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| Albert Finney | ... | Reggie Conyngham-Jervis | |
| Tom Courtenay | ... | Roy Southgate | |
| Joanna Lumley | ... | Liz Franks | |
| John Light | ... | Young Reggie | |
| Joanna Scanlan | ... | Sister | |
| Priyanga Elan | ... | Dr. Swann | |
| Ursula Howells | ... | Mary | |
| Katie Carr | ... | Young Mary | |
| Aileen O'Gorman | ... | Grace | |
| Iain Jones | ... | Young Roy | |
| Caroline Carver | ... | Young Grace | |
| Rebecca Clarke | ... | Nurse | |
| Laura Heath | ... | Felicity | |
| Rosamund Pike | ... | Celia | |
| Lucy Robinson | ... | Susan | |
| Jeremy Clyde | ... | Vivian | |
| Matthew Lloyd Davies | ... | Chaggers | |
| Orlando Wells | ... | Dogleg | |
| Richard Syms | ... | Vicar | |
| Adjoa Andoh | ... | Mandy Hulme | |
| Sean Murray | ... | Alan | |
| Shaughan Seymour | ... | Solicitor | |
| Kenneth MacDonald | ... | Barman | |
| Georgina Hale | ... | Sabrina's Maid | |
| Emily Morgan | ... | Sabrina | |
| John Rowe | ... | Prison Governor | |
| Dominic Rowan | ... | Bank Manager | |
| Jeillo Edwards | ... | Sister | |
| rest of cast listed alphabetically: | |||
| Jason Canning | ... | Restaurant Manager (uncredited) | |
Directed by | |||
| Paul Seed | |||
Writing credits(in alphabetical order) | ||
| Andrew Davies | writer | |
| Angela Lambert | novel | |
Produced by | |||
| Alex Graham | .... | executive producer | |
| Paul Sarony | .... | line producer | |
| David M. Thompson | .... | executive producer | |
| Jo Willett | .... | producer | |
Original Music by | |||
| Jim Parker | |||
Cinematography by | |||
| Gavin Finney | |||
Film Editing by | |||
| Dave King | |||
Casting by | |||
| Janey Fothergill | |||
Production Design by | |||
| Michael Pickwoad | |||
Art Direction by | |||
| Henry Harris | |||
Costume Design by | |||
| Frances Tempest | |||
Makeup Department | |||
| Deborah Jarvis | .... | assistant makeup artist | |
| Deborah Jarvis | .... | hair stylist | |
| Dorka Nieradzik | .... | makeup designer | |
Production Management | |||
| Rebecca Christiansen | .... | production manager | |
| Claire Tovey | .... | unit manager | |
| Maria Walker | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Fiona Gosden | .... | third assistant director | |
| Cordelia Hardy | .... | first assistant director | |
| Adrian Toynton | .... | second assistant director | |
Art Department | |||
| David Fyson | .... | production buyer | |
| Austin Harris | .... | assistant art director | |
| Kate Lloyd-Spencer | .... | assistant art director | |
| Mike Malik | .... | property master | |
| Nick Thomas | .... | stand-by prop (uncredited) | |
Sound Department | |||
| Jim Greenhorn | .... | sound mixer | |
| Colin Martin | .... | dubbing mixer | |
| Steve Mayer | .... | boom operator | |
| Richard Skelton | .... | dubbing editor | |
Camera and Electrical Department | |||
| Andy Curling | .... | electrician | |
| Simon Finney | .... | focus puller | |
| Martin Healey | .... | best boy | |
| Andy Long | .... | gaffer | |
| Rod Marley | .... | clapper loader (as Roderick Marley) | |
| Micky Reeves | .... | electrician (as Mick Reeves) | |
| John Robinson | .... | camera grip | |
| Alf Tramontin | .... | Steadicam operator (as Alf Tremontin) | |
| Mark Tillie | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Shirley Nevin | .... | wardrobe mistress | |
| Gerald Moulin | .... | costume assistant (uncredited) | |
Music Department | |||
| Gerry O'Riordan | .... | music recording engineer (uncredited) | |
Other crew | |||
| Kim Armitage | .... | continuity | |
| Mark Beaumont | .... | production accountant | |
| Laragh Cresswell | .... | production team | |
| Victoria Fea | .... | script editor | |
| Barney Hughes | .... | production team | |
| Ben Kingsland | .... | production team | |
| Ian Murray | .... | head of department rigger | |
| Adam Richards | .... | location manager | |
| Glynn Turner | .... | production team | |
| Julia Walsh | .... | script editor | |
| Sarah-Jane Wilson | .... | assistant accountant (as Sarah Wilson) | |
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| Tunes of Glory | Feast of Love | The Count of Monte Cristo | The Notebook | Todo sobre mi madre |
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The pairing of Courtenay and Finney,whose contrasting styles combine so well together,were brilliant in The Dresser,which makes their pairing in this drama so very welcome.They play contrasting men widowed on the same day and paired together by social services.Finney is a womanising ex=Battle of Britain pilot whose wife came from wealthy stock while Courteney is a former milkman.Courteney possesses all the requisite domestic skills while Finney would struggle to boil water without a recipe book. Against all odds and not helped by Finney's habit of assuming command they rub along well together until the arrival of Joanna Lumley a gold-digger who sets her sights on Finney
Beautifully written and impeccably played character study.It illustrates that dumbing down ,while having achieved epidemic proportions on UK television,has not yet conquered all bastions of the box.