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Rules of Engagement (2000)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
31 March 2000 (USA)
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Tagline:
A hero should never have to stand alone.
Plot:
An attorney defends an officer on trial for ordering his troops to fire on civilians after they stormed a U.S. embassy in a third world country. full summary | add synopsis
Awards:
1 win
&
1 nomination
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NewsDesk:
(18 articles)
Tommy Lee Jones No Longer Requires the Services of The Lincoln Lawyer
(From Collider.com. 23 November 2009, 10:56 PM, PST)
Aussie Actor Pearce Turns Back On Hollywood
(From Studio Briefing - Film News. 10 January 2001)
(From Collider.com. 23 November 2009, 10:56 PM, PST)
Aussie Actor Pearce Turns Back On Hollywood
(From Studio Briefing - Film News. 10 January 2001)
User Comments:
The main plot point is too tough to swallow
more (253 total)
Cast
(Cast overview, first billed only)| Tommy Lee Jones | ... | Col. Hayes 'Hodge' Hodges | |
| Samuel L. Jackson | ... | Col. Terry L. Childers | |
| Guy Pearce | ... | Maj. Mark Biggs | |
| Ben Kingsley | ... | Ambassador Mourain | |
| Bruce Greenwood | ... | National Security Advisor Bill Sokal | |
| Anne Archer | ... | Mrs. Mourain | |
| Blair Underwood | ... | Capt. Lee | |
| Philip Baker Hall | ... | Gen. H. Lawrence Hodges | |
| Dale Dye | ... | Gen. Perry | |
| Amidou | ... | Dr. Ahmar | |
| Mark Feuerstein | ... | Tom Chandler | |
| Richard McGonagle | ... | Judge Col. E. Warner | |
| Baoan Coleman | ... | Col. Binh Le Cao | |
| Nicky Katt | ... | Hayes Hodges III | |
| Ryan Hurst | ... | Capt. Hustings |
Additional Details
Also Known As:
Les règles d'engagement (Canada: French title)
Rules - Sekunden der Entscheidung (Germany)
Rules of Engagement - Die Regeln des Krieges (Germany) (TV title)
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Rules - Sekunden der Entscheidung (Germany)
Rules of Engagement - Die Regeln des Krieges (Germany) (TV title)
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MPAA:
Rated R for scenes of war violence, and for language.
Parents Guide:
Runtime:
128 min
Color:
Color (CFI)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Australia:MA |
Canada:13+ (Quebec) |
Canada:14 (Nova Scotia) |
Canada:14A (Alberta/British Columbia/Manitoba) |
Canada:AA (Ontario) |
Iceland:16 |
Argentina:13 |
Denmark:15 |
Finland:K-14 |
France:U |
Germany:16 |
Hong Kong:IIB |
Netherlands:12 (DVD rating) |
Netherlands:16 (original rating) |
Norway:15 |
Peru:14 |
Portugal:M/12 |
Singapore:PG |
South Korea:15 |
Spain:13 |
Sweden:15 |
Switzerland:14 (canton of Geneva) |
Switzerland:14 (canton of Vaud) |
UK:15 |
USA:R |
Philippines:PG-13
Filming Locations:
Company:
Fun Stuff
Trivia:
A replica of the Marine Corps base at Camp Lejeune, NC, was built at the Vint Hill Farm Station, South Manassas, VA. Some 800 Marines were hired for the combat and other action scenes.
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Goofs:
Continuity: During the courtroom scenes the bruises on Col. Childers' face from his fight with Col. Hodges move around. For example, when the verdict is read Col. Childers has a crescent shaped bruise under his eye and a cut or split in his lip. However, when he emerges from the courtroom following the verdict, the crescent shaped bruise is gone and there is no noticeable injury to his lip.
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Quotes:
Colonel Terry L. Childers:
Waste those motherf*ckers.
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Movie Connections:
References A Few Good Men (1992)
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Soundtrack:
On the Threshold of Liberty
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FAQ
This FAQ is empty. Add the first question.more (253 total)
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Apart from The Exorcist, this is the only thing by Friedkin I've seen. Is it just me, or are these two the only particularly recognizable titles he's helmed? Why? His direction isn't half bad. The battle sequences manage to be intense and gripping, without disorienting the viewer; seldom is such a balance reached, and this does pretty well at it. Editing and cinematography are also great. The roles are well-cast, if Baker Hall is somewhat wasted with so little screen-time, and Kingsley, well, he does rather well for what he's given to work with. Teaming up Jackson and Lee Jones is a cool idea, and it really pays off. The two have nice chemistry, and they're both completely convincing. Acting is almost all impeccable. After a promising start, however, this turns out to take a simplistic approach to the conflict, abandoning all opportunity for exploration of the moral dilemma. Furthermore, the audience has a hard time accepting the problem presented to our leads. I won't detail it, you'll know what I mean when you see it, if you do. It is a gaping hole in the script, and credibility falls out of it. I guess the fault lies with the writers, or at least one of them. The courtroom scenes are average, never completely captivating the viewer, and the ending is downright poor. There is gruesome, bloody violence in this, as well as strong language. I recommend this solely to the biggest fans of those who made it. 6/10