| Charles Carpenter | ... | Guardian / Orc Guard | |
| Michelle Dahlin | ... | Witch Itah | |
| Matthew Grimaldi | ... | Cliff Robberson | |
| Edan Gross | ... | Waif | |
| Jason Hervey | ... | Troll King / Trolls | |
| Michael Johnson | ... | Rooper / Morphius | |
| Sam J. Jones | ... | Blind Bowman | |
| A.J. Langer | ... | Rebecca Snoot | |
| Deena Langer | ... | Ms. Mavis Peepers | |
| Elaine Lively | ... | Molly Moodock | |
| Ernie Lively | ... | Moadikum Moodock | |
| Jason Lively | ... | Ben Fyshin | |
| Lori Lively | ... | Singing Tree | |
| Robyn Lively | ... | Fairy | |
| Howard Mann | ... | Lighthouse Keeper | |
| Jo Marr | ... | Canuk (as Jojo Marr) | |
| Will McAllister | ... | Trembyle | |
| Raoul N. Rizik | ... | Mayor | |
| Harold Smith | ... | Boos Myller | |
| Peter Sprague | ... | Pugney | |
| Michael Stadvec | ... | Blacksmith | |
| Julie St. Claire | ... | Holy Woman | |
| Leonardo Surdo | ... | Dwarven General | |
| Nino Surdo | ... | Dwarven Leader |
Directed by | |||
| Peter Sprague | |||
Writing credits(in alphabetical order) | ||
| Michelle Em | screenplay | |
| Veronica Milito | manual | |
Produced by | |||
| Eddie Dombrower | .... | producer | |
Original Music by | |||
| Teri Mason | |||
| Nathan Wang | |||
Art Direction by | |||
| Joe Asperin | |||
Costume Design by | |||
| Maritza Mazariego | |||
Makeup Department | |||
| Kelly Greer | .... | hair stylist | |
| Kelly Greer | .... | makeup artist | |
Sound Department | |||
| Michael Schwartz | .... | sound engineer | |
Other crew | |||
| Doug Barnett | .... | game designer | |
| David Betz | .... | programmer | |
| Joseph T. Chow | .... | lead programmer | |
| Liliana M. Molina | .... | script supervisor | |
| Edward T. Purcell | .... | programmer | |
| Francisco Serret | .... | programmer | |
| David Stifel | .... | programmer | |
| William Volk | .... | technical director | |
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| Realms of the Haunting | The Neverhood | The Pandora Directive | Hell: A Cyberpunk Thriller | Psychic Detective |
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| Full cast and crew | External reviews | Add this title to MyMovies |
This game may be a little old, and maybe even outdated, but it still remains one of the most impressive and downright entertaining computer games to play.
The storyline is lighthearted (with a few dark undertones thrown in for good measure), the characters are all lovable, and RETURN TO ZORK really gets you laughing sometimes. For a game that was produced in 1993, I would have to say that the graphics and sound are still very noteworthy, even by today's standards.
The plot is just wonderful. It has you wanting to see what unfolds next in the story of the Great Underground Empire, and is very addictive (which, in this case, is a good thing!).
RETURN TO ZORK also receives kudos for its musical score. WOW! It really moves you. Even the cheap MIDI files are impressive! The musical score for RTZ is by far one of the best for any computer game this decade.
The only area RTZ falls short in, are a couple of extremely-hard-to-solve puzzles. If it weren't for a cheat guide, this game would have taken me at least a year to beat -- and I'm not kidding. The most ridiculous of these puzzles has to be one of the three mazes, which are absurd, because there is no secret to solving them....you just have to figure out how to get through (this could take a lifetime). You'll DEFINITELY need a cheat guide to get through things like this.
All in all, though, RETURN TO ZORK is a game that makes you come back for more, and leaves you wishing you lived in that truly bizarre and comical world. And if you need further proof: I have played and beat this game about six times since 1993!
Highly recommended.