| Photos (see all 44 | slideshow) | Videos (see all 11) |
Directed by | |||
| Mary Harron | |||
Writing credits(WGA) | ||
| Bret Easton Ellis | (novel) | |
| Mary Harron | (screenplay) & | |
| Guinevere Turner | (screenplay) | |
Original Music by | |||
| John Cale | |||
Cinematography by | |||
| Andrzej Sekula | |||
Film Editing by | |||
| Andrew Marcus | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Gideon Ponte | |||
Art Direction by | |||
| Andrew M. Stearn | (as Andrew Stearn) | ||
Set Decoration by | |||
| Jeanne Develle | |||
Costume Design by | |||
| Isis Mussenden | |||
Makeup Department | |||
| Margot Boccia | .... | key makeup artist: New York | |
| Katherine Hill | .... | assistant makeup artist | |
| Etheline Joseph | .... | assistant hair stylist | |
| Lucy Orton | .... | key hair stylist | |
| John Quaglia | .... | key hair stylist: New York (as John D. Quaglia) | |
| Sandra Wheatle | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Steve Apicella | .... | first assistant director: title sequence | |
| Cassandra Cronenberg | .... | third assistant director | |
| Jennifer Deathe | .... | second assistant director | |
| Paul Hogan | .... | DGA trainee: New York | |
| Andrew Marcus | .... | second unit director | |
| Elizabeth Parker | .... | trainee assistant director (as Elizabeth 'Duff' Parker) | |
| Peter Pastorelli | .... | assistant director: New York | |
| Michael Pitt | .... | second second assistant director: New York | |
| Andrew Shea | .... | first assistant director | |
| Charles Zalben | .... | second assistant director: New York | |
Art Department | |||
| Britt Bancroft | .... | set decoration coordinator (as Britt Matheson) | |
| Jamie Burke | .... | construction coordinator | |
| Philip Canfield | .... | assistant property master: New York | |
| Jean Deville | .... | property master: title sequence | |
| Ric Fernandez | .... | head carpenter | |
| Michael Followes | .... | property master | |
| Nicholas Gazda | .... | third assistant art director | |
| Arvinder Grewal | .... | first assistant art director | |
| Bruce Lee Gross | .... | assistant property master: title sequence | |
| Victoria Hamilton | .... | key scenic painter | |
| Ian Hay | .... | set dresser | |
| Jennifer Jacobsen | .... | set buyer | |
| Mike Johnson | .... | on-set carpenter | |
| Lara MacInnis | .... | art department apprentice | |
| Kim Maticiw | .... | property buyer | |
| David Rockburn | .... | lead set dresser | |
| Derreck Roemer | .... | property assistant | |
| Patrick Tarr | .... | set dresser | |
| Dick Tice | .... | property master: New York (as Richard Tice) | |
| Pierre M. Munha | .... | assistant property master (uncredited) | |
Sound Department | |||
| Fred Brennan | .... | supervising dialogue editor | |
| Benjamin Cheah | .... | sound designer (as Ben Cheah) | |
| Kathy Choi | .... | assistant special effects editor | |
| Marko A. Costanzo | .... | additional foley: New York (as Marko Costanzo) | |
| Keith Elliott | .... | sound re-recording mixer | |
| Henry Embry | .... | sound mixer | |
| Peter Kelly | .... | sound re-recording mixer | |
| Garrett Kerr | .... | dialogue editor | |
| Goro Koyama | .... | foley artist | |
| George A. Lara | .... | foley engineer: New York | |
| Geoff Lippman | .... | stereo sound consultant: Dolby | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley: pro-tools operator | |
| Ron Malligers | .... | foley mixer | |
| David McCallum | .... | sound effects editor | |
| Mark McNeilly | .... | boom operator (as Mark 'Boomwallah' McNeilly) | |
| Daniel Pellerin | .... | supervising sound re-recording mixer | |
| Richard Segal | .... | boom trainee | |
| Etoile Stewart | .... | assistant dialogue editor | |
| Jane Tattersall | .... | supervising sound editor | |
| Andrew Tay | .... | foley mixer | |
| Paul Urmson | .... | sound designer | |
| Rebecca Wright | .... | foley: pro-tools operator | |
| Mark Zsifkovits | .... | sound re-recording operator | |
| Andrew Zuch | .... | boom operator: New York | |
| Bernie Zuch | .... | sound mixer: New York | |
| Steven Zuch | .... | third sound: New York | |
| James Marchione | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Conrad V. Brink Jr. | .... | special effects: New York | |
| Michael Kavanagh | .... | special effects coordinator | |
