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Directed by | |||
| Mary Harron | |||
Writing credits(WGA) | ||
| Bret Easton Ellis | (novel) | |
| Mary Harron | (screenplay) & | |
| Guinevere Turner | (screenplay) | |
Original Music by | |||
| John Cale | |||
Cinematography by | |||
| Andrzej Sekula | |||
Film Editing by | |||
| Andrew Marcus | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Gideon Ponte | |||
Art Direction by | |||
| Andrew M. Stearn | (as Andrew Stearn) | ||
Set Decoration by | |||
| Jeanne Develle | |||
Costume Design by | |||
| Isis Mussenden | |||
Makeup Department | |||
| Margot Boccia | .... | key makeup artist: New York | |
| Katherine Hill | .... | assistant makeup artist | |
| Etheline Joseph | .... | assistant hair stylist | |
| Lucy Orton | .... | key hair stylist | |
| John Quaglia | .... | key hair stylist: New York (as John D. Quaglia) | |
| Sandra Wheatle | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Steve Apicella | .... | first assistant director: title sequence | |
| Cassandra Cronenberg | .... | third assistant director | |
| Jennifer Deathe | .... | second assistant director | |
| Paul Hogan | .... | DGA trainee: New York | |
| Andrew Marcus | .... | second unit director | |
| Elizabeth Parker | .... | trainee assistant director (as Elizabeth 'Duff' Parker) | |
| Peter Pastorelli | .... | assistant director: New York | |
| Michael Pitt | .... | second second assistant director: New York | |
| Andrew Shea | .... | first assistant director | |
| Charles Zalben | .... | second assistant director: New York | |
Art Department | |||
| Britt Bancroft | .... | set decoration coordinator (as Britt Matheson) | |
| Jamie Burke | .... | construction coordinator | |
| Philip Canfield | .... | assistant property master: New York | |
| Jean Deville | .... | property master: title sequence | |
| Ric Fernandez | .... | head carpenter | |
| Michael Followes | .... | property master | |
| Nicholas Gazda | .... | third assistant art director | |
| Arvinder Grewal | .... | first assistant art director | |
| Bruce Lee Gross | .... | assistant property master: title sequence | |
| Victoria Hamilton | .... | key scenic painter | |
| Ian Hay | .... | set dresser | |
| Jennifer Jacobsen | .... | set buyer | |
| Mike Johnson | .... | on-set carpenter | |
| Lara MacInnis | .... | art department apprentice | |
| Kim Maticiw | .... | property buyer | |
| David Rockburn | .... | lead set dresser | |
| Derreck Roemer | .... | property assistant | |
| Patrick Tarr | .... | set dresser | |
| Dick Tice | .... | property master: New York (as Richard Tice) | |
| Pierre M. Munha | .... | assistant property master (uncredited) | |
Sound Department | |||
| Fred Brennan | .... | supervising dialogue editor | |
| Benjamin Cheah | .... | sound designer (as Ben Cheah) | |
| Kathy Choi | .... | assistant special effects editor | |
| Marko A. Costanzo | .... | additional foley: New York (as Marko Costanzo) | |
| Keith Elliott | .... | sound re-recording mixer | |
| Henry Embry | .... | sound mixer | |
| Peter Kelly | .... | sound re-recording mixer | |
| Garrett Kerr | .... | dialogue editor | |
| Goro Koyama | .... | foley artist | |
| George A. Lara | .... | foley engineer: New York | |
| Geoff Lippman | .... | stereo sound consultant: Dolby | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley: pro-tools operator | |
| Ron Malligers | .... | foley mixer | |
| David McCallum | .... | sound effects editor | |
| Mark McNeilly | .... | boom operator (as Mark 'Boomwallah' McNeilly) | |
| Daniel Pellerin | .... | supervising sound re-recording mixer | |
| Richard Segal | .... | boom trainee | |
| Etoile Stewart | .... | assistant dialogue editor | |
| Jane Tattersall | .... | supervising sound editor | |
| Andrew Tay | .... | foley mixer | |
| Paul Urmson | .... | sound designer | |
| Rebecca Wright | .... | foley: pro-tools operator | |
| Mark Zsifkovits | .... | sound re-recording operator | |
| Andrew Zuch | .... | boom operator: New York | |
| Bernie Zuch | .... | sound mixer: New York | |
| Steven Zuch | .... | third sound: New York | |
| James Marchione | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Conrad V. Brink Jr. | .... | special effects: New York | |
| Michael Kavanagh | .... | special effects coordinator | |
| Derek Liscoumb | .... | special effects technician | |
| John MacGillivray | .... | special effects technician | |
| Tim Barraball | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Keith M. Hamilton | .... | digital compositor: Film Opticals (uncredited) | |
