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Directed by | |||
| Paul Weitz | |||
| Chris Weitz | (uncredited) | ||
Writing credits(WGA) | ||
| Adam Herz | (written by) | |
Produced by | |||
| Chris Bender | .... | co-producer | |
| Louis G. Friedman | .... | co-producer | |
| Chris Moore | .... | producer | |
| Craig Perry | .... | producer | |
| J.B. Rogers | .... | associate producer | |
| Chris Weitz | .... | producer | |
| Warren Zide | .... | producer | |
| Adam Herz | .... | co-producer (uncredited) | |
Original Music by | |||
| David Lawrence | (as David Lawrence) | ||
Cinematography by | |||
| Richard Crudo | (director of photography) | ||
Film Editing by | |||
| Priscilla Nedd-Friendly | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Paul Peters | |||
Art Direction by | |||
| Paul Peters | |||
Set Decoration by | |||
| Amy Wells | |||
Costume Design by | |||
| Leesa Evans | |||
Makeup Department | |||
| Kelly M. Beatty | .... | makeup artist | |
| Voni Hinkle | .... | key hair stylist | |
| Shari Perry | .... | assistant hair stylist | |
| Brad Scott | .... | key hair stylist: second unit | |
| Leslie Ann Sebert | .... | assistant makeup artist (as Leslie A. Sebert) | |
| Jennifer Turchi | .... | makeup artist | |
| Rod Wilson | .... | key makeup artist | |
Production Management | |||
| Louis G. Friedman | .... | unit production manager | |
| Tricia Miles | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ingrid K. Behrens | .... | second second assistant director (as Ingrid Behrens) | |
| Hal Olofsson | .... | second assistant director | |
| J.B. Rogers | .... | first assistant director | |
Art Department | |||
| Scott Austin | .... | propmaker | |
| Chris O. Bechtel | .... | propmaker (as Chris Bechtol) | |
| Barry Bernson | .... | propmaker (as Barry R. Bernson) | |
| Ed Biasi | .... | art department production assistant | |
| Vinnie Bilancio | .... | propmaker (as Vincent J. Biluncio) | |
| Bruce W. Bridgelord | .... | propmaker | |
| Chris Call | .... | property master (as Christopher Call) | |
| John G. Campbell | .... | painter | |
| Martin Corralez | .... | labor foreman | |
| Michael Cutler | .... | swing | |
| Elixandro Diaz Jr. | .... | plaster foreman | |
| Lou Economides | .... | labor foreman | |
| Sean Gordon | .... | propmaker | |
| Michael Hachley | .... | propmaker | |
| Jay M. Hirsch | .... | construction foreman | |
| Troy Hope | .... | painter | |
| James Lewis Lager | .... | gang boss | |
| Patrick Lees | .... | leadman | |
| Josh Lusby | .... | set designer (as Joshua Lusby) | |
| Dave T. MacDonald | .... | gang boss | |
| Rhonda Marshall | .... | swing | |
| Bernard Alan McPherson | .... | propmaker | |
| Wayne Moseley | .... | propmaker | |
| Wendy Murray | .... | buyer | |
| Jason Muscarella | .... | gang boss | |
| Michael Muscarella | .... | construction coordinator (as Michael A. Muscarella) | |
| Dave Newhouse | .... | greensman (as David R. Newhouse) | |
| Enrico Paronelli | .... | paint foreman (as Rick Paronelli) | |
| Richard Peters | .... | propmaker (as Richard J. Peters) | |
| Christopher Redmond | .... | assistant property master (as Chris Redmond) | |
| Tomas Sallvin | .... | propmaker | |
| Tomas B. Sierra | .... | propmaker (as Tomas Sierra) | |
| Robert Silcock | .... | propmaker | |
| Jeff Snyder | .... | on-set dresser (as Jeffrey Snyder) | |
| Angela Stauffer | .... | art department coordinator | |
| Ricky B. Stecyk | .... | swing (as Ricky Stecyk) | |
| Lisette Thomas | .... | assistant art director | |
| Mike Wells | .... | propmaker | |
| Bill Williams | .... | stand-by painter | |
| Ian Kay | .... | property assistant (uncredited) | |
| Parker Swanson | .... | property assistant (uncredited) | |
Special Effects by | |||
| Chris Nelson | .... | effects technician | |
| Brandon Trost | .... | special effects assistant | |
| Ron Trost | .... | special effects coordinator | |
Visual Effects by | |||
| Casey Cannon | .... | computer graphics producer: BFTRE (uncredited) | |
| Glenn Cannon | .... | technical supervisor: BFTRE (uncredited) | |
| Josh Saeta | .... | on-set playback operator: BFTRE (uncredited) | |
| Todd Vaziri | .... | computer graphics supervisor: BFTRE (uncredited) | |
| Gail Wise | .... | producer: BFTRE (uncredited) | |
Stunts | |||
| Jim Henry | .... | stunts | |
| Russell Towery | .... | stunt coordinator | |
Casting Department | |||
| Kevin Goldson | .... | extras casting | |
| Michelle Morris | .... | casting associate | |
Costume and Wardrobe Department | |||
| Elena Balshem | .... | costumer | |
| Elaine Davis | .... | costumer | |
| Liz Donovan | .... | wardrobe assistant | |
| Amy Jo Hoppenfeld | .... | set costumer | |
| Janet Sobel | .... | costume supervisor | |
Editorial Department | |||
| Bob Hart | .... | negative cutter | |
| Phil Hetos | .... | color timer | |
| Danny Miller | .... | first assistant editor | |
| Mike Miller | .... | post-production assistant | |
| Bethany Orlemann | .... | second assistant editor (as Bethany Hyde Orlemann) | |
Music Department | |||
| Guy Defazio | .... | music scoring mixer | |
| Charles Martin Inouye | .... | music editor | |
| Gary Jones | .... | music supervisor | |
| David Lawrence | .... | orchestrator (as David Lawrence) | |
