| Photos (see all 4 | slideshow) |
| Liza Weil | ... | Anna Stockard | |
| Chad Morgan | ... | Brenda Talbot | |
| Frederic Forrest | ... | Mr. Chaminski | |
| Kathryn Rossetter | ... | Carol Stockard | |
| Marc Riffon | ... | Martin | |
| Dan Montano | ... | Zak | |
| John G. Connolly | ... | John Woods | |
| Gary Wolf | ... | Eddie | |
| Tony Torn | ... | Mr. Stanley | |
| Trey Compton | ... | Sam | |
| Joe Mantragna | ... | Chris | |
| Matt Rumbaugh | ... | Tony | |
| Jim Neville | ... | Rob | |
| Garret Spencer | ... | Joe | |
| Destiny Matranga | ... | Lynn | |
| Mary Jo Roth | ... | Amy Peck | |
| Evie Mazzone | ... | Mrs. Wilson | |
| Michelle Yahn | ... | Principal | |
| Lenora Nemetz | ... | Principal | |
| Peter Gannon | ... | Henry Talbot | |
| Jean Cardello | ... | Karen Talbot | |
| Harold G. Herthum | ... | Howard (as Harold Herthum) | |
| Sean O'Brien | ... | Mr. Tibbets | |
| Frank Licato | ... | Real Estate Agent | |
| Charlie Schroeder | ... | Tom | |
| Zach Chapman | ... | Gus | |
| Christie Yahn Mazur | ... | Lady with Baby | |
| McKenzi Yahn Mazur | ... | Baby Eddie | |
| Susan Skoog | ... | Roxanne | |
| Ed Mattson | ... | Danny Boy |
Directed by | |||
| Susan Skoog | |||
Writing credits(in alphabetical order) | ||
| Susan Skoog | writer | |
Produced by | |||
| Ellin Baumel | .... | producer | |
| Kathy Bray | .... | associate producer | |
| Bill Durkin | .... | executive producer | |
| Paul Kolsby | .... | producer | |
| Jim Pedas | .... | executive producer | |
| Ted Pedas | .... | executive producer | |
| George Pelecanos | .... | executive producer (as George P. Pelecanos) | |
| Kevin Segalla | .... | producer | |
| Susan Skoog | .... | producer | |
| Nondas Voll | .... | associate producer | |
| Michelle Yahn | .... | producer | |
| Irwin Young | .... | executive producer | |
Original Music by | |||
| Walter Salas-Humara | |||
Cinematography by | |||
| Michael F. Barrow | |||
| Michael Mayers | |||
Film Editing by | |||
| Sandy Guthrie | |||
Casting by | |||
| Adrienne Stern | |||
Production Design by | |||
| Dina Goldman | |||
Set Decoration by | |||
| Lisa Schilling | |||
Costume Design by | |||
| Jill Kliber | |||
Makeup Department | |||
| Nuria Sitja | .... | key makeup artist | |
Production Management | |||
| Terra Abroms | .... | post-production supervisor | |
| Debi Zelko | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Joe Turner Lin | .... | second assistant director: New York | |
| Andrew Urtz | .... | first assistant director | |
Art Department | |||
| Sean Baxter | .... | swing: New York | |
| Cybel Martin | .... | painter: paintings | |
| Naji Sidki | .... | swing: New York | |
| Wendy Stefanelli | .... | props | |
Sound Department | |||
| Pembrooke Andrews | .... | assistant dialogue editor | |
| Gregg Barbanell | .... | foley artist | |
| Michael J. Broomberg | .... | foley artist (as Michael Broomberg) | |
| Harry Cohen | .... | sound effects editor | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Matthew T. Duncan | .... | sound re-recording assistant (as Mathew Duncan) | |
| Elisabeth Flaum | .... | sound effects editor | |
| Brian Geer | .... | foley mixer | |
| Michael Gonda | .... | second sound mixer | |
| Aleksandr Gruzdev | .... | sound re-recording mixer | |
| Michael Kamper | .... | sound effects editor | |
| Jason Lezama | .... | foley editor | |
| Curtis Mattikow | .... | sound recordist | |
| Vince Nicastro | .... | foley artist | |
| Colin Rogers | .... | adr recordist | |
| Joel E. Smith | .... | sound re-recording mixer | |
| Eric Thompson | .... | adr mixer | |