| Julia K.S. Miles | .... | digital compositor: Film Opticals (uncredited) | |
Stunts | |||
| Brenda Adams | .... | stunts | |
| Lloyd Adams | .... | stunts | |
| Marco Bianco | .... | stunts | |
| Matt Birman | .... | stunt coordinator | |
| Matt Birman | .... | stunts | |
| Frank Ferrara | .... | stunt coordinator: New York | |
| C.J. Fidler | .... | stunts | |
| Brian Kaulback | .... | stunts | |
| Ken Quinn | .... | stunts | |
| John Stoneham Jr. | .... | stunts | |
| Tye Tyukodi | .... | stunts (as Anton Tyukodi) | |
Casting Department | |||
| Mark Bennett | .... | casting associate: USA | |
| Megan Conacher | .... | extras casting | |
| Deborah Maxwell Dion | .... | casting assistant: USA | |
| Meredith Jacobson | .... | extras casting: New York (as Meredith Jacobson Marciano) | |
| Sondra James | .... | adr voice casting | |
| Jennifer McNamara | .... | casting associate: USA | |
| Clare Walker | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Michael Adkins | .... | wardrobe supervisor: New York | |
| Patrick Antosh | .... | on-set wardrobe supervisor | |
| Alex Forester | .... | wardrobe assistant: Los Angeles | |
| Kim Harkness | .... | wardrobe production assistant | |
| Christine Hartmann | .... | seamstress | |
| Amina Mohamed | .... | wardrobe assistant | |
| Gersha Phillips | .... | assistant costume designer: Toronto | |
| Barbara Presar | .... | assistant costume designer: New York | |
| Hartsell Taylor | .... | wardrobe supervisor: New York | |
Editorial Department | |||
| Matt Anas | .... | trainee assistant editor | |
| Emily Gumpel | .... | second assistant editor: New York | |
| Philip Harrison | .... | associate editor: New York | |
| Chris Hinton | .... | color timer | |
| Mitch Lackie | .... | assistant editor: Toronto | |
| Catherine Rankin | .... | negative cutter | |
| Kim Sparks | .... | post-production assistant | |
| Deanna Strong | .... | post-production coordinator | |
Music Department | |||
| Barry Cole | .... | music supervisor | |
| Christopher Covert | .... | music supervisor | |
| Eve Egoyan | .... | musician: solo piano | |
| James Flatto | .... | additional music editor | |
| William Garrett | .... | music mixer: orchestra | |
| Martin Goldray | .... | conductor | |
| Mishann Lau | .... | additional music editor | |
| Gillian Morris | .... | assistant music supervisor | |
| Mj Mynarski | .... | technical music consultant | |
| David Voigt | .... | music engineer | |
| Jeff Wolpert | .... | music consultant | |
| Jeff Wolpert | .... | music editor | |
| Randall Woolf | .... | orchestrator | |
Transportation Department | |||
| Mike Adams | .... | driver | |
| Robert Arsenault | .... | head driver | |
| Tony Bifano | .... | transportation coordinator | |
| Glen Creswell | .... | driver captain | |
| Wayne Frampton | .... | talent driver | |
| Richard Hooper | .... | driver | |
| Shane Kitchener | .... | driver | |
| Danny Menecola | .... | driver | |
| John Mulligan | .... | transportation co-captain: New York | |
| Steve Russell | .... | driver: honeywagon | |
| Dusan Stepanovic | .... | driver | |
| Peter Travis | .... | transportation captain: New York | |
| Lisa Zozzolotto | .... | driver | |
| Scott Clarke | .... | driver: Christian Bale (uncredited) | |
Other crew | |||
| Heather Anderson | .... | assistant: Mary Harron | |
| Ethan Baum | .... | hand double: title sequence | |
| John 'Frenchie' Berger | .... | gun handler (as Frenchie Berger) | |
| Peter Blakeman | .... | food stylist | |
| Michael Blecher | .... | location manager | |
| Hilary Bowers | .... | assistant: Mr. Pressman | |
| Dan Brillman | .... | production assistant: title sequence | |
| Jane Conway | .... | pig wrangler | |
| James Crouch | .... | key production accountant | |
| David Daniels | .... | production executive: New York | |
| Aurea Dempsey | .... | production secretary | |
| Ken Dhaliwal | .... | production legal | |
| Nadine Dislioglu | .... | office production assistant | |
| Ron Donne | .... | food stylist | |
| Damien DuPuis | .... | office production assistant | |
| Rick Ellis | .... | food stylist: title sequence | |
| Mark Feinsod | .... | office production assistant: New York | |
| Jordan Gertner | .... | production executive: Muse | |
| Catherine Gore | .... | script supervisor: title sequence | |
| Omri Green | .... | hand double: title sequence | |
| Shell Hecht | .... | production coordinator: New York | |
