Topsy-Turvy (1999)

User Rating:

7.2/10   

Director:

Mike Leigh

Writer:

Mike Leigh (written by)

Release Date:

14 January 2000 (USA)

Genre:

Biography | Comedy | Drama | Music

Tagline:

The egos. The battles. The words. The music. The women. The scandals.

Plot:

After Gilbert and Sullivan's latest play is critically panned, the frustrated team threatens to disband until they are inspired to do their masterpiece, "The Mikado."

Plot Keywords:

Gilbert And Sullivan | Japanese | Costume Drama | Old Man | Acting

Awards:

Won 2 Oscars. Another 10 wins & 22 nominations

Cast

Allan Corduner	...	Sir Arthur Sullivan
Dexter Fletcher	...	Louis
Sukie Smith	...	Clothilde
Roger Heathcott	...	Banton
Wendy Nottingham	...	Helen Lenoir
Stefan Bednarczyk	...	Frank Cellier
Geoffrey Hutchings	...	Armourer
Timothy Spall	...	Richard Temple (The Mikado)
Francis Lee	...	Butt
William Neenan	...	Cook
Adam Searle	...	Shrimp
Martin Savage	...	George Grossmith (Ko-Ko)
Jim Broadbent	...	W. S. Gilbert
Lesley Manville	...	Lucy Gilbert
Kate Doherty	...	Mrs. Judd

Also Known As:

Mike Leigh Untitled (USA) (working title)

MPAA:

Rated R for a scene of risque nudity.

Runtime:

160 min

Country:

UK

Language:

English | French | German | Italian | Japanese

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:L | Sweden:11 (TV rating) | Argentina:13 | Australia:M | Canada:14A (Alberta) | Canada:14 (Nova Scotia) | Canada:G (Quebec) | Chile:14 | Finland:S | France:U | Germany:o.Al. | Hong Kong:IIA | Netherlands:AL | New Zealand:M | Portugal:M/12 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12 | USA:R | Canada:PG (British Columbia/Manitoba/Ontario)

Filming Locations:

Hertfordshire, England, UK

Company:

Goldwyn Films

Trivia:

The tower structure on the backdrop of the Mikado set is a painting of the Pagoda at the Royal Botanic Gardens, Kew, a few miles away from Richmond Theatre where the scenes were filmed.

Goofs:

Continuity: When Dr. Gilbert is complaining about the telephone, he sits down twice.

Quotes:

Gilbert: [giving notes to the cast after a dress rehearsal] Ko-ko's entrance: Mr. Kent and Mr. Conyngham. Please ensure that you do not flinch at Mr. Grossmith's sword. You must have confidence that he is not about to chop off your heads, even if it may appear that that is your inevitable fate.

Movie Connections:

Featured in "British Film Forever: Corsets, Cleavage and Country Houses: The Story of British Costume Drama (#1.4)" (2007)

Soundtrack:

A Wand'ring Minstrel, I

wonderful entertainment

Mike Leigh's gloriously entertaining film, `Topsy-Turvy,' offers a wise and witty slice of musical theater history. Set in 1880's London, the movie chronicles the extraordinary personal and professional relationship between two giants of the 19th Century entertainment world, lyricist `Willie' Gilbert and composer Arthur Sullivan. The screenplay, wisely, chooses to pick up the tale not at the very beginning of their collaborative career - tracing its rise and fall as many biopics would do - but rather at the point where the team has already garnered international fame and success but seems of late to be experiencing a bit of creative stagnation. Sullivan, tiring of the seemingly trivial nature of the librettos they've been producing, wants to break away and embark on his own to produce a work of more `weighty' merit. Gilbert, on the other hand, delights in his success and, although bothered by comments in the press that his work has begun to repeat itself, initially resists Sullivan's plea that they abandon their hitherto winning formula.

Thus, the conflict between the two men of creative genius plays itself out against the fascinating backdrop of a deliciously recreated vision of the theatrical world of a hundred-odd years ago. Just as important to the film as the two main characters is the rich assortment of secondary players - theater proprietors, company actors, wives, lovers and parents - who swirl around the principals and provide a colorful tapestry to match the exquisite art direction and costuming that adorn the film. In addition, Leigh incorporates clever references to some of the technological marvels just making their appearance at the time: telephones, reservoir pens and luxury hotels with baths for every room!

Leigh's pacing is admirably unhurried and relaxed. So rich is the detail of his vision that fully thirty-five minutes elapse before the two lead characters even have their first scene together. In addition, the inspiration for `The Mikado' - ostensibly the centerpiece of the film's plot - doesn't strike Gilbert until well into the second hour. Yet, the film never falters in interest, least of all when Leigh devotes long stretches of footage to showing us the actors rehearsing their parts or having us eavesdrop on some behind-the-scenes salary negotiations or discussions of artistic differences. This is the real triumph of the film: Leigh opens up a world to us by letting us see the fascinating nuts-and-bolts aspects of the creative process to which we, as members of a theatre audience, are rarely privy. He also is not afraid to linger long over many a beautiful reproduction of the musical pieces themselves. Leigh can count his film a success in that it makes us want to rush out and catch a performance of one of these operettas ourselves.

The film would not be the splendid success it is were it not for the dazzling performances of its amazingly large cast. Jim Broadbent and Allan Corduner are perfection as the good-natured but often antagonistic partners, never playing the humor too broadly or violating the spirit of elite British gentility even in their most conflict-laden moments.

Indeed, it is this very quality of quiet subtlety that permeates every aspect of `Topsy-Turvy' and that makes it the wholly satisfying and entertaining film it is.