| Eric Thompson | .... | foley mixer | |
| Brandon Walker | .... | sound supervisor | |
| Tim Walston | .... | sound editor | |
Camera and Electrical Department | |||
| Mark Emmerick | .... | grip | |
| Joe Foley | .... | second gaffer | |
| Carol Forman | .... | second assistant camera | |
| John Giammatteo | .... | still photographer | |
| Mitchell Gross | .... | first assistant camera (as Mitch Gross) | |
| Mitchell Gross | .... | photographer: second unit (as Mitch Gross) | |
| Steve Krafft | .... | grip | |
| Ed Mattson | .... | key grip | |
| Sarah Mayer | .... | electrician | |
| Jonathan Stephens | .... | camera production assistant | |
| Atsushi Takaoka | .... | gaffer | |
| Rich Wilson | .... | still photographer | |
| Benjamin P. Wolf | .... | second assistant camera | |
Casting Department | |||
| Becky Glupczynski | .... | extras casting: New York | |
| Tina King | .... | casting assistant: Los Angeles | |
Costume and Wardrobe Department | |||
| Kim Cook | .... | wardrobe intern | |
| Pascal Gosset | .... | wardrobe supervisor | |
| Carrena Lukas | .... | wardrobe coordinator | |
Music Department | |||
| Barklie K. Griggs | .... | music supervisor | |
| Chris Kinsman | .... | music coordinator | |
| Liz Sroka | .... | music re-recording mixer | |
Other crew | |||
| Annette Apitz | .... | script supervisor | |
| Evan Bergman | .... | location manager: New York | |
| Barbara Blazeski | .... | production secretary | |
| Cortney Comack | .... | production intern | |
| Mark Eddy | .... | production assistant | |
| Mariam George | .... | craft service | |
| Linda Grindley | .... | production associate | |
| Judy Herman | .... | office production assistant | |
| Joe Hindman | .... | production assistant | |
| Holly Kempner | .... | title designer | |
| Christine Kozem | .... | production intern | |
| Jody Melto | .... | production associate | |
| Judy Moy | .... | production consultant | |
| Megan Park | .... | production associate | |
| Regina Park | .... | location manager | |
| Renee Rhoades | .... | production associate | |
| Laurie Rhodes | .... | post-production accountant | |
| Karen Richardsky | .... | production assistant | |
| Beena Salastekar | .... | production secretary | |
| Renee Starky | .... | production assistant | |
| Sue Beth Warren | .... | production associate | |
| Angela Weber | .... | production assistant | |
Thanks | |||
| Aaron Jay Kenny | .... | special thanks | |
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What a movie!!! A pleasant surprise I caught purely by accident the other night on the Sundance channel. As a person who was 13 in 1981, this movie struck a chord in me that wasn't just nostalgia. Most of the characters were memorable and more than just a little familiar to me; Ana, VERY real, I knew half a dozen girls like her, including me. Her English professor, the spiteful and vindictive Mr. Stanley, who didn't have a pain in the ass teacher like this? All of the various heads, drunks and sluts that flocked to Friday night keggers and house parties. Even her ever-hopeful, yet terribly sad mother was a brilliant touch. The script was so well written, in that, while there wasn't much of a real storyline, a few days in the life really, even the secondary characters were anything but one dimensional.
I loved the soundtrack as well, not only did it make me want to break out some of my highschool vinyl, it did a great job of enhancing scenes without taking over and drowning out the actors.
The best thing about this movie though, no FAKE, sugary Hollywood ending!