| Geofrey Hildrew | .... | office production assistant: New York | |
| Deirdre Hughes | .... | office production assistant | |
| Jeff Jackson | .... | production legal | |
| Nancy Jackson | .... | production coordinator | |
| Eddie Joe | .... | parking coordinator: New York | |
| Mary A. Kelly | .... | script supervisor: New York (as Mary Kelly) | |
| Karen Kimball | .... | assistant: Mr. Pressman | |
| Joan Kirby | .... | accountant: Lions Gate | |
| Pat Lanctot | .... | consultant: avid | |
| Sophia Lin | .... | production assistant: title sequence | |
| Karen Mathieson | .... | location production assistant | |
| Laurie May | .... | business and legal affairs: Lions Gate | |
| Joan McGuinness | .... | completion bond | |
| Frank McKenna | .... | craft service: New York | |
| Michael McKenna | .... | craft service: New York | |
| Ru Niles | .... | second accounts assistant | |
| Susan Nycz | .... | truck assistant | |
| Erin O'Rourke | .... | creative executive: Pressman | |
| Timothy Wayne Peternel | .... | production executive: Muse | |
| Suzanne Porter | .... | assistant location manager | |
| Morgan H. Rector | .... | production financing (as Morgan Rector) | |
| Dusty Reeves | .... | research and clearance coordinator | |
| Katherine Rosin | .... | hand double: title sequence | |
| Katherine Rosin | .... | production coordinator: Lions Gate Films, New York | |
| John Ross | .... | completion bond | |
| Jonathan Roumie | .... | assistant location manager: New York | |
| Kristi Savino | .... | assistant: Mr. Pressman | |
| Andrew Saxe | .... | location manager | |
| Zach Schiff-Abrams | .... | creative executive: Pressman | |
| Dave Scott | .... | hand double: title sequence | |
| Lisa A. Shapiro | .... | business and legal affairs: Pressman (as Lisa Shapiro) | |
| Carissa Shaw | .... | assistant to producers | |
| Claude Shaw | .... | assistant: Mr. Solomon | |
| Jon Shiffman | .... | production financing | |
| Dawn Marie Sorokolit | .... | script supervisor (as Dawn Sorokolit) | |
| David Steinberg | .... | production legal | |
| Jay Stein | .... | payroll coordinator: New York | |
| Jim Sternberg | .... | completion bond | |
| Aloma Taylor | .... | accounting assistant | |
| Kirk Thompson | .... | insurance | |
| Adrienne Tyson | .... | daily assistant | |
| Carrie Walkup | .... | creative executive: Lions Gate | |
| Reid Warman | .... | production secretary: New York | |
| Johanna Weinstein | .... | food coordinator | |
| Gregory G. Woertz | .... | production executive: Pressman (as Gregory Woertz) | |
| Levi Woodward | .... | production assistant: title sequence | |
| Sarah Wright | .... | assistant: Mr. Pressman | |
| Emily Zalenski | .... | marketing executive: Pressman | |
| Koethi Zan | .... | business and legal affairs: Pressman | |
| Harrison Cheung | .... | publicist (uncredited) | |
| Mark L. Feinsod | .... | office production assistant (uncredited) | |
| Michael Hamer | .... | double: Patrick Bateman (uncredited) | |
| Clark McCutchen | .... | production executive (uncredited) | |
| Robert M. Melnik | .... | senior vice president of business affairs: Lions Gate Films (uncredited) | |
| Gina Meyers | .... | production assistant (uncredited) | |
| James O'Donnell | .... | office production assistant (uncredited) | |
| Sean Oliver | .... | adr loop group (uncredited) | |
| Peter Pamela Rose | .... | adr loop group (uncredited) | |
| Simon St. Laurent | .... | opticals: Film Opticals (uncredited) | |
| Don Thacker | .... | production assistant (uncredited) | |
| Bill Timoney | .... | adr loop group (uncredited) | |
| Nick Veziris | .... | gun wrangler (uncredited) | |
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| Basic Instinct | Body Double | Chik loh go yeung | Tenebre | La coda dello scorpione |
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Now it all makes sense. Christian Bale was born to play horror characters. I couldn't understand why I was so , so, afraid of him even in films like "Velvet Goldmine" He is a poster boy for putrid souls in elegant wrapping. In "American Psycho" - a film that deserves much more attention than it's got - he is absolutely terrific. Totally believable. I could sense his delight in playing a monster of this kind. Interestingly enough this manicured monster seems to be asking for sympathy, imagine the nerve! But Christian Bale succeeds in showing us a face we (I) hadn't quite seen before and yet we (I) accept without question. He should have gotten an Oscar nomination but, fortunately, he didn't.