| Derek Liscoumb | .... | special effects technician | |
| John MacGillivray | .... | special effects technician | |
| Tim Barraball | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Keith M. Hamilton | .... | digital compositor: Film Opticals (uncredited) | |
| Julia K.S. Miles | .... | digital compositor: Film Opticals (uncredited) | |
Stunts | |||
| Brenda Adams | .... | stunts | |
| Lloyd Adams | .... | stunts | |
| Marco Bianco | .... | stunts | |
| Matt Birman | .... | stunt coordinator | |
| Matt Birman | .... | stunts | |
| Frank Ferrara | .... | stunt coordinator: New York | |
| C.J. Fidler | .... | stunts | |
| Brian Kaulback | .... | stunts | |
| Ken Quinn | .... | stunts | |
| John Stoneham Jr. | .... | stunts | |
| Tye Tyukodi | .... | stunts (as Anton Tyukodi) | |
Casting Department | |||
| Mark Bennett | .... | casting associate: USA | |
| Megan Conacher | .... | extras casting | |
| Deborah Maxwell Dion | .... | casting assistant: USA | |
| Meredith Jacobson | .... | extras casting: New York (as Meredith Jacobson Marciano) | |
| Sondra James | .... | adr voice casting | |
| Jennifer McNamara | .... | casting associate: USA | |
| Clare Walker | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Michael Adkins | .... | wardrobe supervisor: New York | |
| Patrick Antosh | .... | on-set wardrobe supervisor | |
| Alex Forester | .... | wardrobe assistant: Los Angeles | |
| Kim Harkness | .... | wardrobe production assistant | |
| Amina Mohamed | .... | wardrobe assistant | |
| Gersha Phillips | .... | assistant costume designer: Toronto | |
| Barbara Presar | .... | assistant costume designer: New York | |
| Hartsell Taylor | .... | wardrobe supervisor: New York | |
Editorial Department | |||
| Matt Anas | .... | trainee assistant editor | |
| Emily Gumpel | .... | second assistant editor: New York | |
| Philip Harrison | .... | associate editor: New York | |
| Chris Hinton | .... | color timer | |
| Mitch Lackie | .... | assistant editor: Toronto | |
| Catherine Rankin | .... | negative cutter | |
| Kim Sparks | .... | post-production assistant | |
| Deanna Strong | .... | post-production coordinator | |
Music Department | |||
| Barry Cole | .... | music supervisor | |
| Christopher Covert | .... | music supervisor | |
| Eve Egoyan | .... | musician: solo piano | |
| James Flatto | .... | additional music editor | |
| William Garrett | .... | music mixer: orchestra | |
| Martin Goldray | .... | conductor | |
| Mishann Lau | .... | additional music editor | |
| Gillian Morris | .... | assistant music supervisor | |
| Mj Mynarski | .... | technical music consultant | |
| David Voigt | .... | music engineer | |
| Jeff Wolpert | .... | music consultant | |
| Jeff Wolpert | .... | music editor | |
| Randall Woolf | .... | orchestrator | |
Transportation Department | |||
| Mike Adams | .... | driver | |
| Robert Arsenault | .... | head driver | |
| Tony Bifano | .... | transportation coordinator | |
| Glen Creswell | .... | driver captain | |
| Wayne Frampton | .... | talent driver | |
| Richard Hooper | .... | driver | |
| Shane Kitchener | .... | driver | |
| Danny Menecola | .... | driver | |
| John Mulligan | .... | transportation co-captain: New York | |
| Steve Russell | .... | driver: honeywagon | |
| Dusan Stepanovic | .... | driver | |
| Peter Travis | .... | transportation captain: New York | |
| Lisa Zozzolotto | .... | driver | |
| Scott Clarke | .... | driver: Christian Bale (uncredited) | |
Other crew | |||
| Heather Anderson | .... | assistant: Mary Harron | |
| Ethan Baum | .... | hand double: title sequence | |
| John 'Frenchie' Berger | .... | gun handler (as Frenchie Berger) | |
| Peter Blakeman | .... | food stylist | |
| Michael Blecher | .... | location manager | |
| Hilary Bowers | .... | assistant: Mr. Pressman | |
| Dan Brillman | .... | production assistant: title sequence | |
| Jane Conway | .... | pig wrangler | |
| James Crouch | .... | key production accountant | |
| David Daniels | .... | production executive: New York | |
| Aurea Dempsey | .... | production secretary | |
| Ken Dhaliwal | .... | production legal | |
| Nadine Dislioglu | .... | office production assistant | |
| Ron Donne | .... | food stylist | |
| Damien DuPuis | .... | office production assistant | |
| Rick Ellis | .... | food stylist: title sequence | |
