| Grant Show | ... | Robert Drake | |
| Udo Kier | ... | Dr. Norman Kistler | |
| Eva La Rue | ... | Alison | |
| Flex Alexander | ... | Kelvin (as Flex) | |
| Audie England | ... | Julie | |
| Michael Riley | ... | Greg | |
| Kyle Fairlie | ... | Max | |
| Art Hindle | ... | The President | |
| Diego Fuentes | ... | Zapata | |
| Kristin Booth | ... | Jessica | |
| Gordon Michael Woolvett | ... | Soldier (as Gordon M. Woolvett) | |
| John Bourgeois | ... | Dr. Golding | |
| Elias Zarou | ... | Dr. Tyson | |
| Peter Virgile | ... | Chief of Staff | |
| J.C. Kenny | ... | Newscaster | |
| Bruce Beaton | ... | Thug Leader | |
| Sandra Feldman | ... | Kistler's Assistant | |
| Katherine Trowell | ... | Detective | |
| Derek Boyes | ... | Hospital Exec. | |
| Patrice Goodman | ... | Camille | |
| Tom Melissis | ... | Louis | |
| John Ralston | ... | Airport Gunman | |
| Karen Waddell | ... | Gretchen (as Karen Wadell) | |
| Phillip Jarrett | ... | Army Officer | |
| Steve Behal | ... | Captain Parker | |
| rest of cast listed alphabetically: | |||
| DTeflon | ... | Detective Reese | |
| Hugo Dann | ... | Mountain, Johnny (uncredited) | |
Directed by | |||
| Jean de Segonzac | |||
Writing credits(WGA) | ||
| Roderick Taylor | (written by) & | |
| Bruce A. Taylor | (written by) | |
Produced by | |||
| Les Alexander | .... | executive producer | |
| Les Alexander | .... | producer | |
| Joseph Broido | .... | executive producer (as Joe Broido) | |
| Don Enright | .... | producer | |
| Frederique Fechner | .... | associate producer | |
| Laurie McLarty | .... | producer | |
| John McLaughlin | .... | co-producer | |
| Bruce A. Taylor | .... | executive producer | |
| Roderick Taylor | .... | executive producer | |
| Roderick Taylor | .... | producer | |
Original Music by | |||
| Lawrence Shragge | |||
Cinematography by | |||
| Mike Fash | |||
Film Editing by | |||
| Ralph Brunjes | |||
Casting by | |||
| Nelleke Privett | |||
| Gary M. Zuckerbrod | (as Gary Zuckerbrod) | ||
Production Design by | |||
| Philip Dean Foreman | |||
Art Direction by | |||
| David B. Ferguson | (as David Ferguson) | ||
Set Decoration by | |||
| Ane Christensen | |||
Costume Design by | |||
| Linda Matheson | |||
Makeup Department | |||
| Kai Marks | .... | hair stylist | |
| Jordan Samuel | .... | makeup department head | |
Production Management | |||
| W. Michael Beard | .... | post-production supervisor | |
| Kimberly A. Dickens | .... | production supervisor: second unit | |
| Laurie McLarty | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tai Chi Fong | .... | third assistant director | |
| David McLennan | .... | first assistant director | |
| Laura Wood Fawcett | .... | second assistant director (as Laura Wood) | |
Art Department | |||
| Robin E. Eecloo | .... | props (as Robin Eecloo) | |
| Craig Grant | .... | property master | |
| Candi Guterres | .... | buyer | |
| Peter Harding | .... | construction coordinator | |
| Andy Loew | .... | lead set dresser | |
Sound Department | |||
| Alek Bromke | .... | adr assistant | |
| Richard Calistan | .... | adr mixer | |
| Rick Ellis | .... | sound re-recording mixer | |
| Steve Foster | .... | sound re-recording mixer | |
| Mark C. Grech | .... | utility sound technician | |
| Bob Lacivita | .... | adr editor | |
| Bob Lacivita | .... | adr recordist | |
| Ao Loo | .... | production sound mixer | |
| Joe Mancuso | .... | dialogue editor | |
| Ed Poty | .... | adr editor | |
| Ed Poty | .... | adr recordist | |
| Dan Sexton | .... | sound effects editor | |
Special Effects by | |||
| Tim Good | .... | special effects coordinator | |
| Tim Good | .... | special effects supervisor | |
| Darren Marsman | .... | special effects key | |
| Jeff Skochko | .... | special effects technician | |
| Steve Skochko | .... | special effects technician | |
Visual Effects by | |||
| Dave Asling | .... | model builder | |
| Dave Axford | .... | model shop supervisor | |
| Mike Borrett | .... | visual effects coordinator: Gajdecki Visual Effects | |
| Dug Claxton | .... | digital compositor | |
| Sasha Jarh | .... | production manager: visual effects miniatures unit, GVFX | |
