (uncredited) | |
| Bill Duke | ... | Head DEA Agent (uncredited) | |
| Deirdre O'Brien | ... | Party Girl (uncredited) | |
| David Ward | ... | Edward Ford (Cab Driver) (uncredited) | |
| Carol White | ... | Wilson's Wife (archive footage) (uncredited) | |
Directed by | |||
| Steven Soderbergh | |||
Writing credits(WGA) | ||
| Lem Dobbs | (written by) | |
Produced by | |||
| John Hardy | .... | producer | |
| Scott Kramer | .... | producer | |
Original Music by | |||
| Cliff Martinez | |||
Cinematography by | |||
| Edward Lachman | (as Ed Lachman) | ||
Film Editing by | |||
| Sarah Flack | |||
Casting by | |||
| Debra Zane | |||
Production Design by | |||
| Gary Frutkoff | |||
Set Decoration by | |||
| Kathryn Peters | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Ken Chase | .... | makeup artist | |
| Bonnie Clevering | .... | key hair stylist | |
| Raqueli Dahan | .... | makeup artist | |
| Deborah Mills-Whitlock | .... | hair stylist | |
| Waldo Sanchez | .... | hair stylist | |
| Rick Sharp | .... | key makeup artist | |
Production Management | |||
| Frederic W. Brost | .... | unit production manager (as Fred Brost) | |
| Pat Chapman | .... | unit production manager | |
| Caitlin Maloney | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lisa J. Bloch | .... | second second assistant director (as Lisa Bloch) | |
| Vincent G. Gonzales | .... | additional second assistant director (as Vincent Gonzales) | |
| David Hallinan | .... | second assistant director (as Dave Hallinan) | |
| Gregory Jacobs | .... | first assistant director | |
Art Department | |||
| Peter Bankins | .... | property master | |
| Andrea Brody | .... | art department assistant | |
| Jon J. Bush | .... | set dresser (as Jon Bush) | |
| David Elton | .... | on-set dresser | |
| Harry Frierson | .... | set dresser | |
| Kris Fuller | .... | set dresser | |
| Christine Hughen | .... | shopper | |
| Blair Huizingh | .... | art department coordinator | |
| Michael Koellner | .... | set dresser | |
| Alberto Christiano Lombardo | .... | assistant property master (as Alberto Lombardo) | |
| R. Patrick McGee | .... | set dresser | |
| Chris Patterson | .... | on-set dresser (as Chris T. Patterson) | |
| David C. Potter | .... | lead man | |
| Stuart Rankine | .... | propmaster: additional photography | |
| Scott Shordon | .... | stand-by painter (as Scott P. Shordon) | |
Sound Department | |||
| David Betancourt | .... | foley mixer | |
| Larry Blake | .... | sound re-recording mixer | |
| Larry Blake | .... | supervising sound editor | |
| Carrie Cashman | .... | foley recordist | |
| Mike Chock | .... | sound editor (as Michael Chock) | |
| Perry Dodgson | .... | boom operator | |
| Ezra Dweck | .... | sound editor | |
| Dawn Fintor | .... | foley artist | |
| Eric Flickinger | .... | sound re-recordist: Vine Street | |
| Tom Fox | .... | utility sound | |
| Aaron Glascock | .... | all-purpose sound editor | |
| James Morioka | .... | assistant sound editor | |
| John Pospisil | .... | sound editor | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer (as Melissa S. Hofmann) | |
| Alicia Stevenson | .... | foley artist | |
| Patrick Stoltz | .... | sound re-recording engineer: Vine Street (as Pat Stoltz) | |
| Marvin Walowitz | .... | sound editor | |
| James E. Webb | .... | production sound mixer (as Jim Webb) | |
Special Effects by | |||
| Scott Garcia | .... | special effects assistant | |
| Kevin Hannigan | .... | special effects coordinator | |
| Eric Rylander | .... | special effects foreman | |
Visual Effects by | |||
| Scott Dougherty | .... | visual effects producer: Cinesite (uncredited) | |
| Vincent Lavares | .... | digital asset manager (uncredited) | |
| Tiffany Smith | .... | visual effects production coordinator: Cinesite (uncredited) | |
Stunts | |||
| Christie Hayes | .... | stunt double: Melissa George | |
| Eddie Matthews | .... | stunts (as Ed Matthews) | |
| Noon Orsatti | .... | stunts | |
| Jeff Ramsey | .... | stunts | |
| John Robotham | .... | stunt coordinator | |
| Jason Rodriguez | .... | stunts | |
| Kerry Rossall | .... | stunts | |
| Peter Stader | .... | stunts | |
| Brian J. Williams | .... | stunts (as Brian Williams) | |
Casting Department | |||
| Rich King | .... | extras casting | |
| Terri Taylor | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Suzanne Cranfill | .... | set costumer | |
| Robert Gmuer | .... | costumer | |
| Joyce Kogut | .... | costume supervisor | |
Editorial Department | |||
| Carol A. Ellison Fleming | .... | first assistant editor (as Carol Ellison Fleming) | |
| Angie Luckey | .... | assistant editor | |
| Colin J. O'Hara | .... | post-production assistant | |
| Dana Ross | .... | color timer | |
| Anne Sawyer | .... | second assistant editor | |
Music Department | |||
| Buck Damon | .... | music consultant | |
| David Piltch | .... | musician: bass | |
| Reed Ruddy | .... | music recordist: strings, Studio X/Seattle | |
| Amanda Scheer-Demme | .... | music supervisor | |
| Jack Smalley | .... | conductor: strings | |
| Jack Smalley | .... | music arranger: strings | |
| Leanne Ungar | .... | music mixer | |
| Leanne Ungar | .... | music recordist | |
| Michael Williams | .... | musician: piano | |
Transportation Department | |||
| Rich Bennetti | .... | picture car coordinator (as Richard Bennetti) | |
| Loren Bess | .... | driver | |
| Jon Carpenter | .... | transportation coordinator | |
| Gary Cheek | .... | driver | |
