Naqoyqatsi (2002)

Director:

Godfrey Reggio

Writer:

Godfrey Reggio (written by)

Release Date:

21 January 2003 (Czech Republic)

Genre:

Documentary | Sport

Tagline:

Test-drive the future

Plot:

A visual montage portrait of our contemporary world dominated by gobalized technology and violence.

Plot Keywords:

Technology | Violence | One Word Title | Mandelbrot Fractal | Part Animated

Cast

  (Credited cast)

Marlon Brando	...	Himself (archive footage)
Bella Donna	...	(archive footage)
Elton John	...	Himself (archive footage)
Julia Louis-Dreyfus	...	Herself (archive footage)
Bhagwan Mirchandani	...	Business Man
Jack Shamblin	...	Atomic Adam
Steven Soderbergh	...	Man reflected in digital screens (3rd segment)

Also Known As:

Naqoyqatsi: Life as War (USA) (poster title)

MPAA:

Rated PG for violent and disturbing images, and for brief nudity.

Runtime:

89 min

Country:

USA

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:L | Hungary:14 | Australia:G | Germany:6 | Netherlands:AL | New Zealand:G | USA:PG (certificate #39003)

Filming Locations:

Michigan Central Depot - W. Vernor and W. Michigan Avenues, Detroit, Michigan, USA

Company:

Miramax Films

Trivia:

The word "Naqoyqatsi" is a noun from the Hopi language literally meaning “each other-kill many-life”, as stated in the film's end roll.

Movie Connections:

Edited from Perfect Dark (2000) (VG)

koyanisqaatsi no but important film in its own ways

first off i consider koya one of my top movies and think highly of powa as well. this is not either of those movies. it has been made in a different time .

because my expectations were so entrenched i had to stop this movie halfway thru thinking it was crap and take a break.

then i came back to it and really enjoyed the last half. not to say this movie is as well crafted as koyaniqaatsi because it isn't.

but it is very different, the linear sense of koya is gone replaced with chaotic and seemingly unrelated images thrown together into a relentless barrage. At first i struggled to find the underlying theme/string that connected it all as such was in koyanisqaatsi but there was none and i became disappointed. but perhaps the movie is more reflective of the chaotic barrage of information we live in. the unending information and violence overload.

in koyanisqatsi i felt hope perhaps in this nothing but the maddening roar of modern day society tearing itself apart.

its been twenty odd years since koyanisqaatsi and everything portrayed in that movie has only become more intense, more fractured. perhaps this movie lacks the simple sublimeness of the first because reggio not longer sees the world as such. the madness of modern man is much more evident in this. the oversaturation in the movie reflecting the over saturation the skewed perspective our world has.

this movie is certainly not as easy to digest as reggio's other works and i would like to return to it as some point. To those who enjoyed the first two i would say watch this but leave your preconceived notions and expectations behind.