Sweet and Lowdown (1999)

User Rating:

7.2/10   

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

26 January 2000 (France)

Genre:

Comedy | Music

Plot:

In the 1930s, fictional jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute.

Plot Keywords:

Jazz | Train | 1930s | Gangster | Rat

Awards:

Nominated for 2 Oscars. Another 1 win & 11 nominations

Cast

Woody Allen	...	Himself
Ben Duncan	...	Himself
Daniel Okrent	...	A.J. Pickman
Dan Moran	...	Boss
Tony Darrow	...	Ben
Chris Bauer	...	Ace - Pool Player
Sean Penn	...	Emmet Ray
Constance Shulman	...	Hazel - Hooker #1
Kellie Overbey	...	Iris - Hooker #2
Darryl Alan Reed	...	Don
Marc Damon Johnson	...	Omer
Ron C. Jones	...	Alvin (as Ron Cephas Jones)
Steve Bargonetti	...	Musician Friend
Benjamin Franklin Brown	...	Musician Friend
James Urbaniak	...	Harry

Also Known As:

Woody Allen Fall Project 1998 (USA) (working title)

MPAA:

Rated PG-13 for sexual content and some substance abuse.

Runtime:

95 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (Mono)

Certification:

Singapore:PG | Iceland:L | Australia:PG | Finland:S | France:U | Germany:12 | Netherlands:AL | Norway:11 | Portugal:M/12 | Spain:13 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:PG | USA:PG-13

Filming Locations:

Fresh Pond Rail Yards, Queens, New York City, New York, USA

Company:

Magnolia Productions

Trivia:

Rosie O'Donnell was offered the role of Hattie. She turned it down due to her disdain for Allen's relationship with Soon-Yi Previn.

Goofs:

Anachronisms: The steel grain bins seen on a car trip would not be found in that time era.

Quotes:

Emmet Ray: Now get dressed!

Movie Connections:

Referenced in This Filthy World (2006)

Soundtrack:

12th Street Rag

Wonderful

A slow, rich movie. Though it lags in places, the three lead performances are indelibly written in my memory. And the great jazz soundtrack and warm colors made this movie go down like a glass of bourbon.

Embodying the archetypal difficult genius, Emmet Ray is an almost cartoonishly dislikable guy. But Sean Penn keeps him just this side of sympathetic; we loathe his actions, we curse his self-destructiveness, and yet we're compelled to keep watching in the increasingly futile hope he'll turn himself around. His last scenes are heartrending.

As Hattie, Samantha Morton strikes a perfect, almost Chaplinesque, balance of comedy and tragedy. The line separating the two is razor-thin; she dances gracefully upon it. I could say more, but perhaps appropriately, it's difficult to find words that capture the beauty of her silent performance. Half the joy is in watching her reactions naturally unfold anyway.

Like Penn, Uma Thurman portrays a pretty unlikeable character. Her Blanche is overly intellectual, questions incessantly and is in some ways just as emotionally alienated as Emmett. Though her character is grating at first (particularly in contrast to Morton), Thurman does not shrink from the less flattering aspects of her character. It's a brave performance in a thankless role.

Woody Allen has constructed a thoughtful meditation on the nature of artistry. Not on celebrity -- we all know how that film turned out -- but on the rights and responsibilities of the true artist. Emmett, Hattie and Blanche represent the axis of artists, fans and critics respectively. As their relationships play out -- naturally, inexorably and poignantly -- the viewer gets a rare treat: a film that plucks at the mind and at the heart as gracefully as Emmett picking his guitar strings.