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Directed by | |||
| Lukas Moodysson | |||
Writing credits(in alphabetical order) | ||
| Lukas Moodysson | writer | |
Produced by | |||
| Anna Anthony | .... | assistant producer | |
| Peter Aalbæk Jensen | .... | co-producer | |
| Lars Jönsson | .... | producer | |
Cinematography by | |||
| Ulf Brantås | |||
Film Editing by | |||
| Michal Leszczylowski | |||
| Bernhard Winkler | |||
Casting by | |||
| Imor Hermann | |||
Production Design by | |||
| Heidi Saikkonen | |||
| Lina Strand | |||
Costume Design by | |||
| Maria Swenson | |||
Makeup Department | |||
| Lise-Lotte Book | .... | assistant makeup artist | |
| Maria Swenson | .... | makeup artist | |
Production Management | |||
| Malte Forsell | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Anna Anthony | .... | assistant director | |
Art Department | |||
| Fredrik Bladh | .... | assistant production designer | |
| Fredrik Bladh | .... | property assistant | |
| Tomas Johnsson | .... | assistant production designer | |
Sound Department | |||
| Morten Holm | .... | sound mixer | |
| Anders Hörling | .... | post-synchronisation engineer | |
| Niclas Merits | .... | sound assistant | |
| Niclas Merits | .... | sound re-recordist | |
| Nils Nilsson | .... | sound re-recordist | |
| Nils Nilsson | .... | sound | |
| Niklas Skarp | .... | sound re-recordist | |
Visual Effects by | |||
| Gunnar Ahlgren | .... | optical printer | |
Camera and Electrical Department | |||
| Trolle Davidson | .... | assistant camera | |
| Anders Freudendahl | .... | electrician | |
| Sten Lindberg | .... | lighting technician | |
| Susanne Lund | .... | camera operator: text camera | |
| Åke Ottosson | .... | still photographer | |
| Viking Selvén | .... | assistant electrician | |
Casting Department | |||
| Malini Ahlberg | .... | casting: Trollhättan (as Anna Malini Ahlberg) | |
| Imor Hermann | .... | casting: Stockholm | |
Costume and Wardrobe Department | |||
| Lise-Lotte Book | .... | costume assistant | |
Editorial Department | |||
| Gregers F. Dohn | .... | editor: titles (as Gregers Dohn) | |
| Mia Eriksson | .... | assistant editor | |
| Andreas Jonsson | .... | assistant editor: avid | |
| Linnea Trägårdh | .... | assistant editor: avid | |
| Jörgen Wiman | .... | negative cutter | |
Other crew | |||
| Malini Ahlberg | .... | location manager: Trollhättan (as Anna Malini Ahlberg) | |
| Khalil Alharbiti | .... | intern | |
| Khalil Alharbiti | .... | trainee | |
| Anna-Carin Andersson | .... | assistant location manager | |
| Jonas Eriksson | .... | consultant: avid | |
| Leif Eriksson | .... | consultant: avid | |
| Malin Fornander | .... | continuity clerk | |
| Marlene Gabriel | .... | assistant location manager | |
| Anna Gorbow | .... | production assistant | |
| Axel Grigor | .... | assistant location manager (as P-A Grigor) | |
| Kerstin Hofstadius | .... | travel agency | |
| Pia Janols | .... | production accountant | |
| Håkan Lindhé | .... | script consultant | |
| Coco Moodysson | .... | advisor (as Coco) | |
| Markku Mustanoja | .... | trainee (as Markku Mustauoja) | |
| Alex Nikolic | .... | media producer: Yugoslavia | |
| Britt Odeberg | .... | tutor | |
| Emma Kristina Sahlén | .... | production assistant | |
| Karl Strandlind | .... | location manager | |
| Karl Strandlind | .... | researcher | |
| Poa Strömberg | .... | legal advisor | |
| Margareta Wiechel | .... | laboratory manager (as Margaretha Wiechel) | |
| David Wingate | .... | script consultant | |
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| La meglio gioventù | 101 Reykjavík | Lust och fägring stor | The Incredibly True Adventure of Two Girls in Love | Nine 1/2 Weeks |
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I just have to leave my own praise for this wonderful film. No other film has ever touched me this way, and I don't think anything will ever surpass this.
Maybe it's because Lukas Moodysson and I share so much common values (Morrissey, obsession with teenage-romances and protective attitude towards that phase of life that is easily forgotten or denied.). As a 24 year old male I cannot watch this with dry eyes and I have seen this about 9 times. Rebecka Liljeberg's desperate eyes, thoroughly true blurted dialog, awkward silences and perfect resurrection for that old Foreigner song that doesn't fit into either of main character's musical taste, but will remain so important to them anyway... oh..
I raise my glass of chocolate milk for this achingly beautiful movie, without this my own past would be more dark and forgotten, but you, Lukas, Alexandra, Rebecka and the rest have reminded me what love is all about and why it's still worth seeking.
It's not just a good movie, it's one of those rare certainly good things on earth.