| Mark Feinsod | .... | office production assistant: New York | |
| Jordan Gertner | .... | production executive: Muse | |
| Catherine Gore | .... | script supervisor: title sequence | |
| Omri Green | .... | hand double: title sequence | |
| Shell Hecht | .... | production coordinator: New York | |
| Geofrey Hildrew | .... | office production assistant: New York | |
| Deirdre Hughes | .... | office production assistant | |
| Jeff Jackson | .... | production legal | |
| Nancy Jackson | .... | production coordinator | |
| Eddie Joe | .... | parking coordinator: New York | |
| Mary A. Kelly | .... | script supervisor: New York (as Mary Kelly) | |
| Karen Kimball | .... | assistant: Mr. Pressman | |
| Joan Kirby | .... | accountant: Lions Gate | |
| Pat Lanctot | .... | consultant: avid | |
| Sophia Lin | .... | production assistant: title sequence | |
| Karen Mathieson | .... | location production assistant | |
| Laurie May | .... | business and legal affairs: Lions Gate | |
| Joan McGuinness | .... | completion bond | |
| Frank McKenna | .... | craft service: New York | |
| Michael McKenna | .... | craft service: New York | |
| Ru Niles | .... | second accounts assistant | |
| Susan Nycz | .... | truck assistant | |
| Erin O'Rourke | .... | creative executive: Pressman | |
| Timothy Wayne Peternel | .... | production executive: Muse | |
| Suzanne Porter | .... | assistant location manager | |
| Morgan H. Rector | .... | production financing (as Morgan Rector) | |
| Dusty Reeves | .... | research and clearance coordinator | |
| Katherine Rosin | .... | hand double: title sequence | |
| Katherine Rosin | .... | production coordinator: Lions Gate Films, New York | |
| John Ross | .... | completion bond | |
| Jonathan Roumie | .... | assistant location manager: New York | |
| Kristi Savino | .... | assistant: Mr. Pressman | |
| Andrew Saxe | .... | location manager | |
| Zach Schiff-Abrams | .... | creative executive: Pressman | |
| Dave Scott | .... | hand double: title sequence | |
| Lisa A. Shapiro | .... | business and legal affairs: Pressman (as Lisa Shapiro) | |
| Carissa Shaw | .... | assistant to producers | |
| Claude Shaw | .... | assistant: Mr. Solomon | |
| Jon Shiffman | .... | production financing | |
| Dawn Marie Sorokolit | .... | script supervisor (as Dawn Sorokolit) | |
| David Steinberg | .... | production legal | |
| Jay Stein | .... | payroll coordinator: New York | |
| Jim Sternberg | .... | completion bond | |
| Aloma Taylor | .... | accounting assistant | |
| Kirk Thompson | .... | insurance | |
| Adrienne Tyson | .... | daily assistant | |
| Carrie Walkup | .... | creative executive: Lions Gate | |
| Reid Warman | .... | production secretary: New York | |
| Johanna Weinstein | .... | food coordinator | |
| Gregory G. Woertz | .... | production executive: Pressman (as Gregory Woertz) | |
| Levi Woodward | .... | production assistant: title sequence | |
| Sarah Wright | .... | assistant: Mr. Pressman | |
| Emily Zalenski | .... | marketing executive: Pressman | |
| Koethi Zan | .... | business and legal affairs: Pressman | |
| Harrison Cheung | .... | publicist (uncredited) | |
| Mark L. Feinsod | .... | office production assistant (uncredited) | |
| Michael Hamer | .... | double: Patrick Bateman (uncredited) | |
| Clark McCutchen | .... | production executive (uncredited) | |
| Robert M. Melnik | .... | senior vice president of business affairs: Lions Gate Films (uncredited) | |
| Gina Meyers | .... | production assistant (uncredited) | |
| James O'Donnell | .... | office production assistant (uncredited) | |
| Sean Oliver | .... | adr loop group (uncredited) | |
| Peter Pamela Rose | .... | adr loop group (uncredited) | |
| Simon St. Laurent | .... | opticals: Film Opticals (uncredited) | |
| Don Thacker | .... | production assistant (uncredited) | |
| Bill Timoney | .... | adr loop group (uncredited) | |
| Nick Veziris | .... | gun wrangler (uncredited) | |
|
|
|
|
|
| C'est arrivé près de chez vous | Kiss Kiss Bang Bang | King of New York | Novecento | Plata quemada |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
In 1991, Bret Easton Ellis' controversial novel "American Psycho" took the world by storm women accused it of being misogynist, sexist filth and others were understandably shaken by its brutal and graphic depictions of unprovoked violence and torture.