| Susan Ma | .... | visual effects coordinator | |
| Kent Matheson | .... | matte painter | |
| Thomas McDermott | .... | compositor | |
| Thomas McDermott | .... | digital matte painter | |
| Joel Skeete | .... | senior compositor | |
| Linda Tremblay | .... | digital compositor | |
| Thomas Turnbull | .... | visual effects supervisor | |
Stunts | |||
| Randy Butcher | .... | stunts | |
| Shelley Cook | .... | stunt coordinator | |
| C.J. Fidler | .... | stunts | |
| Regan Moore | .... | stunt performer | |
| Regan Moore | .... | stunt rigger | |
| Billy Oliver | .... | stunt performer | |
| Edward A. Queffelec | .... | stunt double | |
| John Stoneham Jr. | .... | stunts | |
Camera and Electrical Department | |||
| Eric Anderson | .... | director of photography: second unit | |
| Tim Barg | .... | best boy electric | |
| Gilles Corbeil | .... | camera operator | |
| Gabriele DiChiara | .... | gaffer | |
| William Engel | .... | grip | |
| Dianne L. Haggarty | .... | best boy grip | |
| David Pamplin | .... | key grip (as David 'Stretch' Pamplin) | |
Casting Department | |||
| Nancy Botting-Harrison | .... | extras casting | |
| Eric Hughes | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Patrick Antosh | .... | wardrobe key | |
| Victoria Dobson | .... | assistant costume designer | |
Editorial Department | |||
| Ross Cole | .... | colorist | |
| Jeff Dyer | .... | on-line editor | |
| Ernest Mordak | .... | on-line editor | |
| Vesna Svilanovic | .... | assistant editor | |
Music Department | |||
| Michael Stern | .... | scoring mixer | |
Transportation Department | |||
| Albert Ezerzer | .... | driver: Eva LaRue Callahan | |
| Stephen A. Latina | .... | transportation coordinator | |
| Matthew Wolchock | .... | transportation coordinator | |
Other crew | |||
| Lisa Byrne | .... | production coordinator | |
| Barbara Gordon | .... | continuity | |
| Redd Knight | .... | assistant production coordinator | |
| Sarah Donovan Koepple | .... | assistant to producer | |
| Brian McMillan | .... | animal trainer | |
| Mark Moore | .... | assistant location manager | |
| Mary Mudd | .... | assistant to producer | |
| Vince Nyuli | .... | location manager | |
| Anthony Santa Croce | .... | producer: second unit | |
| Teri Spasov | .... | production accountant | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb Germany section | Add this title to MyMovies |
This made for the small screen movie in the disaster genre may have been full of questionable scientific facts but accepting things as you were given them, then the acting and general tempo were okay. There are some movies where it is best not to ask too many questions just sit back and be entertained - this was one of them. The lack of big star cast did not seem to detract from the effect and though clearly shot on a small budget (the snowflakes were so fake!) it was reasonable nonetheless.
A group of miscellaneous stereotypes, the white macho law enforcer, the black criminal with the chip on his shoulder who's not so bad once you get to know him, the mad professor who's not likable at all, the ex and the new lover with the new boyfriend. Plenty scope for character development, though much of it was predictable. As a huge freeze-up almost in no time seems to plunge Los Angeles into Arctic frigidity people seem to die frozen at the wheels of their cars or anywhere else as if completely unexpected. Our super-heros seem to be able to move around with relatively little extra clothing only the occasional leg wrapping or blanket as a token towards the predicament.
The general "plot" is that a rescue ship is being sent to pick up our disagreeable scientist and our group seem to think this is the best option they have of escaping from the freeze-up so a purpose and direction is created, however thin and questionable it may seem. We seem to accept much science fiction which is far more questionable, take the Star Wars nonsense for example, yet here we have a plausible scenario. The sun could throw a wobbly and the effects on our planet could be life-threatening, I have no problem with the subject matter. I would not buy the DVD however but have seen a lot worse than ICE.