| Photos (see all 44 | slideshow) | Videos (see all 4) |
| Johnny Depp | ... | Dean Corso | |
| Frank Langella | ... | Boris Balkan | |
| Lena Olin | ... | Liana Telfer | |
| Emmanuelle Seigner | ... | The Girl | |
| Barbara Jefford | ... | Baroness Kessler | |
| Jack Taylor | ... | Victor Fargas | |
| José López Rodero | ... | Pablo & Pedro Ceniza / 1st & 2nd Workmen (as Jose Lopez Rodero) | |
| Tony Amoni | ... | Liana's Bodyguard | |
| James Russo | ... | Bernie | |
| Willy Holt | ... | Andrew Telfer | |
| Allen Garfield | ... | Witkin | |
| Jacques Dacqmine | ... | Old Man | |
| Joe Sheridan | ... | Old Man's Son | |
| Rebecca Pauly | ... | Daughter-In-Law | |
| Catherine Benguigui | ... | Concierge | |
| Maria Ducceschi | ... | Secretary | |
| Jacques Collard | ... | Gruber | |
| Dominique Pozzetto | ... | Desk Clerk | |
| Emanuel Booz | ... | Baker (as Emmanuel Booz) | |
| Lino Ribeiro de Sousa | ... | Hotel Porter (as Lino Ribeiro De Sousa) | |
| Asil Raïs | ... | Cabby (as Asil Rais) | |
| Bernard Richier | ... | Cafe Owner | |
| Marinette Richier | ... | Cafe Owner | |
| rest of cast listed alphabetically: | |||
| Jane Bradbury | ... | Demon (uncredited) | |
| Samuel de Luze | ... | Extra (uncredited) | |
| Christopher Goodman | ... | American Businessman (uncredited) | |
| Lee Michelsen | ... | Homeless (uncredited) | |
| Jacquelyn Toman | ... | (uncredited) | |
Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| Arturo Pérez-Reverte | (novel "El Club Dumas") (as Arturo Perez-Reverte) | |
| John Brownjohn | (screenplay) & | |
| Enrique Urbizu | (screenplay) and | |
| Roman Polanski | (screenplay) | |
Produced by | |||
| Mark Allan | .... | co-producer | |
| Antonio Cardenal | .... | co-producer | |
| Michel Cheyko | .... | executive producer | |
| Wolfgang Glattes | .... | executive producer | |
| Adam Kempton | .... | associate producer | |
| Iñaki Núñez | .... | co-producer (as Iñaki Nuñez) | |
| Roman Polanski | .... | producer | |
| Alain Vannier | .... | co-producer | |
| Suzanne Wiesenfeld | .... | line producer | |
Original Music by | |||
| Wojciech Kilar | |||
Cinematography by | |||
| Darius Khondji | |||
Film Editing by | |||
| Hervé de Luze | (as Herve de Luze) | ||
Casting by | |||
| Howard Feuer | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Gérard Viard | (as Gerard Viard) | ||
Set Decoration by | |||
| Philippe Turlure | |||
Costume Design by | |||
| Anthony Powell | |||
Makeup Department | |||
| Jean-Pierre Berroyer | .... | hair stylist | |
| Michel Demonteix | .... | hair stylist: Ms Olin | |
| Paul Le Marinel | .... | makeup artist | |
| Bettina Miquaix | .... | hair stylist | |
| Waldemar Pokromski | .... | prosthetic makeup artist | |
| Liliane Rametta | .... | makeup artist | |
| Jean-Luc Russier | .... | makeup artist: Ms. Olin | |
Production Management | |||
| P. Todd Coe | .... | post-production supervisor | |
| Bruce Everett | .... | post-production supervisor | |
| José López Rodero | .... | production manager: Spanish crew (as Jose Lopez Rodero) | |
| José Mazeda | .... | production manager: Portuguese crew (as Jose Mazeda) | |
Second Unit Director or Assistant Director | |||
| David Campi-Lemaire | .... | assistant director (as David Campi Lemaire) | |
| Michel Cheyko | .... | first assistant director | |
| Christopher Gachet | .... | assistant director (as Christophe Gachet) | |
| Javier Petit | .... | second assistant director: Spain | |
Art Department | |||
| Gilles Allou | .... | construction head | |
| Didier Bautz | .... | head plasterer | |
| Daniel Bevan | .... | assistant props | |
| Yves Blanchard | .... | head carpenter | |
| João Calvário | .... | art director: Portugal (as Joao Calvario) | |
| Benoît Clémenceau | .... | prop buyer (as Benoit Clemenceau) | |
| Carine Demoustier | .... | painter: Portugal | |
| Jean-Michel Ducourty | .... | assistant props | |
| Jean-Paul Gaillot | .... | construction coordinator | |
| Fernando Gonzalez | .... | art director: Spain (as Fernando Gonzales) | |
| Madalena Guerreiro | .... | painter: Portugal | |