| Emil Gergov | .... | driver | |
| David Glavin | .... | driver (as Dave Glavin) | |
| Diane Glavin | .... | driver | |
| Leon Glavin | .... | driver | |
| David W. Goodman | .... | driver | |
| Shane Greedy | .... | transportation captain (as Shane S. Greedy) | |
| Jeff Lira | .... | driver | |
| Brita McCollough | .... | driver | |
| Douglas Miller | .... | driver (as Douglas G. Miller) | |
| John Quittner | .... | driver | |
| Chance Robertson | .... | driver | |
| Chip Robinson | .... | driver | |
| Albert C. Rusk | .... | driver (as Albert C. Rusk Jr.) | |
| Bruce Shanahan | .... | driver | |
| Joseph E. Jones | .... | driver (uncredited) | |
Other crew | |||
| Newell Alexander | .... | adr loop group | |
| Cassandra Barbour | .... | footage clearances provider: Entertainment Clearances | |
| Allan Bragg | .... | stand-in: Terence Stamp | |
| Laure Brost | .... | accounting assistant | |
| Mitch Carter | .... | adr loop group | |
| Brett Cody | .... | video coordinator | |
| David Conley | .... | production office coordinator | |
| David Cowgill | .... | adr loop group | |
| Phylis Decker | .... | assistant location manager: Monterey (as Phyllis Decker) | |
| Quinn Donoghue | .... | unit publicist | |
| Charles Drake | .... | craft service | |
| Ike Eisenmann | .... | adr loop group (as Iake Eissinmann) | |
| Elisa Gabrielli | .... | adr loop group | |
| Kelli Gillam | .... | payroll accountant | |
| Jane E. Graves | .... | assistant location manager | |
| Ronald E. Hairston | .... | craft service (as Ronald Hairston) | |
| John Hillman | .... | assistant accountant | |
| Allissa Juillet | .... | production office assistant: Monterey | |
| Cheryl Kurk | .... | production accountant | |
| Michael LaCorte | .... | set production assistant | |
| Ken Lavet | .... | location manager (as Kenneth D. Lavet) | |
| Luisa Leschin | .... | adr loop group | |
| Keri Littledeer | .... | first aid | |
| Caitlin Maloney | .... | assistant: Mr. Soderbergh, Mr. Hardy and Mr. Kramer | |
| Antoine Mascaro | .... | caterer | |
| Edie Mirman | .... | adr loop group | |
| Lauren Moore | .... | stand-in | |
| Colin J. O'Hara | .... | production secretary | |
| Ferguson Reid | .... | first aid | |
| Nancy Reid | .... | assistant production coordinator | |
| David Sabee | .... | contractor: strings | |
| Laura Sevier | .... | footage clearances provider: Entertainment Clearances | |
| Lynn Struiksma | .... | set production assistant | |
| Annie Welles | .... | script supervisor | |
| Claudette Wells | .... | adr loop group | |
| Julie Adams | .... | dialect coach: Terence Stamp (uncredited) | |
| Michelle Gold | .... | on-set production assistant (uncredited) | |
| Lauren Moore | .... | photo double (uncredited) | |
| Timothy Scott Ralston | .... | studio projectionist (uncredited) | |
| Cathy Ziehl | .... | studio assistant (uncredited) | |
Thanks | |||
| Ken Loach | .... | special thanks | |
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The `revenge story' is a pretty overdone plot device, so when a film comes along that employs this theme and still remains fresh and compelling, it is safe to say that is a truly good film. Steven Soderbergh's `The Limey' is able to do just that. In `The Limey', Terrence Stamp plays Wilson, a career criminal who, upon being released from prison in England, finds out that his estranged daughter has died (or perhaps been murdered) in Los Angeles. Wilson's mission is to find out what happened to her, and prescribe his own brand of justice on the man behind her death.
Soderbergh's direction in `The Limey' is superb. While I enjoy and admire most of his filmography, I was so enamored with his second film, the barely-seen, highly acclaimed `Kafka' for its originality, its daring style and intellectual feel, that films like `Oceans Eleven' and `Erin Brockovich', while quite good, didn't reflect what I felt was to be his true maverick style. Seeing `The Limey', made before `Erin Brockovich' and shortly a couple of years after `Kafka', I was happy to see that he kind of held on to that spirit (for lack of a better expression) for one more film before producing more commercial fare. `The Limey' is told in a very non-linear style, and not even as clearly delineated as say, `Pulp Fiction' was; rather it is flashbacks and real-time events expressed by fluttering scenes and an almost wispy presentation. Soderbergh also employs scenes from one of Terrence Stamp's films from the 1960's for some flashbacks, a thoroughly brilliant and creative tactic.
Terrence Stamp certainly deserves mention for his performance as Wilson. Whether seeing him as General Zod in `Superman II' or as the drag queen Bernadette in `The Adventures of Priscilla Queen of the Desert' he is a true badass. Watching him chase after Peter Fonda in `The Limey' was like watching a reincarnation of Yul Brunner in `Westworld'; he just never let up. Anyone who would get in his way were pretty much toast, but it was all so coldly done that it was almost clinical just by the hard and distant expression on Wilson's face you know that all of these people were incidental and he wouldn't receive any pleasure until he comes face to face with his nemesis; and even then, it's possibly more of a duty than a pleasure.
Check out this film you won't regret it. However, if you're expecting a film with the same kind of commercial tone as say, `Oceans Eleven' you may be in for a surprise, albeit, in this viewer's opinion, a pleasant one.
--Shelly