Set in the 1980s, the book follows the story of a 27-year-old Harvard graduate named Patrick Bateman, who goes on a killing spree and murders "twenty, maybe forty people." It was originally slated for circulation in 1990, but Random House pulled out of distribution, fearing backlash. It was later released as part of a Vintage Series, and quickly sold over 250,000 copies, becoming one of the most popular (and, to some, important) literary works of our time.
In the movie, Welsh actor Christian Bale portrays Bateman gleefully tongue-in-cheek, whether it's confessing to manslaughter over the phone (" I just had to kill a lot of people!") or dancing to Huey Lewis and the News' "Fore" album before hitting an associate over the head with an axe.
Patrick is a troubled guy. On the surface, he appears to be normal he's a Wall Street broker with a secretary, an expensive apartment suite, his own limo and a fancy business card. But on the inside, he's a monster complete with an insatiable blood lust and lack of empathy for fellow human beings. (If he can indeed be classified as one.) As a film and a novel, "American Psycho" is an attack on the absurdities of the '80s yuppie era sometimes the satire isn't very subtle, in fact it's often made very clear, but I liked it. Because the movie is so eccentric and over-the-top, and Bale is so loony and maniacal, the satire needs to be equally strong and it is. Whether it's business men drooling over each other's fetishistic business cards or Patrick discussing the nuances of modern pop music before killing more victims, "American Psycho" hits strong and hard this is a great, overwhelming cinematic and visual experience. It cannot be condemned for being unsubtle it never was.
The performances are wonderful. Bale is superb as Bateman, totally embodying the character. As a man bewildered by his environment, and wanting only desperately to fit in, Bateman listens to Genesis and "Hip to Be Square"; finally we have proof that too much Phil Collins and Huey Lewis will turn you into the next Ed Gein.
Perhaps some fans of the novel will dislike Bale's performance (at times, it almost seems comical, such as when he murders his coworker Paul Allen, played by Jared Leto). But I thought it was the perfect mix of introspection, self-hatred, outer-loathing, lust, conformity and schizophrenia. Bale manages to capture all of this perfectly, and by the end of the film, I could not imagine anyone else in the role.
Willem Dafoe, Chloe Sevigny and Reese Witherspoon all have co-starring roles, but at the end of the day it is Bale who really drives this film home he's the reason it's worth seeing, and in part the reason it exceeds beyond the typical restraints of its genre.
Since its release, many critics have accused "American Psycho" of being a watered-down version of the book, being both "politically correct" and "lacking satire." However, I don't recall the last time I saw a man beat a dog to death with the heel of his shoe in a mainstream motion picture. Or chase after a prostitute completely naked, wielding a bloodied chainsaw. Or hold a gun to a cat's head and threaten to feed it to an ATM machine.
In fact, when "American Psycho" was previewed before the Motion Picture Association of America, they gave it an NC-17 rating not for its violence, as one might expect, but rather for its threesome scene between Patrick and two prostitutes.
Director Mary Harron cut footage from the film and finally managed to achieve an R-rating, but on a new "Uncut Killer Collector's Edition" DVD, you can see the film as it was intended to be seen and it's a real fine treat. Now excuse me, I have to go return some videotapes.