| Patrick Jamot | .... | stand-by painter | |
| Yann Le Moigne | .... | props | |
| Delphine Mabed | .... | assistant props | |
| Philippe Margottin | .... | props | |
| Jacques Moissignac | .... | swing gang (as Jacques Moissinac) | |
| Claude Périnet | .... | head painter (as Claude Perinet) | |
| Gilbert Piéri | .... | prop master (as Gilbert Pieri) | |
| Gilles Piéri | .... | assistant property master (as Gilles Pieri) | |
| Jean Poinot | .... | assistant construction coordinator | |
| Arnaud Putman | .... | swing gang | |
| Jacques Quinternet | .... | prop buyer | |
| Bernard Schlegel | .... | drapery | |
| Francisco Sole | .... | engravings | |
| Michel Vialla | .... | propman | |
| Yvan Hart | .... | plasterer (uncredited) | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Jean-Marie Blondel | .... | sound engineer | |
| Katia Boutin | .... | adr editor | |
| Assia Dnednia | .... | assistant foley artist | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Jean-Louis Lebras | .... | adr boom operator (as Jean-Louis Le Bras) | |
| Lionel Le Bras | .... | adr boom operator | |
| Anne Le Campion | .... | sound re-recording mixer | |
| Frédéric Pardon | .... | assistant sound engineer (as Frederic Pardon) | |
| Francis Perrard | .... | stereo sound consultant: Dolby (as Francis Perreard) | |
| Laurent Quaglio | .... | sound editor | |
| Keenan Wyatt | .... | sound technician | |
Special Effects by | |||
| Gilbert Piéri | .... | special effects (as Gilbert Pieri) | |
| Gilles Piéri | .... | special effects assistant | |
| Christophe Robin | .... | colorist | |
| Jean-Louis Trinquier | .... | special effects coordinator | |
Visual Effects by | |||
| Scott E. Anderson | .... | senior visual effects supervisor: SPI | |
| Thierry Beaumel | .... | visual effects supervisor: Mikros Images | |
| Christophe Belena | .... | scanning/transfer: Duboi Special Digital Effects | |
| Sandra Belin | .... | scanning/transfer: Duboi Special Digital Effects | |
| Sophie Blanc | .... | visual effects supervisor: Mikros Image | |
| Lindsay Burnett | .... | visual effects coordinator: SPI | |
| Marguerite Cargill | .... | digital compositor: SPI | |
| Arnaud Chelet | .... | digital compositor: Eclair Numerique | |
| Christophe Courgeau | .... | digital artist: Mikros Images | |
| Claire Cuinier | .... | digital artist: Mikros Images | |
| Serge Dautheribes | .... | digital artist: Mikros Images | |
| Lisa Deaner | .... | digital compositor: SPI | |
| Sophie Denize | .... | visual effects supervisor: Mikros Image (as Sophie Denizeb) | |
| Franck Duchene | .... | visual effects production: Duboi | |
| Thomas Duval | .... | visual effects supervisor: Duboi Special Digital Effects | |
| Nancy Evans | .... | roto artist: SPI | |
| Cédric Fayolle | .... | digital artist: Mikros Image (as Cedric Fayolle) | |
| Valérie Flouquet | .... | Cineon operator: Eclair Numerique (as Valerie Flouquet) | |
| Doug Forrest | .... | digital compositor: SPI | |
| Xavier Fourmond | .... | digital compositor: Duboi Special Digital Effects (as Xavier Fourmont) | |
| Gilles Gaillard | .... | digital color grader: Mikros Image | |
| Aline Garcia | .... | assistant scanning and recording operator: Eclair Numerique | |
| Emmanuel Gondeau | .... | digital artist: Mikros Images | |
| Scott Gordon | .... | computer animation: SPI | |
| Simon Haslett | .... | digital compositor: SPI | |
| Alex Hegedus | .... | HSC technical assistant: SPI | |
| Alexandre Kolasinski | .... | digital compositor: Duboi Special Digital Effects (as Alex Kolasinski) | |
| Krao | .... | digital artist: Mikros Images | |
| Laure Lacroix | .... | digital compositor: Duboi Special Digital Effects | |
| Pascal Laurent | .... | digital artist: Mikros Images | |
| Jeremie Leroux | .... | digital compositor: Duboi Special Digital Effects | |
| Mark Alan Loso | .... | digital compositor: SPI | |
| Karine Marchandou | .... | visual effects production coordinator: Duboi Special Digital Effects | |
| Gaston Marcotti | .... | Cineon operator: Eclair Numerique | |
