| Michael Nesmith | ... | Himself | |
| Joe Chemay | ... | Himself - Bass Guitar | |
| Luis Conte | ... | Himself - Percussion | |
| John Hobbs | ... | Himself - Keyboards | |
| John Jorgenson | ... | Himself - Guitar and Mandolin | |
| Red Rhodes | ... | Himself - Pedal Steel Guitar |
Directed by | |||
| Joshua White | |||
Produced by | |||
| Ward Sylvester | .... | executive producer | |
| Kac Young | .... | producer | |
Original Music by | |||
| Michael Nesmith | |||
Cinematography by | |||
| Michael Franks | (director of photography) | ||
Film Editing by | |||
| Jason Dutcher | |||
Production Management | |||
| Chris Sackett | .... | production manager: Britt Festivals | |
Art Department | |||
| John Sanborn | .... | graphics | |
Sound Department | |||
| Lee Collett | .... | audio | |
| Jim Hibbard | .... | 24 track sound | |
| Mike McDonald | .... | sound mixer | |
| Spencer Palermo | .... | audio assist (as Spence Palermo) | |
Camera and Electrical Department | |||
| Kieran 'KC' Illes | .... | gaffer (as K.C. Illis) | |
| Scott Jonas | .... | camera operator | |
| Craig Kelly | .... | camera operator | |
| Tim Lay | .... | camera operator | |
| Erich Lyttle | .... | camera operator | |
| Roy Slocum | .... | video controller | |
| Joe Smelser | .... | vtr operator | |
Other crew | |||
| Rick Blake | .... | stage manager: Britt Festivals | |
| Terrance Connolly | .... | stage crew: Britt Festivals | |
| Steve Deacon | .... | road manager | |
| Brent Gorman | .... | technical director: Britt Festivals | |
| Steve McKeown | .... | technical director | |
| P.J. Noxon | .... | production assistant: Britt Festivals | |
| Scott Pinkerton | .... | road manager | |
| Michael Sturgill | .... | stage crew: Britt Festivals | |
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| Golden Days | A Family Underground | Imagine | The Expendables: XXX Rated | Monterey Pop |
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| Full cast and crew | Company credits | External reviews |
| IMDb Music section | IMDb USA section | Add this title to MyMovies |
Backed by a first-rate band that includes sidemen both present (keyboardist John Hobbs and percussionist Luis Conte, both of whom appear on Nesmith's most recent album, "Rays") and past (the late, great steel guitarist Red Rhodes, whose long collaborative relationship with Nesmith began during the First National Band days), Papa Nez proves once again that he is one of the most talented songwriters in the world of popular music. The first half of "Live At the Britt" focuses on Nesmith's early career, hitting high points like 'Joanne', 'Silver Moon', and 'Some of Shelly's Blues'. He even acknowledges his stint in the Monkees with a slow, mellow recasting of 'Papa Gene's Blues'! During the concert's second half, the audience is treated to selections from Nesmith's then-new album "...tropical campfire's...", which range from the beautifully tranquil ('Yellow Butterfly') to the quirkily upbeat ('I Am Not That'). The show closes with another couple of oldies, 'Rio' and 'Different Drum' (which Nez performs alone on acoustic guitar). At eighty minutes, "Live At the Britt" is the perfect length--it doesn't go on too long, but it's not so brief that you wish there were more when it's over. Throughout the performance, Michael Nesmith is relaxed, dignified, and in perfect form. It's nothing short of criminal that so many people still think of him as just "that guy from the Monkees" when he has produced a body of work that rivals Bob Dylan's and Paul Simon's.