Naqoyqatsi (2002)

User Rating:

6.7/10   

Director:

Godfrey Reggio

Writer:

Godfrey Reggio (written by)

Release Date:

21 January 2003 (Czech Republic)

Genre:

Documentary | Sport

Tagline:

Test-drive the future

Plot:

A visual montage portrait of our contemporary world dominated by gobalized technology and violence.

Plot Keywords:

Technology | Violence | One Word Title | Mandelbrot Fractal | Part Animated

Cast

Marlon Brando	...	Himself (archive footage)
Bella Donna	...	(archive footage)
Elton John	...	Himself (archive footage)
Julia Louis-Dreyfus	...	Herself (archive footage)
Bhagwan Mirchandani	...	Business Man
Jack Shamblin	...	Atomic Adam
Steven Soderbergh	...	Man reflected in digital screens (3rd segment)

Also Known As:

Naqoyqatsi: Life as War (USA) (poster title)

MPAA:

Rated PG for violent and disturbing images, and for brief nudity.

Runtime:

89 min

Country:

USA

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:L | Hungary:14 | Australia:G | Germany:6 | Netherlands:AL | New Zealand:G | USA:PG (certificate #39003)

Filming Locations:

Michigan Central Depot - W. Vernor and W. Michigan Avenues, Detroit, Michigan, USA

Company:

Miramax Films

Trivia:

The word "Naqoyqatsi" is a noun from the Hopi language literally meaning “each other-kill many-life”, as stated in the film's end roll.

Movie Connections:

Edited from Anima Mundi (1992)

eMpTy V

This is a failure so complete as to make me angry.

All of the subtlety and structure of Reggio's early films is gone, leaving nothing but a hash of digitally smeared images whose sole purpose seems to be Whining About Bad Things Humans Do. Just how do Star Trek-like wormhole graphics, slo-mo colorized seascapes, mutiplicities of obviously fake computer icons, and shots of athletic competition that, incidentally, show that no one has ever been able to top (or even match) Leni Riefenstahl for filming bodies in motion, edited together with an overlay of video colorization that a 1980s "Dr. Who" producer would have rejected as "too cheesy," add up to a polemic against "civilized violence"? There is no intellectual, emotional, or visceral connection between these images as assembled and mutated by Reggio and way too many digital effects artistes, and the cautionary tale I assume he wanted to produce. With all of the "dramaturgical consultants" involved, no one seems to have pulled his head out the his own feeling of Saying Something Important and considered that they might all be failing to say something new.

Only people who watch too much television could make such a film and believe that it's meaningful; this is kindergarten Stan Brakhage, and ultimately gutless in its relentless obviousness. The only irony and tension evident here (unlike in "Koyaanisqatsi" where the relentless beauty and strangeness of time-altered ordinary images forced you to consider their meaning) was when the DVD I was watching jammed and skipped. This is MTV for the Noam Chomsky crowd, based on reflex rather than reflection and signifying nothing. Two stars for the music, which is in Glass's best pomo-Cesar Franck style and features some passionate cello from Yo-Yo Ma. (I hope for his sake that he didn't have to record his parts to a playback of the film; there are some things you shouldn't have to do even for a paycheck.)