| Malika Mazauric | .... | Cineon operator: Eclair Numerique | |
| Julien Meesters | .... | digital artist: Mikros Images | |
| Frederic Moreau | .... | visual effects supervisor: Mikros Image | |
| Sarah Moreau | .... | visual effects supervisor: Mikros Image | |
| Shannon Noble | .... | digital compositor: SPI | |
| Marc Paccosi | .... | roto artist: Duboi Special Digital Effects (as Marco Paccosi) | |
| Benoit Philippon | .... | digital compositor | |
| Francis Polve | .... | digital artist: Mikros Images | |
| Pablo Ponce | .... | digital color grader: Mikros Images | |
| Olivier Poujaud | .... | roto artist: Duboi Special Digital Effects | |
| Kelley Ray | .... | visual effects supervisor: SPI (as Kelley R. Ray) | |
| Jody Rogers | .... | visual effects editor: SPI | |
| Michael Scheffe | .... | visual effects art director: SPI | |
| Céline Sene | .... | visual effects production: Duboi | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Philippe Soeiro | .... | visual effects supervisor: Eclair Numerique | |
| Gérard Soirant | .... | scanning and recording operator: Eclair Numerique (as Gerard Soirant) | |
| Christine Szymkowiak | .... | digital artist: Mikros Images | |
| David Takayama | .... | digital compositor: SPI (as Dave Takayama) | |
| Renée Tymn | .... | digital compositor: SPI (as Renee Chamblin) | |
| Edouard Valton | .... | visual effects production supervisor: Duboi | |
| Stephane Verriere | .... | Cineon operator: Eclair Numerique | |
| Jean-Marie Vives | .... | matte painter: Duboi (as Jean Marie Vives) | |
| Jacquie Barnbrook | .... | visual effects producer (uncredited) | |
| Andre Brizard | .... | digital compositor (uncredited) | |
| Stéphanie Dargent | .... | matte painter (uncredited) | |
| Thierry Delobel | .... | digital compositor (uncredited) | |
| Séverine De Wever | .... | production coordinator (uncredited) | |
| Tony Diep | .... | digital artist (uncredited) | |
| François Dupuy | .... | I/O technician (uncredited) | |
| Thomas F. Ford IV | .... | high speed compositing digital production manager (uncredited) | |
| Rip Hampton O'Neil | .... | director of reseach and development: Duboi (uncredited) | |
| Anthony Harris | .... | assistant color timer (uncredited) | |
| Christian Hejnal | .... | visual effects production assistant (uncredited) | |
| Afif Heukeshoven | .... | digital artist (uncredited) | |
| Chia-Chi Hu | .... | digital compositor (uncredited) | |
| Joanie Karnowski | .... | digital matchmoving artist: SPI (uncredited) | |
| Peregrine MacCafferty | .... | roto artist (uncredited) | |
| Johann Quéré | .... | visual effects (uncredited) | |
| Nicolas Rey | .... | 3D supervisor (uncredited) | |
| Georges Tornero | .... | digital compositor (uncredited) | |
| Daniel Trujillo | .... | digital compositor (uncredited) | |
Stunts | |||
| Marc Amyot | .... | stunt double | |
| Michel Bouis | .... | stunts | |
| André Cagnard | .... | stunts (as Andre Cagnard) | |
| Rémi Canaple | .... | stunts (as Remi Canaple) | |
| Patrick Cauderlier | .... | stunts | |
| Nicolas De Peretti | .... | stunt double | |
| Richard Dieux | .... | stunt coach | |
| Dominique Fouassier | .... | stunt coordinator | |
| Jean Girard | .... | stunts | |
| Jean-Pierre Janic | .... | stunts | |
| Jean-Claude Lagniez | .... | car stunt coordinator | |
| Pascal Mercuri | .... | stunts | |
| Jean-Loup Michon | .... | stunts (as Jean Loup Michou) | |
| Alison Parson | .... | stunts | |
| Leslie Rain | .... | stunts | |
| Catherine Robert | .... | stunts | |
| Alain Saugout | .... | stunts | |
| Jean-Pierre Suchet | .... | stunts | |
| Francis Terzian | .... | stunts | |
| Frédéric Vallet | .... | stunts (as Fred Vallet) | |
Casting Department | |||
| Frederic Caillierez | .... | assistant casting: France | |
| Marie-Sylvie Caillierez | .... | casting director: France | |
| Meredith Tucker | .... | casting associate | |
| Lucky Englander | .... | casting: Austria/Germany (uncredited) | |
| Fritz Fleischhacker | .... | casting: Austria/Germany (uncredited) | |