| Rick Riccio | .... | music recordist | |
| Joe Soldo | .... | music contractor | |
| Rick Fleishman | .... | music coordinator (uncredited) | |
Transportation Department | |||
| Richard Austin | .... | driver | |
| Alex Connaughton | .... | driver: honeywagon | |
| Billy Grace | .... | driver | |
| Bob Hargraves | .... | driver (as Robert Hargraves) | |
| Michael Helgesen | .... | driver | |
| Marlo Hellerstein | .... | driver | |
| Paul Klyder | .... | driver (as Paul J. Klyder) | |
| David Marder | .... | transportation captain | |
| James 'Obee' Oberman | .... | transportation coordinator (as James Oberman) | |
| Glen Parrino | .... | driver | |
| Brett Round | .... | driver | |
| Allen Strockbine | .... | driver | |
| Steve Thompson | .... | driver (as Stephen Thompson) | |
| Philip Tignino | .... | driver | |
| David Turner | .... | driver (as David J. Turner) | |
| Tom Winchester | .... | driver | |
Other crew | |||
| Rachel Aberly | .... | unit publicist | |
| Deanna Adney | .... | assistant location manager | |
| Rashied Aljuwani | .... | craft service | |
| Bud Boris | .... | production assistant (as Bud Borus) | |
| Linda Brennan | .... | dialect coach | |
| Pamela Cruise | .... | first aid (as Pamela C. Cruise) | |
| Maria De La Torre | .... | assistant production coordinator | |
| Rhonda DeVictor | .... | assistant production coordinator (as Rhonda Devictor) | |
| Michael Etheridge | .... | set production assistant | |
| Laura J. Fox | .... | assistant accountant (as Laura Fox) | |
| Jennie Frankel | .... | assistant: Warren Zide | |
| Stefan Frank | .... | assistant: Chris Moore | |
| Joe Gonzalez | .... | production intern | |
| Greg Guzik | .... | set production assistant | |
| Ryan Hintz | .... | post-production accountant | |
| Kathleen Keller | .... | production coordinator | |
| Nicholas Kingston | .... | production assistant | |
| Courtney Lee | .... | assistant: Paul Weitz and Chris Weitz | |
| Rich Lewis | .... | key set production assistant | |
| Harry Monroe | .... | set production assistant | |
| Rick Moon | .... | set production assistant | |
| Robert Bruce Moore | .... | craft service | |
| Joe Murphy | .... | production accountant (as Joseph Murphy) | |
| William Nuzzo | .... | craft service (as Bill Nuzzo) | |
| Pete Pallad | .... | coordinator: Lacrosse | |
| Sandra J. Santacreu | .... | welfare worker (as Sandy Santacreu) | |
| Geoffrey R. Smith | .... | location manager (as Geoffrey Smith) | |
| Jo Ann Smith | .... | welfare worker (as Jo Ann M. Smith) | |
| Bob Sobhani | .... | assistant: Craig Perry | |
| Annie Welles | .... | script supervisor | |
| Debi West | .... | payroll accountant | |
| Lynn Wyett | .... | first aid | |
| Tom Ajar | .... | dailies projectionist (uncredited) | |
| Mark Chambers | .... | production safety (uncredited) | |
| Brian R. Keathley | .... | production assistant (uncredited) | |
| Dennis Nelson | .... | dailies projectionist (uncredited) | |
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| Not Another Teen Movie | American Wedding | American Pie 2 | Detroit Rock City | The Last Picture Show |
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If you are a person easily offended by a film dedicated primarily to the glory of teen sex, you may well view "American Pie" as yet another in a long line of cinematic harbingers of the collapse of western civilization. If, however, you remember adolescence as essentially a period of unending coitus interruptus, you may well find yourself engrossed by this amusing, though admittedly crude, series of sexual and scatalogical gags woven around a plot involving the desperate attempts of a quartet of last semester seniors to lose their virginity on the fast approaching sexual armageddon known as "prom night."
"American Pie" gleans most of its comic energy from its outrageous examination of the crazy and innovative extremes desperately horny teens will go to in order to experience the thrill of sex in lieu of the real thing. An attractive, game cast helps to mitigate the crudity of many of their actions and the filmmakers' lighthearted tone encompasses the characters in such a cloak of affection that the audience identifies with, rather than condemns, their antics.
As meager compensation for the moralists among us, the film does heavily promote the use of condoms and comes up with even more creative prophylactics for those times when a partner is not available.
"American Pie" is certainly not for every taste and there are those who would argue that it serves a less than salutary purpose as a guide for already sex-obsessed teenagers. Be that as it may, the film provides a fair number of hearty chuckles for those of us who can find humor in a group of backward youngsters experiencing the frustration and desperation we have all, at one time, experienced.
I do have one troubling question though: why do none of these characters, whenever they are involved in a potentially compromising position, ever lock a door? The answer, I suppose, is obvious for, if they did, at least half the film's biggest laughs would become impossible to achieve. For this film, at least, such a suspension of disbelief may be a prerequisite.
Be forewarned but enjoy!