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I'm not sure how captivating this movie would be for those who didn't love Mike Logan from the first 5 years of "Law & Order". I *think* Chris Noth did a brilliant job conveying Mike's sense of loss, despair, and alienation, but then again, I've missed him sorely from the series. But, even without that background, "Exiled" is a tightly-written and well-acted police procedural, tracking between Staten Island (the scene of Mike's exile) and Manhattan (his lost and desired home), and through the stormy emotional terrain of Mike's mind. The case -- a murdered prostitute -- is far less important than the things it leads them to: a sociopathic mobster and a crooked cop in Mike's old precinct, and even those aren't quite as compelling as the battle Mike fights with his own obsessive desire to get back to his old way of life. In the end, that desire demands more than Mike could ever have dreamed... and the end of the film is painfully real. The Staten Island Ferry visually dominates the film, as is appropriate, as it symbolises Mike's in-between state. And the contrast between the suburban streets of Staten Island and the city (especially for those who remember the episode "God Bless the Child" and Mike's comments about small-town policing) were well done. In fact, the movie was filled with resonating triplets: Staten Island-the ferry-Manhattan; Cragen-Stopher-Van Buren (Mike's bosses); his three partners (past and present); the three women (the wife, the victim, the sister)... and these added to the depth. In short, this is far, far more than a long L&O episode.
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