Cold Mountain (2003)

User Rating:

7.3/10   

Director:

Anthony Minghella

Writers (WGA):

Charles Frazier (book)
Anthony Minghella (screenplay)

Release Date:

25 December 2003 (USA)

Genre:

Drama | Romance | War

Tagline:

Find your way home

Plot:

In the waning days of the American Civil War, a wounded soldier (Law) embarks on a perilous journey back home to Cold Mountain, North Carolina to reunite with his sweetheart (Kidman). Based on the novel by Charles Frazier.

Plot Keywords:

Soldier | Civil War | North Carolina | American Civil War | Farm

Awards:

Won Oscar. Another 13 wins & 61 nominations

Cast

Jude Law	...	Inman
Nicole Kidman	...	Ada Monroe
Renée Zellweger	...	Ruby Thewes
Eileen Atkins	...	Maddy
Brendan Gleeson	...	Stobrod Thewes
Philip Seymour Hoffman	...	Reverend Veasey
Natalie Portman	...	Sara
Giovanni Ribisi	...	Junior
Donald Sutherland	...	Reverend Monroe
Ray Winstone	...	Teague
Kathy Baker	...	Sally Swanger
James Gammon	...	Esco Swanger
Charlie Hunnam	...	Bosie
Jack White	...	Georgia
Ethan Suplee	...	Pangle

MPAA:

Rated R for violence and sexuality.

Runtime:

154 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

USA:R (certificate #40383) | Iceland:16 | Malaysia:18SG | Australia:M (TV rating) | Netherlands:12 (TV rating) | Netherlands:16 | New Zealand:R16 | Sweden:11 | Argentina:13 | Australia:MA | Brazil:16 | Finland:K-15 | France:U | Germany:12 | Hong Kong:IIB | Ireland:15 | Italy:T | Japan:R-15 | Norway:15 | Philippines:R-18 | Singapore:M18 | Singapore:NC-16 (cut) | South Korea:15 | Spain:18 | UK:15 | Canada:14A (Ontario)

Filming Locations:

Carpathian Mountains, Romania

Company:

Miramax Films

Trivia:

There is a real Cold Mountain in North Carolina, located within the Pisgah National Forest southwest of Asheville. However, there is not and has never been a town named after the mountain.

Goofs:

Revealing mistakes: When Inman regains consciousness, chained to the other prisoners who are dead, the hand of the body next to him, which he moves from his neck, moves on its own after he places it on the ground.

Quotes:

[first lines]
Ada: [voiceover] Dear Mr. Inman, I began by counting the days, then the months. I don't count on anything anymore except the hope that you will return, and the silent fear that in the years since we saw each other, this war, this awful war, will have changed us both beyond all reckoning.

Movie Connections:

Referenced in A Cock and Bull Story (2005)

Soundtrack:

Wayfaring Stranger

A chilling vision of a tragic era

'War movie' is a Hollywood genre that has been done and redone so many times that clichéd dialogue, rehashed plot and over-the-top action sequences seem unavoidable for any conflict dealing with large-scale combat. Once in a while, however, a war movie comes along that goes against the grain and brings a truly original and compelling story to life on the silver screen. The Civil War-era "Cold Mountain," starring Jude Law, Nicole Kidman and Renée Zellweger is such a film.

Then again, calling Cold Mountain" a war movie is not entirely accurate. True enough, the film opens with a (quite literally) quick-and-dirty battle sequence that puts "Glory" director Edward Zwick shame. However, "Cold Mountain" is not so much about the Civil War itself as it is about the period and the people of the times. The story centers around disgruntled Confederate soldier Inman, played by Jude Law, who becomes disgusted with the gruesome war and homesick for the beautiful hamlet of Cold Mountain, North Carolina and the equally beautiful southern belle he left behind, Ada Monroe, played by Nicole Kidman. At first glance, this setup appears formulaic as the romantic interest back home gives the audience enough sympathy to root for the reluctant soldier's tribulations on the battlefield. Indeed, the earlier segments of the film are relatively unimpressive and even somewhat contrived.

"Cold Mountain" soon takes a drastic turn, though, as the intrepid hero Inman turns out to be a deserter (incidentally saving the audience from the potentially confusing scenario of wanting to root for the Confederates) and begins a long odyssey homeward. Meanwhile, back at the farm, Ada's cultured ways prove of little use in the fields; soon she is transformed into something of a wilderbeast. Coming to Ada's rescue is the course, tough-as-nails Ruby Thewes, played by Renée Zellweger, who helps Ada put the farm back together and, perhaps more importantly, cope with the loneliness and isolation the war seems to have brought upon Ada.

Within these two settings, a vivid, compelling and, at times, very disturbing portrait of the war-torn South unfolds. The characters with whom Inman and Ada interact are surprisingly complex, enhanced by wonderful performances of Brendan Gleeson as Ruby's deadbeat father, Ray Winstone as an unrepentant southern "lawman," and Natalie Portman as a deeply troubled and isolated young mother. All have been greatly affected and changed by "the war of Northern aggression," mostly for the worse. The dark, pervading anti-war message, accented by an effective, haunting score and chillingly beautiful shots of Virginia and North Carolina, is communicated to the audience not so much by gruesome battle scenes as by the scarred land and traumatized people for which the war was fought. Though the weapons and tactics of war itself have changed much in the past century, it's hellish effect on the land is timelessly relevant.

Director Anthony Minghella manages to maintain this gloomy mood for most of the film, but the atmosphere is unfortunately denigrated by a rather tepid climax that does little justice to the wonderfully formed characters. The love story between Inman and Ada is awkwardly tacked onto the beginning and end of the film, though the inherently distant, abstracted and even absurd nature of their relationship in a way fits the dismal nature of the rest of the plot.

Make no mistake, "Cold Mountain" has neither the traits of a feel-good romance nor an inspiring war drama. It is a unique vision of an era that is sure not only to entertain but also to truly absorb the audience into the lives of a people torn apart by a war and entirely desperate to be rid of its terrible repercussions altogether.