Costume and Wardrobe Department | |||
| Nathalie Cercuel | .... | costumer | |
| Laurence Guindollet | .... | costumer | |
| Véronique Portebois | .... | dresser (as Veronique Portebois) | |
| Germinal Rangel | .... | costume supervisor | |
Editorial Department | |||
| Jay Coquillon | .... | post-production coordinator | |
| Elise Fievet | .... | assistant editor | |
| Beatrice Herminie | .... | assistant editor | |
| Yvan Lucas | .... | color supervisor | |
| Bruno Patin | .... | color timer | |
| Christophe Pinel | .... | assistant editor | |
| Pierre Réali | .... | color timer (as Pierre Reali) | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| The City of Prague Philharmonic Orchestra | .... | orchestra | |
| Jan Holzner | .... | assistant score engineer | |
| Sumi Jo | .... | vocal soloist | |
| Wojciech Kilar | .... | score producer | |
| Stepán Konícek | .... | conductor (as Stepan Konicek) | |
| Suzana Peric | .... | music editor | |
| Vladimir Pilar | .... | concert master | |
| Phil Rowlands | .... | assistant score engineer | |
| James Timperley | .... | assistant score engineer | |
| John Timperley | .... | score engineer | |
| Rudolf Wiedermann | .... | orchestra contractor | |
Transportation Department | |||
| Phillipe Ayachi | .... | driver | |
| Oreste Canakis | .... | driver (as Oreste Ganakis) | |
| John Dawson | .... | driver | |
| Johan Graslin | .... | driver | |
| Michel Lazovich | .... | driver | |
| Ghislain Le Guisquet | .... | driver | |
| Philippe Mayer | .... | driver (as Phillipe Mayer) | |
| Pilar Robla | .... | transportation captain: Spain | |
| Mamadou Sall | .... | driver | |
Thanks | |||
| Brigitte Brauner | .... | special thanks: La Mairie De Paris | |
| Ray Marston | .... | special thanks | |
| Mireille Munch | .... | special thanks | |
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| End of Days | The Salton Sea | La terza madre | Killing Zoe | The Final Conflict |
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Ninth Gate is a masterpiece and it moves with weightless virtuosity. Polanski has contributed so many brilliant, quirky, unusual, visionesque, funny things. It was exhilarating to watch this graceful, lovely, stylish, mature bit of movie-making. Some of his earlier work has higher highs and lower lows, but this time he's come up with something so balanced in every respect that it seems close to perfect. It's fascinating to watch...the casting, storyline, editing, score, lighting, subtle use of effects...in fact, even his composition in the opening credits is interesting.
I am more inclined to talk about the movie as an entity and especially Polanski as a director then its components. Every detail is so carefully placed and so well integrated. Having been inspired by it to read the book it's based on, I can say that he has also accomplished that rare feat of improving the book's story line. Ninth Gate never wastes time. Every moment is calculated and has a reason. There is nothing artsy about this art, and for all its style, nothing bloated.
If you rent or purchase the DVD, in some cases it comes with a separate disk, where Polanski gives a brief analysis of almost every scene in the movie as they play. This is one case where the extra disc that comes with a movie may be at least as fascinating as the movie itself. Listening to him, and thinking about his work, drives home again the cloddish stupidity, bloated grandiosity posing as power, and utter lack of vision and artistry in almost everything produced today.
Hearing his voice on this discussion, the way he phrases, his accent, his interesting sense of humor, the way he compresses his considerable intellect for this quite sophisticated but casual chat with the viewer,(and you are not short shrifted here....he speaks for over an hour....the conversational tone simply has class) was like listening to an old friend I hadn't seen in a long time. He has a towering gift for film but expresses himself in such a funny canny unassuming way. A genuine and original artist and a terrific movie.