Three Days of Rain (2002)

User Rating:

6.5/10   

Director:

Michael Meredith

Writer:

Michael Meredith (writer)

Genre:

Drama

Plot:

Six Anton Chekhov short stories set in modern day Cleveland during a three day rain storm. |

Plot Keywords:

Independent Film | Number In Title

Awards:

2 wins

Cast

Don Meredith	...	John
Peter Falk	...	Waldo
Michael Santoro	...	Thunder
Joey Bilow	...	Denis
Merle Kennedy	...	Tess
Erick Avari	...	Alex
Lyle Lovett	...	Disc Jockey
Penelope Allen	...	Helen
Bruce Bohne	...	Jenkins
Blythe Danner	...	Beverly
Robert Carradine	...	Bus Driver
Robert Casserly	...	Ray
Chuck Cooper	...	Jim
Heather Kafka	...	Lisa
Christine Karl	...	Liza

Also Known As:

Three Days of Rain (USA) (alternative spelling)

MPAA:

Rated R for language, some sexual material, drug use and disturbing content.

Runtime:

98 min (Tribeca Film Festival)

Country:

USA

Language:

English

Color:

Color

Sound Mix:

Stereo

Certification:

USA:R

Filming Locations:

Los Angeles, California, USA

Company:

Hillstrom Entertainment

All Wet - Chekhov Goes To Cleveland

First, this is NOT a film of the Richard Greenberg play that Julia Roberts tanked in on Broadway; that is due in 2008. This film attempts to adapt six Anton Chekhov short stories into 72 hours in rain-soaked Cleveland. To say that it, too, tanks - would be an understatement. The joy of re-interpreting the great Russian author's smaller works must have pleased writer/director Michael Meredith more than it does the viewer. The six stories never intersect as one might expect, depriving the viewer of some sense of a dramatic fabric. If, perhaps, they had been played in a linear fashion, one following the other instead of inter-cut, the limited nature of their sad stories might have been a bit more satisfying. Or had Meredith let the viewer know that these were unconnected stand-alone stories based on existing stories, expectations for more might have been tempered. But as it is, six stories are just too many. Adding to the soggy woe, the majority of the simple tales are weighed down by lonely and unlikeable characters, the obvious and dreary 'umbrella' theme of a three day rainstorm, and some highly uneven playing by the actors. Limited to short-story characters, most of them strive in vain to create even the most basic character arc. THREE DAYS OF RAIN will inevitable be compared to CRASH (it pales) and - all too soon - Richard Greenberg's far more intriguing narrative.