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Moving Targets (1998)
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Overview
User Rating:
Tagline:
You can't kill what you can't catch.Plot:
A pair of cops are following a lawyer who has information on a mobster. He's killed and his wife has to help the cops catch the bad guy. | add synopsisUser Comments:
Bland but suspenseful. moreCast
(in credits order) | Burt Ward | ... | O'Malley |
 | Miles O'Keeffe | ... | Richard Corliss |
 | Libby Hudson | ... | Susan Fredricks |
| Sue Ball | ... | Zoe Crowe |
 | Mark 'Woody' Keppel | ... | Walter King (as Woody Keppell) |
 | Tim McKay | ... | Alan Fredricks |
| Matthew Bruch | ... | Thug #1 (as Matt Bruch) |
 | Kipp Tribble | ... | Thug #2 |
| rest of cast listed alphabetically: | |||
 | Jayson Argento | ... | Police Station Uniform Officer |
| Peter Harrington | ... | Bus Driver #1 |
| Melissa G. Lourie | ... | Judge (as Melissa Stern Lourie) |
| Joshua J. Masters | ... | Court Steps Police Officer |
 | Bruce Perkins | ... | Courtroom Bailiff |
 | Linnea Quigley | ... | District Attorney |
| Paul Schnabel | ... | Werner |
Directed by | |||
| David Giancola | |||
Writing credits(in alphabetical order) | ||
| Brett Piper | writer | |
Produced by | |||
| Peter Beckwith | .... | producer | |
| Jeff Haig | .... | producer | |
| Scott J. Jones | .... | associate producer | |
| Kipp Tribble | .... | associate producer | |
Cinematography by | |||
| Grosvenor Miles Hafela | |||
Casting by | |||
| Gerald I. Wolff | (as Jerry Wolff) | ||
Sound Department | |||
| Bob Gregory | .... | sound designer | |
Camera and Electrical Department | |||
| Chuck Harding | .... | gaffer | |
Other crew | |||
| Kori Shadrick | .... | in-house producer | |
Production CompaniesDistributors
Additional Details
MPAA:
Rated PG-13 for violence and language.Parents Guide:
Add content advisory for parentsRuntime:
90 minCountry:
USALanguage:
EnglishColor:
ColorCertification:
USA:PG-13Fun Stuff
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Two detectives attempt to nab a businessman affiliated with organized crime before his henchman's body count rises higher.
A simplistic, banal storyline is somewhat redeemed by genuine tension and some sharp dialogue. Sue Ball is surprisingly attractive (in a tough female cop sort of way) in the lead; Linnea Quigley receives costar billing despite appearing onscreen for only six and a half minutes.
** out of ****